Database / Artworks
Artworks
First a pool of water, then a prostitute, the corner of a temple, a soldier's face, a chariot with two rearing white horses, plate 1 from The Temptation of Saint Anthony (1st series)
Odilon Redon
Lithograph in black on ivory China paper laid down on ivory wove paper · 1888
Art Institute of Chicago
Little Prelate
Odilon Redon
Drypoint on cream laid paper · 1888
Art Institute of Chicago
The Abbey Farm
Alphonse Legros
Etching and drypoint on buff laid paper · 1888
Art Institute of Chicago
Château de Verneuil, Touraine
James McNeill Whistler
Etching with foul biting in black ink on cream Japanese paper · 1888
Art Institute of Chicago
Court of the Monastery of St Augustine, Bourges
James McNeill Whistler
Etching with foul biting in dark brown ink on ivory laid paper · 1888
Art Institute of Chicago
Booth, Market Place, Loches
James McNeill Whistler
Etching with foul biting in black ink on ivory laid paper · 1888
Art Institute of Chicago
Hôtel de la Promenade, Loches
James McNeill Whistler
Etching with foul biting in dark brown ink on ivory laid paper · 1888
Art Institute of Chicago
Hôtel Lallemont, Bourges
James McNeill Whistler
Etching and drypoint with foul biting in black ink on ivory laid paper · 1888
Art Institute of Chicago
Château Touraine
James McNeill Whistler
Etching with foul biting in dark brown ink on ivory laid paper · 1888
Art Institute of Chicago
Hôtel de la Croix Blanche
James McNeill Whistler
Etching with foul biting in black ink on ivory laid paper · 1888
Art Institute of Chicago
Quai de Montebello
James McNeill Whistler
Etching with foul biting in black ink on buff laid paper · 1888
Art Institute of Chicago
Shaving and Shampooing
James McNeill Whistler
Etching with foul biting in black ink on ivory laid paper · 1888
Art Institute of Chicago
York Street, Westminster
James McNeill Whistler
Etching and drypoint with foul biting in black ink on ivory laid paper · 1888
Art Institute of Chicago
Justice Walk, Chelsea
James McNeill Whistler
Etching and drypoint with foul biting in black ink on ivory laid paper · 1888
Art Institute of Chicago
Fleurs Stylises
Arthur Silver
Cotton, plain weave with supplementary pile warps forming cut solid velvet; block printed · 1888
Art Institute of Chicago
Two Women, Bust Length
Émile Bernard
Woodcut in green/black on buff wove paper · 1888
Art Institute of Chicago
Ontario Beach, Charlotte, N.Y., from the series "Niagara Falls, New York"
George Barker
Albumen print, stereo · 1888
Art Institute of Chicago
The Indian Ghost Dancer
Paul Wayland Bartlett
bronze · 1888
Smithsonian American Art Museum
The Private Dining Room, Fifth Plate
Jean-Louis Forain
Lithograph on white vellum · 1888
Art Institute of Chicago
The Loafer
Ignaz Marcel Gaugengigl
etching on paper · 1888
Smithsonian American Art Museum
Extraordinary Musicians
James Ensor
Etching with drypoint on zinc in black on cream wove (simili-Japan) paper · 1888
Art Institute of Chicago
The Terrible Archer
James Ensor
Etching on zinc in black on cream wove paper · 1888
Art Institute of Chicago
The Gendarmes
James Ensor
Etching and drypoint with plate tone from a zinc plate, on cream wove paper · 1888
Art Institute of Chicago
Two Sketches of Reinach in the Arms of the Republic
Jean-Louis Forain
Colored crayons and brush and black ink, on ivory wove paper · 1888
Art Institute of Chicago