Database / Artworks
Artworks
Dish in Shape of a Silver Sauceboat Stand (One of a Pair)
Chelsea Porcelain Manufactory, English
ceramics, decorative arts, dish — soft paste porcelain, vitreous enamel · 1750
Cooper Hewitt, Smithsonian Design Museum
Dish in Shape of a Silver Sauceboat Stand (One of a Pair)
Chelsea Porcelain Manufactory, English
ceramics, decorative arts, dish — soft paste porcelain, vitreous enamel · 1750
Cooper Hewitt, Smithsonian Design Museum
Sauceboat (One of a Pair)
Bow Porcelain Manufactory, English, active ca. 1744 – 1776
ceramics, decorative arts, sauceboat — soft paste porcelain, gold · 1750
Cooper Hewitt, Smithsonian Design Museum
Grotesque Heads
Pietro Antonio Novelli, Italian
figures, drawing — pen and ink on paper · 1750
Cooper Hewitt, Smithsonian Design Museum
Jardinière
Mennecy Porcelain Manufactory, French, active 1735 – 1773
ceramics, decorative arts, jardinière — soft paste porcelain, vitreous enamel · 1750
Cooper Hewitt, Smithsonian Design Museum
Vase
Munden
ceramics, decorative arts, vase — tin-glazed earthenware · 1750
Cooper Hewitt, Smithsonian Design Museum
Staircase to Arcade in Bishop’s Palace
Giovanni Battista Natali III, Italian
architecture, drawing — pen and brown ink, gray wash on laid paper · 1750
Cooper Hewitt, Smithsonian Design Museum
Stage Design: Palace architecture
Giuseppe Barberi, Italian
architecture, drawing — graphite, pen and bistre, brush and sepia wash on paper · 1750
Cooper Hewitt, Smithsonian Design Museum
Design for an Altar Lamp
Filippo Marchionni, Italian
metalwork, drawing — brush and watercolor, graphite on paper · 1750
Cooper Hewitt, Smithsonian Design Museum
Architectural Design Around Door
Giovanni Battista Natali III, Italian
architecture, drawing — pen and brown ink, gray wash, black chalk on laid paper · 1750
Cooper Hewitt, Smithsonian Design Museum
Sketches for a Ceiling Painting: The Triumphant Church
Domenico Antonio Vaccaro, Italian
interiors, drawing — pen and brown ink, brush and gray wash on laid paper; verso: black chalk · 1750
Cooper Hewitt, Smithsonian Design Museum
Two Window Cases
Filippo Marchionni, Italian
architecture, drawing — graphite, pen and ink, brush and gray watercolor on laid paper · 1750
Cooper Hewitt, Smithsonian Design Museum
Frame for a town gate with alternate suggestions
Filippo Marchionni, Italian
architecture, drawing — graphite, charcoal, brush and watercolor on paper · 1750
Cooper Hewitt, Smithsonian Design Museum
Rocaille Motif, from Set No. 76
Franz Xaver Habermann, German
print — etching on paper · 1750
Cooper Hewitt, Smithsonian Design Museum
Rocaille Motifs and Dados, from Set No. 120
Franz Xaver Habermann, German
print — etching on paper · 1750
Cooper Hewitt, Smithsonian Design Museum
Adoration of the Shepherds
Francesco Saverio Mergolo, Italian
figures, drawing — pen and brown ink, brush and gray, brown wash, black chalk on paper · 1750
Cooper Hewitt, Smithsonian Design Museum
Designs for an Altar Mensa
Giuseppe Barberi, Italian
furniture, drawing — pen and brown ink, brush and gray wash on off-white laid paper, lined · 1750
Cooper Hewitt, Smithsonian Design Museum
Upper Corner of a Window Frame
Filippo Marchionni, Italian
architecture, drawing — black crayon, brush and sepia wash on laid paper · 1750
Cooper Hewitt, Smithsonian Design Museum
Two Magi and a Boy, plate 13 from the Scherzi di Fantasia
Giovanni Battista Tiepolo, Italian
figures, print — etching on laid paper · 1750
Cooper Hewitt, Smithsonian Design Museum
Vase Duplessis à fleurs balustre rocaille
Vincennes porcelain factory
Vase · 1750
Victoria and Albert Museum
Vase Duplessis à fleurs balustre rocaille
Vincennes porcelain factory
Vase · 1750
Victoria and Albert Museum
Vase Duplessis à fleurs balustre rocaille
Vincennes porcelain factory
Vase · 1750
Victoria and Albert Museum
Window Cases with Alternate Suggestions
Filippo Marchionni, Italian
architecture, drawing — graphite, red crayon, brush, and gray watercolor on laid paper · 1750
Cooper Hewitt, Smithsonian Design Museum
Study for Reclining Nude
François Boucher, French
portraits, drawing — red and white chalk on cream paper · 1750
Cooper Hewitt, Smithsonian Design Museum