Database / Artworks
Artworks
Kakinomoto Hitomaro from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki)
Katsushika Hokusai
Color woodblock print; ōban · 1830
Art Institute of Chicago
Abe no Nakamaro, seventh poet in the series One Hundred Poems by One Hundred Poets Explained by the Nurse
Katsushika Hokusai
Color woodblock print; yoko oban · 1830
Art Institute of Chicago
Poem by Yamabe no Akahito, from the series "One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki)"
Katsushika Hokusai
Color woodblock print; oban · 1830
Art Institute of Chicago
Tenji Tenno (The Emperor Tenji), first poet in the series One Hundred Poems by One Hundred Poets Explained by the Nurse
Katsushika Hokusai
Color woodblock print; yoko oban · 1830
Art Institute of Chicago
Sojo Henjo, twelfth poet in the series One Hundred Poems by One Hundred Poets Explained by the Nurse
Katsushika Hokusai
Color woodblock print; yoko oban · 1830
Art Institute of Chicago
Ariwara no Narihirafrom the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki)
Katsushika Hokusai
Color woodblock print, ōban · 1830
Art Institute of Chicago
Poem by Sanjo-in, from the series "One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki)"
Katsushika Hokusai
Color woodblock print; oban · 1830
Art Institute of Chicago
Poem by Ariwara no Narihira, from the series "One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki)"
Katsushika Hokusai
Color woodblock print; oban · 1830
Art Institute of Chicago
Design for the Letter U of a Pictoral Alphabet: Urania
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper · 1830
Cooper Hewitt, Smithsonian Design Museum
Soldiers' Uniforms
Victor Vincent Adam, French
Pen and ink, brush and brown and black wash on paper · 1830
Cooper Hewitt, Smithsonian Design Museum
Design for the letter A of a primer: Ange Gardien (Guardian Angel)
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper. · 1830
Cooper Hewitt, Smithsonian Design Museum
Design for the Letter G of a Pictoral Alphabet: Greek Warfare
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper · 1830
Cooper Hewitt, Smithsonian Design Museum
Design for the letter C of a pictorial alphabet: Confession
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper. · 1830
Cooper Hewitt, Smithsonian Design Museum
Military Vignettes
Victor Vincent Adam, French
Pen and ink, brush and brown and black wash on paper · 1830
Cooper Hewitt, Smithsonian Design Museum
Landscape with a View in a Valley
Ferdinand Georg Waldmüller
Graphite · 1830
The Metropolitan Museum of Art
Vier Waldstaettersee
Alexandre Calame
Lithograph on paper · 1830
Art Institute of Chicago
Alpine Landscape
Alexandre Calame
Etching on paper · 1830
Art Institute of Chicago
Farmyard with Man and Cattle
Constant Troyon
Black chalk, heightened with touches of white chalk, on blue laid paper with pink and blue fibers · 1830
Art Institute of Chicago
Edge of a Forest
Constant Troyon
Black crayon, heightened with white chalk, on tan wove paper (discolored to brown), laid down on cream wove paper · 1830
Art Institute of Chicago
Untitled
William Henry Fox Talbot
Salted paper print · 1830
Art Institute of Chicago
Stem of Leaves and Flowers
William Henry Fox Talbot
Photogenic drawing, stabilized (fixed) in potassium iodide, potassium bromide or ammonia water · 1830
Art Institute of Chicago
Botanical Specimen
William Henry Fox Talbot
Photogenic drawing · 1830
Art Institute of Chicago
Portrait of a Lady
Frederick R. Spencer
Watercolor on ivory · 1830
The Metropolitan Museum of Art
Self-Portrait as a Fisherman
Katsushika Hokusai
Color woodblock print with metallic pigments; surimono shikishiban · 1830
Art Institute of Chicago