Database / Artworks
Artworks
Billbergia
Imogen Cunningham
Gelatin silver print · 1924
Art Institute of Chicago
Untitled
Albert Renger-Patzsch
Gelatin silver print · 1924
Art Institute of Chicago
Hands From a Relief of the Pietà in the Tabernacle by Desiderio da Settignano
Clarence Kennedy
Gelatin silver print · 1924
Art Institute of Chicago
Back
Imogen Cunningham
Gelatin silver print · 1924
Art Institute of Chicago
Untitled
Berenice Abbott
Gelatin silver print · 1924
Art Institute of Chicago
Self-Portrait
Michel Seuphor
Gelatin silver print · 1924
Art Institute of Chicago
Daphne
Franz Roh
Gelatin silver print · 1924
Art Institute of Chicago
Part of a Pilaster of the Tabernacle by Desiderio da Settignano
Clarence Kennedy
Gelatin silver print · 1924
Art Institute of Chicago
Angel's head from the frieze of the Tabernacle by Desiderio da Settignano
Clarence Kennedy
Gelatin silver print · 1924
Art Institute of Chicago
Untitled
Heinz Hajek-Halke
Gelatin silver print · 1924
Art Institute of Chicago
Berenice Abbott
Walker Evans
Gelatin silver print · 1924
Art Institute of Chicago
Kozu, Osaka, from the series "Souvenirs of Travel, Third Series (Tabi miyage dai sanshu)"
Kawase Hasui
Color woodblock print · 1924
Art Institute of Chicago
The Bandit's Cave, from Six American Etchings (series one): The New Republic
John Sloan
Etching in black on cream wove paper · 1924
Art Institute of Chicago
Play, from Six American Etchings (series one): The New Republic
Kenneth Hayes Miller
Drypoint in black on cream wove paper · 1924
Art Institute of Chicago
Deer and Hinds (Cerf et Biches) Vase
Kéramis Boch Frères
Glazed stoneware · 1924
Art Institute of Chicago
Vase
Emile Decoeur
Green glazed stoneware · 1924
Art Institute of Chicago
Cinéraires (No. 4)
Edouard Bénédictus
Cotton and rayon, warp-float faced 7:1 satin weave of two-color complementary ground wefts self-patterned by areas of weft-float faced 1:7 satin interlacings, weft-float faced 1:3 'Z' twill interlacings and areas of paired warp and weft plain weave · 1924
Art Institute of Chicago
Les Feuilles (No. 3)
Edouard Bénédictus
Cotton and rayon, warp-float faced 7:1 satin weave of two-color complementary wefts self-patterned by areas of weft-float faced 1:7 and 1:15 satin interlacings and weft-float faced 1:3 'Z' twill interlacings · 1924
Art Institute of Chicago
Cinéraires (No. 4)
Edouard Bénédictus
Cotton and rayon, warp-float faced 7:1 satin weave of two-color complementary ground wefts self-patterned by areas of weft-float faced 1:7 satin interlacings, weft-float faced 1:3 'Z' twill interlacings and areas of paired warp and weft plain weave · 1924
Art Institute of Chicago
Cinéraires (No. 4)
Edouard Bénédictus
Cotton and rayon, warp-float faced 7:1 satin weave of two-color complementary ground wefts self-patterned by areas of weft-float faced 1:7 satin interlacings, weft-float faced 1:3 'Z' twill interlacings and areas of paired warp and weft plain weave · 1924
Art Institute of Chicago
Les Feuilles (No. 3)
Edouard Bénédictus
Cotton and rayon, warp-float faced 7:1 satin weave of two-color complementary wefts self-patterned by areas of weft-float faced 1:7 and 1:15 satin interlacings and weft-float faced 1:3 'Z' twill interlacings · 1924
Art Institute of Chicago
Cinéraires (No. 4)
Edouard Bénédictus
Cotton and rayon, warp-float faced 7:1 satin weave of two-color complementary ground wefts self-patterned by areas of weft-float faced 1:7 satin interlacings, weft-float faced 1:3 'Z' twill interlacings and areas of paired warp and weft plain weave · 1924
Art Institute of Chicago
Figures and Tents
Theodore Roussel
Drypoint in brown-black on cream Japanese vellum · 1924
Art Institute of Chicago
Study of Agnes (Second Plate)
Theodore Roussel
Drypoint in red-orange on cream laid paper · 1924
Art Institute of Chicago