Database / Artworks
Artworks
Platter
Staffordshire Potteries
Earthenware with blue transfer-printed decoration · 1825
Art Institute of Chicago
La Route de Jouy (The Road to Jouy) (Furnishing Fabric)
Horace Vernet
Cotton, plain weave; copperplate printed · 1825
Art Institute of Chicago
The Early Plowman
Samuel Palmer
Etching in black on paper · 1825
Art Institute of Chicago
O' Bid Me Not that Strain to Sing
Pendleton's Lithography
Lithograph on ivory wove paper · 1825
Art Institute of Chicago
Facade of the Church of Brou
Richard Parkes Bonington
Lithograph on ivory chine, laid down on off-white wove paper · 1825
Art Institute of Chicago
Sur ce fier ennemi BOURBON se précipite...
Horace Vernet
Lithograph in black on gray chine, laid down on ivory wove paper (chine collé) · 1825
Art Institute of Chicago
Cependant des soldats dans les murs de Paris...
Horace Vernet
Lithograph in black, with a fawn tint stone, on ivory wove paper · 1825
Art Institute of Chicago
Et couvrit, en pleurant, d'un casque précieux...
Horace Vernet
Lithograph in black, with a fawn tint stone, on ivory wove paper · 1825
Art Institute of Chicago
Armé d'un fer sanglant, couvert d'un bouclier...
Horace Vernet
Lithograph in black on gray chine, laid down on ivory wove paper (chine collé) · 1825
Art Institute of Chicago
Reine, l'excés des maux où la France est livrée...
Horace Vernet
Lithograph in black on gray chine, laid down on ivory wove paper (chine collé) · 1825
Art Institute of Chicago
Quel est de ces mourants l'étonnement extrême...
Horace Vernet
Lithograph in black on gray chine, laid down on ivory wove paper (chine collé) · 1825
Art Institute of Chicago
Il se présente aux Seize, et demande des fers...
Horace Vernet
Lithograph in black on cream chine, laid down on ivory wove paper (chine collé) · 1825
Art Institute of Chicago
Le monstre au même instant tire un coutelas...
Horace Vernet
Lithograph in black on gray chine, laid down on ivory wove paper (chine collé) · 1825
Art Institute of Chicago
D'Estrée à son amant prodiguait ses appas...
Horace Vernet
Lithograph in black on cream chine, laid down on ivory wove paper (chine collé) · 1825
Art Institute of Chicago
Votre sort, ai-je dit, est dans votre courage...
Horace Vernet
Lithograph in black on cream chine, laid down on ivory wove paper (chine collé) · 1825
Art Institute of Chicago
Je hais, je veux punir des peuples odieux...
Horace Vernet
Lithograph in black on gray chine, laid down on ivory wove paper (chine collé) · 1825
Art Institute of Chicago
Il quitte avec regret ce vieillard vertueux...
Horace Vernet
Lithograph in black on gray chine, laid down on ivory wove paper (chine collé) · 1825
Art Institute of Chicago
Et bientôt dans le flanc ce monstre furieux...
Horace Vernet
Lithograph in black on gray chine, laid down on ivory wove paper (chine collé) · 1825
Art Institute of Chicago
ce panache éclatant qui flotte sur ma tête...
Horace Vernet
Lithograph in black on ivory chine, laid down on ivory wove paper (chine collé) · 1825
Art Institute of Chicago
Enfin, d'un coup mortel, il lui perce le flanc...
Horace Vernet
Lithograph in black on gray chine, laid down on ivory wove paper (chine collé) · 1825
Art Institute of Chicago
J'ordonnais, mais en vain, qu'on épargnat Joyeuse...
Horace Vernet
Lithograph in black on gray chine, laid down on ivory wove paper (chine collé) · 1825
Art Institute of Chicago
Grove of Trees (recto), Sketch of Aderley Church (verso)
Peter De Wint
Watercolor over graphite on paper · 1825
Art Institute of Chicago
Society of the Cincinnati medal worn by Col. Gibbs
Pierre Charles L'Enfant
Copper, brass, possible gold plating · 1825
National Portrait Gallery
Desel, Pieced Bedcover (Honeycomb)
Mary Magych (?) Desel, active ca. 1845
chintz, furnishing fabric and white cotton; unquilted · 1825
Smithsonian American Art Museum