Database / Artworks
Artworks
Young Peasant Having Her Coffee
Camille Pissarro
Oil on canvas · 1881
Art Institute of Chicago
Two Sisters (On the Terrace)
Pierre-Auguste Renoir
Oil on canvas · 1881
Art Institute of Chicago
The Descent from the Summit: Jean Martin Steadies Hélène, the Banker’s Daughter (Illustration for Edmond Renoir’s “L’étiquette”) (recto); Half-Length Sketch of a Woman (verso)
Pierre-Auguste Renoir
Black chalk (recto and verso) on ivory laid paper (discolored to tan) · 1881
Art Institute of Chicago
Valentine
Kate Greenaway
White card, chromolithography · 1881
The Metropolitan Museum of Art
Eve
Auguste Rodin
Bronze · 1881
The Metropolitan Museum of Art
Samuel Gray Ward
Augustus Saint-Gaudens
Bronze · 1881
The Metropolitan Museum of Art
Vignette (in-text plate, title page) from A Glove, Opus VI (Ein Handschuh, Opus VI)
Max Klinger
Etched title page from a portfolio of seven etchings, three etching and aquatints with chine collé and etched title page · 1881
Museum of Modern Art
Moonlight (Mondnacht) from Intermezzi, Opus IV
Max Klinger
Etching and aquatint with chine collé from a portfolio of seven etching and aquatints and five etchings, all with chine collé · 1881
Museum of Modern Art
Landslide (Bergsturz) from Intermezzi, Opus IV
Max Klinger
Etching and aquatint with chine collé from a portfolio of seven etching and aquatints and five etchings, all with chine collé · 1881
Museum of Modern Art
Simplicius among the Soldiers (Simplicius unter den Soldaten) from Intermezzi, Opus IV
Max Klinger
Etching with chine collé from a portfolio of seven etching and aquatints and five etchings, all with chine collé · 1881
Museum of Modern Art
Simplicius' Writing Lesson (Simplici Schreibstunde) from Intermezzi, Opus IV
Max Klinger
Etching with chine collé from a portfolio of seven etching and aquatints and five etchings, all with chine collé · 1881
Museum of Modern Art
Simplicius in the Wilderness (Simplicius in der Waldeinöde) from Intermezzi, Opus IV
Max Klinger
Etching with chine collé from a portfolio of seven etching and aquatints and five etchings, all with chine collé · 1881
Museum of Modern Art
Fallen Rider (Gefallener Reiter) from Intermezzi, Opus IV
Max Klinger
Etching with chine collé from a portfolio of seven etching and aquatints and five etchings, all with chine collé · 1881
Museum of Modern Art
By the Sea (Am Meer) from Intermezzi, Opus IV
Max Klinger
Etching and aquatint with chine collé from a portfolio of seven etching and aquatints and five etchings, all with chine collé · 1881
Museum of Modern Art
Simplicius at the Hermit's Grave (Simplicius am Grabe des Einsiedlers) from Intermezzi, Opus IV
Max Klinger
Etching with chine collé from a portfolio of seven etching and aquatints and five etchings, all with chine collé · 1881
Museum of Modern Art
Pursued Centaur (Verfolgter Centaur) from Intermezzi, Opus IV
Max Klinger
Etching and aquatint with chine collé from a portfolio of seven etching and aquatints and five etchings, all with chine collé · 1881
Museum of Modern Art
Battling Centaurs (Kämpfende Centauren) from Intermezzi, Opus IV
Max Klinger
Etching and aquatint with chine collé from a portfolio of seven etching and aquatints and five etchings, all with chine collé · 1881
Museum of Modern Art
Fears (Ängste) (plate VII) from A Glove, Opus VI (Ein Handschuh, Opus VI)
Max Klinger
Etching with chine collé from a portfolio of seven etchings with chine collé, three etching and aquatints with chine collé and etched title page · 1881
Museum of Modern Art
Rescuse (Rettung) (plate IV) from A Glove, Opus VI (Ein Handschuh, Opus VI)
Max Klinger
Etching with chine collé from a portfolio of seven etchings with chine collé, three etching and aquatints with chine collé and etched title page · 1881
Museum of Modern Art
Repose (Ruhe) (plate VIII) from A Glove, Opus VI (Ein Handschuh, Opus VI)
Max Klinger
Etching with chine collé from a portfolio of seven etchings with chine collé, three etching and aquatints with chine collé and etched title page · 1881
Museum of Modern Art
Chair No. 14
Michael Thonet
Beechwood and cane · 1881
Museum of Modern Art
Triumph (plate V) from A Glove, Opus VI (Ein Handschuh, Opus VI)
Max Klinger
Etching with chine collé from a portfolio of seven etchings with chine collé, three etching and aquatints with chine collé and etched title page · 1881
Museum of Modern Art
Cupid (Amor) (plate X) from A Glove, Opus VI (Ein Handschuh, Opus VI)
Max Klinger
Etching with chine collé from a portfolio of seven etchings with chine collé, three etching and aquatints with chine collé and etched title page · 1881
Museum of Modern Art
Yearnings (Wünsche) (plate III) from A Glove, Opus VI (Ein Handschuh, Opus VI)
Max Klinger
Etching and aquatint with chine collé from a portfolio of seven etchings with chine collé, three etching and aquatints with chine collé and etched title page · 1881
Museum of Modern Art