Database / Artworks
Artworks
Signal T, from 21 Estampadores de Colombia, Mexico y Venuzuela
Vicente Rojo
Lithograph on white wove paper · 1972
Art Institute of Chicago
Celestial Theme (Tema celeste), from 21 Printmakers of Colombia, Mexico and Venezuela (21 estampadores de Colombia, Mexico y Venezuela)
Manuel Espinoza
Color screenprint on white wove paper · 1972
Art Institute of Chicago
Home of Revolution: Chinese family works to improve a cave home in hills outside Yenan. After its Long March in 1935, the Communist army set up headquarters here. Mao Tse-tung and Chou En-lai lived in the caves with the rest of the army. Yenan is being turned into a shrine to Chairman Mao, and the Yan An pagoda, in background, has become a symbol of the revolution
Horst Faas
Gelatin silver print (wirephoto) · 1972
Art Institute of Chicago
Hop, Step, Jump: Chinese girls practice the hop, step, jump track and field event recently at a sports center in Sian in the Shensi province in northwestern China. Students train in a variety of sports at the center during their summer vacations, in a sports system that pyramids to national competitions
Horst Faas
Gelatin silver print (wirephoto) · 1972
Art Institute of Chicago
Senior pool player
Bill Owens
Gelatin silver print · 1972
Art Institute of Chicago
The Benevolent and Protective Order of Elks (B.P.O.E.) is the largest fraternal organization in the world. The elk was chose in 1868 because it is distinguished, fleet of foot and timorous of wrongdoing. Our four cardinal principles are Charity, Justice, Fidelity and Brotherly Love. An Elk today is an American gentleman. (Kiss) Livermore, California
Bill Owens
Gelatin silver print · 1972
Art Institute of Chicago
Box from Traces suspectes en surface
Robert Rauschenberg
Red cloth-covered clamshell box · 1972
Art Institute of Chicago
Colophon IV from Traces suspectes en surface
Robert Rauschenberg
Color lithograph on white wove paper · 1972
Art Institute of Chicago
Colophon II from Traces suspectes en surface
Robert Rauschenberg
Lithograph in orange and black on white wove paper · 1972
Art Institute of Chicago
Colophon III from Traces suspectes en surface
Robert Rauschenberg
Color lithograph on white wove paper · 1972
Art Institute of Chicago
Colophon I from Traces suspectes en surface
Robert Rauschenberg
Lithograph in black and orange on white wove paper · 1972
Art Institute of Chicago
Page 29 from Traces suspectes en surface
Robert Rauschenberg
Color lithograph on white wove paper · 1972
Art Institute of Chicago
Page 31 from Traces suspectes en surface
Robert Rauschenberg
Lithograph in dark gray on white wove paper · 1972
Art Institute of Chicago
Page 25 from Traces suspectes en surface
Robert Rauschenberg
Lithograph in red and red-orange on white wove paper · 1972
Art Institute of Chicago
Page 27 from Traces suspectes en surface
Robert Rauschenberg
Lithograph in dark gray and gray on white wove paper · 1972
Art Institute of Chicago
Page 30 from Traces suspectes en surface
Robert Rauschenberg
Color lithograph on white wove paper · 1972
Art Institute of Chicago
Page 28 from Traces suspectes en surface
Robert Rauschenberg
Lithograph in dark yellow and orange on white wove paper · 1972
Art Institute of Chicago
Page 24 from Traces suspectes en surface
Robert Rauschenberg
Lithograph in gray on white wove paper · 1972
Art Institute of Chicago
Page 19 from Traces suspectes en surface
Robert Rauschenberg
Lithograph in gray and dark gray on white wove paper · 1972
Art Institute of Chicago
Page 21 from Traces suspectes en surface
Robert Rauschenberg
Lithograph in dark gray and gray on white wove paper · 1972
Art Institute of Chicago
Page 23 from Traces suspectes en surface
Robert Rauschenberg
Lithograph in dark gray and orange on white wove paper · 1972
Art Institute of Chicago
Page 22 from Traces suspectes en surface
Robert Rauschenberg
Color lithograph on white wove paper · 1972
Art Institute of Chicago
Page 26 from Traces suspectes en surface
Robert Rauschenberg
Lithograph in red-orange and orange on white wove paper · 1972
Art Institute of Chicago
Page 15 from Traces suspectes en surface
Robert Rauschenberg
Lithograph in dark gray and yellow on white wove paper · 1972
Art Institute of Chicago