Database / Artworks
Artworks
Plate Four from Misery
Charles Rambert
Lithograph in black on cream China paper, laid down on ivory wove paper (chine collé) · 1851
Art Institute of Chicago
Plate Six from Misery
Charles Rambert
Lithograph in black on cream China paper, laid down on ivory wove paper (chine collé) · 1851
Art Institute of Chicago
Plate Eight from Misery
Charles Rambert
Lithograph in black on cream China paper, laid down on ivory wove paper (chine collé) · 1851
Art Institute of Chicago
Plate Seven from Misery
Charles Rambert
Lithograph in black on cream China paper, laid down on ivory wove paper (chine collé) · 1851
Art Institute of Chicago
Plate Three from Misery
Charles Rambert
Lithograph in black on cream China paper, laid down on ivory wove paper (chine collé) · 1851
Art Institute of Chicago
Title Page from Misery
Charles Rambert
Lithograph in black on cream China paper, laid down on ivory wove paper (chine collé) · 1851
Art Institute of Chicago
Plate Five from Misery
Charles Rambert
Lithograph in black on cream China paper, laid down on ivory wove paper (chine collé) · 1851
Art Institute of Chicago
Plate Two from Misery
Charles Rambert
Lithograph in black on cream China paper, laid down on ivory wove paper (chine collé) · 1851
Art Institute of Chicago
Plate One from Misery
Charles Rambert
Lithograph in black on cream China paper, laid down on ivory wove paper (chine collé) · 1851
Art Institute of Chicago
A Woodland Study
Samuel Palmer
Brush and black and brown washes, with white gouache and scraping, ruled in graphite, on ivory paperboard · 1851
Art Institute of Chicago
Letter: Stop Thief
George Cruikshank
Signed letter in pen and brown ink, with several sketches in pen and brown ink, and one entire sheet of sketches in graphite and watercolor, signed in pen and black ink, on two sheets of cream wove paper · 1851
Art Institute of Chicago
Doorway of an Ancient Convent, in the rue Mirabeau, Bourges
Charles Méryon
Etching on tan wove paper · 1851
Art Institute of Chicago
Modern Ballooning, or the Newest Phase of Folly from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853 (top)
George Cruikshank
Two steel etchings in black on cream India paper, laid down on off-white card (chine collé) · 1851
Art Institute of Chicago
Alarming Sacrifice from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853 (top left)
George Cruikshank
Four steel etchings in black on cream India paper, laid down on off-white card (chine collé) · 1851
Art Institute of Chicago
Probable Effects of Over Female Emigration, or Importing the Fair Sex from the Savage Islands in Consequence of Exporting All Our Own to Australia!!!!! from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853
George Cruikshank
Steel etching in black on cream India paper, laid down on off-white card (chine collé) · 1851
Art Institute of Chicago
The Smolnoi Monastery
Roger Fenton
Salted paper print · 1851
Art Institute of Chicago
Usury
Charles Rambert
Zincograph in black on tan wove paper, laid down on ivory wove paper · 1851
Art Institute of Chicago
Saint Peter!, from Souvenirs d’Italie: Expédition de Rome
Denis Auguste Marie Raffet
Lithograph in black on buff wove laid down on ivory wove paper · 1851
Art Institute of Chicago
Expedition to Rome, 1849: Your reception is neither polite nor politic, from Souvenirs d’Italie: Expédition de Rome
Denis Auguste Marie Raffet
Lithograph in black with white heightening over a fawn tint on buff wove chine laid down on ivory wove paper · 1851
Art Institute of Chicago
Ruin of an Amphitheatre at Pouzzoles (Kingdom of Naples), plate 9 from Oeuvres de A. Calame
Alexandre Calame
Lithograph on buff chine collé, laid down on off-white wove paper · 1851
Art Institute of Chicago
The French Army Landing at Civita-Vecchia, April 25, 1849, from Souvenirs d’Italie: Expédition de Rome
Denis Auguste Marie Raffet
Lithograph in black on buff wove China paper laid down on ivory wove paper · 1851
Art Institute of Chicago
Robert Mills and Elizabeth ("Eliza") Barnwell Smith Mills
Jesse H. Whitehurst, Oct 1819 - Sept 8, 1875
Half-plate daguerreotype · 1851
National Portrait Gallery
Portrait of Hiram Powers' Daughter
Miner Kilbourne Kellogg
oil paint · 1851
Smithsonian American Art Museum
Caricatorial Portrait of Pierre-Jean de Beranger
Étienne Carjat
Charcoal, heightened with white gouache, on tan wove paper, laid down on ivory card · 1851
Art Institute of Chicago