Database / Artworks
Artworks
In the Wine-Press, the Grape was Crushed, plate 48 from Miserere
Georges Rouault
Heliogravure, with aquatint, roulette, and drypoint on paper · 1922
Art Institute of Chicago
Death Took Him as he Rose from his Bed of Nettles, plate 45 from Miserere
Georges Rouault
Heliogravure, with sugar-lift, burnishing, and drypoint on paper · 1922
Art Institute of Chicago
We Have to Die, We and All That is Ours, plate 43 from Miserere
Georges Rouault
Heliogravure, with sugar-lift, roulette, and drypoint on paper · 1922
Art Institute of Chicago
We Are Fools, plate 39 from Miserere
Georges Rouault
Heliogravure, with sugar-lift, scraping, burnishing, roulete, and drypoint on paper · 1922
Art Institute of Chicago
Among so many different commands lies the beautiful task of sowing on a hostile earth, plate 22 from Miserere
Georges Rouault
Heliogravure with sugar-lift aquatint, scraping, burnishing, drypoint on paper · 1922
Art Institute of Chicago
Winter, Earth's Leper, plate 24 from Miserere
Georges Rouault
Heliogravure with sugar-lift aquatint, drypoint, roulette and burnishing on paper · 1922
Art Institute of Chicago
Street of the Lonely, plate 23 from Miserere
Georges Rouault
Heliogravure with sugar-lift aquatint, roulette, drypoint on paper · 1922
Art Institute of Chicago
A Girl, Called Joy, plate fourteen from Miserere
Georges Rouault
Heliogravure, with aquatint, scraping, burnishing and drypoint on paper · 1922
Art Institute of Chicago
Alone in this life of pitfalls and malice, plate five from Miserere
Georges Rouault
Heliogravure with burnishing, roulette and drypoint on paper · 1922
Art Institute of Chicago
The Privileged Lady Thinks She has a Reserved Seat in Heaven, plate sixteen from Miserere
Georges Rouault
Heliogravure with aquatint, scraping, burnishing and roulette on paper · 1922
Art Institute of Chicago
"BLUE DOG" Shark
John Orne Johnson Frost
carved and painted wood with iron hooks · 1922
Smithsonian American Art Museum
PORPOISE
John Orne Johnson Frost
carved and painted wood with iron hooks · 1922
Smithsonian American Art Museum
Storm near Timberline
George Elbert Burr
etching and soft-ground etching on paper · 1922
Smithsonian American Art Museum
The Bad Grain will Sprout Tomorrow, rejected plate from Miserere
Georges Rouault
Etching and aquatint on paper · 1922
Art Institute of Chicago
Untitled (drawing for print)
George Elbert Burr
pencil on paper · 1922
Smithsonian American Art Museum
Bridge at Old Lyme
Childe Hassam
etching and drypoint on paper · 1922
Smithsonian American Art Museum
Old Pine, Estes Park
George Elbert Burr
colored soft-ground etching with hand-coloring on paper · 1922
Smithsonian American Art Museum
Untitled (transfer drawing for Old Pine, Estes Park)
George Elbert Burr
pencil on paper · 1922
Smithsonian American Art Museum
Old Cedars and Spanish Peaks
George Elbert Burr
etching on paper · 1922
Smithsonian American Art Museum
Lunch Hour
George Overbury ("Pop") Hart
lithograph on paper · 1922
Smithsonian American Art Museum
Wendell Phillips Stafford
Moses Wainer Dykaar
plaster · 1922
Smithsonian American Art Museum
Alexander Graham Bell
Moses Wainer Dykaar
plaster · 1922
Smithsonian American Art Museum
May Almighty God Save us from Eternal Death
Lovis Corinth
Lithograph on paper · 1922
Art Institute of Chicago
Untitled (transfer drawing for Storm near Timberline)
George Elbert Burr
pencil on paper · 1922
Smithsonian American Art Museum