Database / Artworks
Artworks
Cathedrale de Chartres
Charles Nègre
Photogravure · 1856
Art Institute of Chicago
Helen Louisa Phelps
Chauncey Bradley Ives
marble · 1856
Smithsonian American Art Museum
Trees on a Mountainside
Jean-Baptiste Camille Corot
Cliché-verre on ivory photographic paper · 1856
Art Institute of Chicago
Young Mother at the Edge of the Woods
Jean-Baptiste Camille Corot
Cliché-verre on ivory photographic paper · 1856
Art Institute of Chicago
The Tower of Henry VIII
Jean-Baptiste Camille Corot
Cliché-verre on ivory photographic paper · 1856
Art Institute of Chicago
The Woodcutter
Jean-Baptiste Camille Corot
Cliché-verre on ivory photographic paper · 1856
Art Institute of Chicago
The Painters' Walk
Jean-Baptiste Camille Corot
Cliché-verre on ivory photographic paper · 1856
Art Institute of Chicago
The Garden of Pericles
Jean-Baptiste Camille Corot
Cliché-verre on ivory photographic paper · 1856
Art Institute of Chicago
Stump Speaking
Louis Adolphe Gautier, French
hand-colored engraving · 1856
Smithsonian American Art Museum
Portrait of Freeman Cary
Robert S. Duncanson
oil on canvas · 1856
Smithsonian American Art Museum
Mrs. Thomas B. Bryan
George Peter Alexander Healy
oil paint · 1856
Smithsonian American Art Museum
Puck
Harriet Hosmer
marble · 1856
Smithsonian American Art Museum
Dorchester 1856
Edward Mitchell Bannister
oil on canvas · 1856
Smithsonian American Art Museum
Lunar Law, No. 1
Charles Méryon
Etching with foul biting, hand-colored with watercolor, on ivory laid paper · 1856
Art Institute of Chicago
Portrait of Casimir le Conte
Charles Méryon
Etching on grayish ivory laid chine · 1856
Art Institute of Chicago
Poetry IV
Félicien Rops
Lithograph in black, with scraping (with letterpress on verso), on ivory wove paper, laid down on white wove paper · 1856
Art Institute of Chicago
The Vigil
Jean-François Millet
Etching from a zinc plate in warm black on ivory laid China paper hinged at lower left corner to ivory card · 1856
Art Institute of Chicago
The Vigil
Jean-François Millet
Etching from zinc plate on ivory laid China paper · 1856
Art Institute of Chicago
Morning
William Henry Rinehart
plaster · 1856
Smithsonian American Art Museum
Portrait of Casimir le Conte
Charles Méryon
Etching on ivory laid paper · 1856
Art Institute of Chicago
Portrait of Casimir le Conte
Charles Méryon
Etching on ivory wove vellum paper · 1856
Art Institute of Chicago
The Pilot of Tonga
Charles Méryon
Etching, from two plates, one in black and one in red (brownish), on ivory laid paper · 1856
Art Institute of Chicago
Mount Chocorua
William James Stillman
oil paint · 1856
Smithsonian American Art Museum
Flemish Interior
Rodolphe Bresdin
Lithograph (etching transfer) on light gray China paper laid down on off-white wove paper · 1856
Art Institute of Chicago