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Artworks

873 records
Hannah Jane Locker Lampson
Hannah Jane Locker Lampson
Kate Greenaway
Pen and brown ink on cream wove paper · 1898
Art Institute of Chicago
Embroidered Fabric for an Empress's Gunfu (Court Surcoat)
Embroidered Fabric for an Empress's Gunfu (Court Surcoat)
Manchu
Silk, warp-float faced 7:1 satin weave; embroidered with silk and gilt- and silvered-metal-strip-wrapped silk in satin and stem stitches; laid work and couching · 1898
Art Institute of Chicago
Ewer
Ewer
Agathon Léonard
Flambé-glazed pottery and gilt bronze mounts · 1898
Art Institute of Chicago
Student Notebook Containing Notes, Diagrams and Swatches
Student Notebook Containing Notes, Diagrams and Swatches
Alfred Fehr
Bound notebook of technical notes and weave samples: fabrics for clothing and mixed goods, ribbed and twill cottons, and jacquard; 176 pages · 1898
Art Institute of Chicago
Biscuit Box
Biscuit Box
Archibald Knox
Pewter and enamel · 1898
Art Institute of Chicago
Bust of George Wyndham
Bust of George Wyndham
Auguste Rodin
Bronze · 1898
Art Institute of Chicago
Three Women
Three Women
Karl Hofer
Pen and black ink, with brush and black wash, on ivory tracing paper · 1898
Art Institute of Chicago
Nude Woman Standing, Seen from the Back with Her Hands on Her Hips
Nude Woman Standing, Seen from the Back with Her Hands on Her Hips
Auguste Rodin
Graphite with stumping, watercolor and pen and black ink on cream wove paper prepared with a light blue wash · 1898
Art Institute of Chicago
Tropon
Tropon
Henry van de Velde
paper · 1898
Art Institute of Chicago
Side Chair
Side Chair
Charles Francis Annesley Voysey
Oak, ash, and original rush seat · 1898
Art Institute of Chicago
Squatting Nude
Squatting Nude
Jane Poupelet
Brush and brown ink wash on cream wove paper · 1898
Art Institute of Chicago
Wallpaper Sample
Wallpaper Sample
Gustav Kalhammer
Ink, on paper; screen printed · 1898
Art Institute of Chicago
Needlework Design
Needlework Design
k. und k. Kunststickereischule
Graphite, ink, and paint; on graph paper; mounted on board; drawn and painted · 1898
Art Institute of Chicago
L'Estampe Moderne: Cinquantes Estampes Originales Inédites en Couleur et Noir des Principaux Artistes Modernes Français et Étrangers, Vol. II
L'Estampe Moderne: Cinquantes Estampes Originales Inédites en Couleur et Noir des Principaux Artistes Modernes Français et Étrangers, Vol. II
Louise Breslau
Bound volume containing 50 lithographs, each with a tissue paper guard · 1898
Cleveland Museum of Art
Coquette, No. 13 from the portfolio "American Pictorial Photography, Series II” (1901); edition 34/150
Coquette, No. 13 from the portfolio "American Pictorial Photography, Series II” (1901); edition 34/150
Charles I. Berg
Photogravure · 1898
Art Institute of Chicago
Study of Head of Christ
Study of Head of Christ
F. Holland Day
Platinum print · 1898
Art Institute of Chicago
La Cigale
La Cigale
Frank Eugene
Platinum print · 1898
Art Institute of Chicago
Interior of Ely Cathedral
Interior of Ely Cathedral
Frederick H. Evans
Platinum print · 1898
Art Institute of Chicago
Entrance from Galilee Porch into Cathedral, Ely
Entrance from Galilee Porch into Cathedral, Ely
Frederick H. Evans
Platinum print · 1898
Art Institute of Chicago
Dewey medal
Dewey medal
Daniel Chester French
Bronze · 1898
Art Institute of Chicago
Very Extravagant Verses
Very Extravagant Verses
José Guadalupe Posada
Double-sided relief engraving on typemetal on paper · 1898
Art Institute of Chicago
Vase
Vase
Jozseph Rippl-Rónaï
Lead-glazed earthenware with iridescent glazes · 1898
Art Institute of Chicago
Twilights Have the Softness of Old Painting, plate six from Love
Twilights Have the Softness of Old Painting, plate six from Love
Maurice Denis
Lithograph in pink, green, and yellow on light ivory wove paper · 1898
Art Institute of Chicago
Letter to William Heinemann with corrections for Eden versus Whistler: The Baronet and the Butterfly. A Valentine with a Verdict
Letter to William Heinemann with corrections for Eden versus Whistler: The Baronet and the Butterfly. A Valentine with a Verdict
James McNeill Whistler
Pen and brownish black ink, with graphite, on cream laid paper and etching in blue (recto); pen and brownish black ink and graphite on cream laid paper (verso) · 1898
Art Institute of Chicago
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