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Artworks

530 records
(Illustration for Rubáiyát of Omar Khayyám) Spring
(Illustration for Rubáiyát of Omar Khayyám) Spring
Elihu Vedder
chalk, pencil, ink and watercolor on paper · 1883
Smithsonian American Art Museum
(Illustration for Rubáiyát of Omar Khayyám) The Inevitable Fate
(Illustration for Rubáiyát of Omar Khayyám) The Inevitable Fate
Elihu Vedder
chalk and pencil on paper · 1883
Smithsonian American Art Museum
(Illustration for Rubáiyát of Omar Khayyám) Limitation
(Illustration for Rubáiyát of Omar Khayyám) Limitation
Elihu Vedder
chalk, pencil and watercolor on paper · 1883
Smithsonian American Art Museum
(Illustration for Rubáiyát of Omar Khayyám) In Memoriam
(Illustration for Rubáiyát of Omar Khayyám) In Memoriam
Elihu Vedder
chalk, pencil, watercolor, and ink on paper · 1883
Smithsonian American Art Museum
(Illustration for Rubáiyát of Omar Khayyám) The Awakening
(Illustration for Rubáiyát of Omar Khayyám) The Awakening
Elihu Vedder
chalk, pencil, ink and watercolor on paper · 1883
Smithsonian American Art Museum
(Illustration for Rubáiyát of Omar Khayyám) The Recording Angel
(Illustration for Rubáiyát of Omar Khayyám) The Recording Angel
Elihu Vedder
chalk, pencil and ink on paper · 1883
Smithsonian American Art Museum
(Illustration for Rubáiyát of Omar Khayyám) Youth and Age
(Illustration for Rubáiyát of Omar Khayyám) Youth and Age
Elihu Vedder
chalk, pencil, ink and watercolor on paper · 1883
Smithsonian American Art Museum
(Illustration for Rubáiyát of Omar Khayyám) Vain Questioning
(Illustration for Rubáiyát of Omar Khayyám) Vain Questioning
Elihu Vedder
chalk, pencil, ink and watercolor on paper · 1883
Smithsonian American Art Museum
(Illustration for Rubáiyát of Omar Khayyám) The End of Ramazan
(Illustration for Rubáiyát of Omar Khayyám) The End of Ramazan
Elihu Vedder
chalk, pencil, ink and watercolor on paper · 1883
Smithsonian American Art Museum
(Illustration for Rubáiyát of Omar Khayyám) In the Potter's House
(Illustration for Rubáiyát of Omar Khayyám) In the Potter's House
Elihu Vedder
chalk, pencil and ink on paper · 1883
Smithsonian American Art Museum
The Little Abbot Reading the Ramayana
The Little Abbot Reading the Ramayana
Odilon Redon
Charcoal with black chalk, stumping, scraping and erasing, on dark cream wove paper, discolored to tan. Ruled in pale red-orange pastel. Offset impression of Tadpole, verso. · 1883
Art Institute of Chicago
Cloudy Moon
Cloudy Moon
Henry Arthur Elkins
pencil and white pencil on paper · 1883
Smithsonian American Art Museum
(Illustration for Rubáiyát of Omar Khayyám) Theology
(Illustration for Rubáiyát of Omar Khayyám) Theology
Elihu Vedder
chalk, pencil and ink on paper · 1883
Smithsonian American Art Museum
(Illustration for Rubáiyát of Omar Khayyám) Lining Paper
(Illustration for Rubáiyát of Omar Khayyám) Lining Paper
Elihu Vedder
chalk, pencil and ink on paper · 1883
Smithsonian American Art Museum
Untitled (cows on path in forest)
Untitled (cows on path in forest)
Edward Mitchell Bannister
oil on canvas mounted on paperboard · 1883
Smithsonian American Art Museum
Towers of San Gimignano, Outside theWalls
Towers of San Gimignano, Outside theWalls
Joseph Pennell
Etching on cream wove paper · 1883
Art Institute of Chicago
My Dream
My Dream
Rodolphe Bresdin
Etching on cream laid paper · 1883
Art Institute of Chicago
Sharon Springs
Sharon Springs
Elizabeth Boott Duveneck
watercolor on paper · 1883
Smithsonian American Art Museum
Moonrise
Moonrise
Ralph Albert Blakelock
oil on wood · 1883
Smithsonian American Art Museum
Untitled (Trees in Snow)
Untitled (Trees in Snow)
George Elbert Burr
pen and ink and ink wash on paper mounted on paperboard · 1883
Smithsonian American Art Museum
Untitled (sunset with quarter moon and farmhouse)
Untitled (sunset with quarter moon and farmhouse)
Edward Mitchell Bannister
oil on wood · 1883
Smithsonian American Art Museum
The Canoe Builders
The Canoe Builders
Ralph Albert Blakelock
oil paint · 1883
Smithsonian American Art Museum
Sunset
Sunset
Edward Mitchell Bannister
oil on canvas · 1883
Smithsonian American Art Museum
And Man Appeared; Questioning the Earth From Which He Emerged and Which Attracted Him, He Made His Way Toward Somber Brightness, plate 8 of 8 from "Les Origines"
And Man Appeared; Questioning the Earth From Which He Emerged and Which Attracted Him, He Made His Way Toward Somber Brightness, plate 8 of 8 from "Les Origines"
Odilon Redon
Lithograph in black on light gray China paper, laid down on white wove paper · 1883
Art Institute of Chicago
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