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Artworks

250 records
Two Monks Contemplating a Skull
Two Monks Contemplating a Skull
Giovanni Battista Tiepolo
Brush and brown ink and brush and brown wash, over traces of black chalk, on ivory laid paper, laid down on tan wove paper · 1725
Art Institute of Chicago
The Flight Into Egypt
The Flight Into Egypt
Giovanni Battista Tiepolo
Pen and brown ink, brush and brown wash, over black chalk, on off-white laid paper · 1725
Art Institute of Chicago
Ceiling Design
Ceiling Design
Vittorio Maria Bigari
Red chalk, red, pale gray wash Support: paper · 1725
Cooper Hewitt, Smithsonian Design Museum
Flaying of Marsyas
Flaying of Marsyas
Jean-Baptiste van Loo, French
Red chalk with traces of graphite, brush and green and black watercolor on laid paper · 1725
Cooper Hewitt, Smithsonian Design Museum
Hexagonal Balustrade Tea Caddy
Hexagonal Balustrade Tea Caddy
Joseph Philipp Dannhöfer, German
hard paste porcelain, vitreous enamel, gold · 1725
Cooper Hewitt, Smithsonian Design Museum
Caricatures
Caricatures
Carlo Marchionni, Italian
Graphite, pen, brush and sepia ink on laid paper · 1725
Cooper Hewitt, Smithsonian Design Museum
A genre scene
A genre scene
Carlo Marchionni, Italian
Pen and black ink on laid paper · 1725
Cooper Hewitt, Smithsonian Design Museum
A standing boy
A standing boy
Simone Cantarini, Italian
black crayon, paper · 1725
Cooper Hewitt, Smithsonian Design Museum
Studies for a religious representation
Studies for a religious representation
Filippo Marchionni, Italian
Charcoal, brush and wash, white heightening on paper · 1725
Cooper Hewitt, Smithsonian Design Museum
Handkerchief (The Oxford Almanack For the Year of Our Lord MDCCXXXV)
Handkerchief (The Oxford Almanack For the Year of Our Lord MDCCXXXV)
George Vertue
Silk, plain weave; copperplate printed · 1725
Art Institute of Chicago
Main and side elevations of the right wing of a house for Monsieur Gédéon Mallet in Geneva
Main and side elevations of the right wing of a house for Monsieur Gédéon Mallet in Geneva
Jean François Blondel, French
Pen and ink, brush and watercolor, graphite on paper · 1725
Cooper Hewitt, Smithsonian Design Museum
Design for decoration of a title page
Design for decoration of a title page
Carlo Marchionni, Italian
Graphite, pen and dark ink, brush and gray watercolor on laid paper · 1725
Cooper Hewitt, Smithsonian Design Museum
Sketch, for an office building (possibly Villa Albani)
Sketch, for an office building (possibly Villa Albani)
Carlo Marchionni, Italian
Graphite, pen and ink, brush and gray watercolor · 1725
Cooper Hewitt, Smithsonian Design Museum
Sketches
Sketches
Carlo Marchionni, Italian
Pen and ink on laid paper · 1725
Cooper Hewitt, Smithsonian Design Museum
Design for left half of a portal with balcony
Design for left half of a portal with balcony
Carlo Marchionni, Italian
Graphite, pen and ink, brush and gray watercolor on laid paper · 1725
Cooper Hewitt, Smithsonian Design Museum
Decoration of an Oblong Panel and an Escutcheon
Decoration of an Oblong Panel and an Escutcheon
Filippo Marchionni, Italian
Red crayon, brush and brown watercolor and wash on laid paper · 1725
Cooper Hewitt, Smithsonian Design Museum
The Synagogue
The Synagogue
Alessandro Magnasco
Oil on canvas · 1725
Art Institute of Chicago
Porringer
Porringer
Moody Russell
Silver · 1725
Art Institute of Chicago
Crèche
Crèche
Neapolitan
Mixed media including cloth, cork, gouache, metal, moss, papier-mâché, polychrome, terracotta, straw, watercolor, wax, and wood · 1725
Art Institute of Chicago
Left Hand of Moses
Left Hand of Moses
Michelangelo
Red chalk counterproof, with traces of brown chalk, on cream laid paper · 1725
Art Institute of Chicago
Entwurff Einer Historischen Architectur (5 parts)
Entwurff Einer Historischen Architectur (5 parts)
Johann Bernhard Fischer von Erlach
Illustrations: engraving · 1725
The Metropolitan Museum of Art
Antonio Maria Biscioni (1674–1756)
Antonio Maria Biscioni (1674–1756)
Lorenzo Maria Weber
Bronze · 1725
The Metropolitan Museum of Art
Portrait of a Lady
Portrait of a Lady
Christian Friedrich Zincke
1725
Art Institute of Chicago
The Fisherboy
The Fisherboy
François Boucher
Black chalk with stumping, heightened with white gouache, on blue laid paper · 1725
Art Institute of Chicago
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