Database / Artworks
Artworks
The Head of the Ghost of a Flea. Verso: A Profile and a Reduced Drawing of Milton’s First Wife
William Blake
Graphite on paper. Verso: graphite on paper · 1819
Tate
Crypt in the Church of St Gervais, Rouen
John Sell Cotman
Graphite and watercolour on paper · 1819
Tate
Hampstead Heath, with the House Called ‘The Salt Box’
John Constable
Oil paint on canvas · 1819
Tate
Portrait of Don Juan Antonio Cuervo
Francisco de Goya
oil on canvas · 1819
Cleveland Museum of Art
Mr. Young as Iago
John William Gear
Hand colored lithograph · 1819
The Metropolitan Museum of Art
Benjamin Rouse
John Wesley Jarvis
oil on canvas · 1819
Cleveland Museum of Art
The Hero of the Chase
Richard Dighton
etching, hand colored · 1819
Cleveland Museum of Art
La Bergere Filante
Wilhelm Alexander Wolfgang von Kobell
aquatint on paper · 1819
Rijksmuseum
Whitby
John Sell Cotman
etching · 1819
Cleveland Museum of Art
Hertog van Wellington
Peter Rouw
striking (metalworking) on bronze (metal) · 1819
Rijksmuseum
The Hero of the Chase
Richard Dighton, British
etching, hand colored · 1819
Cleveland Museum of Art
Card Table
Isaac Vose & Son
Mahogany, satinwood veneer, iron and brass · 1819
Art Institute of Chicago
Conflagration of the Masonic Hall, Chestnut Street, Philadelphia, Pennsylvania
Samuel Jones
Oil on mahogany panel · 1819
Art Institute of Chicago
Landscape with a Ruined Castle
John Martin
Brush and brown ink and wash, over traces of graphite on cream wove paper, laid down on tan board · 1819
Art Institute of Chicago
Groom Leading a Horse
Jean Louis André Théodore Géricault
Graphite, on cream laid paper, perimeter mounted on cream wove paper · 1819
Art Institute of Chicago
Sea Horses
Suzanne Duchamp
Watercolor, pen, and brush and black ink on cream wove paper; laid down onto buff wove paper · 1819
Art Institute of Chicago
Handkerchief
Cornelius Tiebout
Cotton, plain weave; copperplate printed · 1819
Art Institute of Chicago
Swiss Sentry at the Louvre
Jean Louis André Théodore Géricault
Lithograph on ivory wove paper (discolored to cream) · 1819
Art Institute of Chicago
The Caricature Magazine, or Hudibrastic Mirror, Vol. I and II
George Woodward
Book with hand-colored etchings in black on cream wove paper · 1819
Art Institute of Chicago
Aided by Eeriboia, Hermes Carries Off the Exhausted Ares from the Sleeping Sons of Aloeus (recto); Sketch of One of the Sleeping Sons of Aloeus (verso)
Henry Fuseli
Graphite and brush and black wash, with touches of charcoal (recto), and graphite (verso), on cream wove paper · 1819
Art Institute of Chicago
Portfolio Cover for Picturesque Views of American Scenery, No. II
John Hill
Letterpress on blue wove paper · 1819
Art Institute of Chicago
Norfolk; From Gosport, Virginia, plate five of the second number of Picturesque Views of American Scenery
John Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago
Burning of Savannah, plate four of the second number of Picturesque Views of American Scenery
John Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago
Lynnhaven Bay, plate one of the second number of Picturesque Views of American Scenery
John Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago