Database / Artworks
Artworks
Street at Saverne
James McNeill Whistler
Etching with foul biting in black ink on tan Japanese paper · 1858
Art Institute of Chicago
The Title Page for "Douze Eaux Fortes d'après Nature"
James McNeill Whistler
Etching with foul biting in black ink on tan China paper laid down on ivory wove paper · 1858
Art Institute of Chicago
Street at Saverne
James McNeill Whistler
Etching with foul biting in black ink on ivory Japanese paper · 1858
Art Institute of Chicago
The Holy Family with Pole
Rodolphe Bresdin
Etching on gray wove paper · 1858
Art Institute of Chicago
Lola Montez
Meade Brothers Studio, active c. 1840 - c. 1869
Sixth-plate daguerreotype · 1858
National Portrait Gallery
Interior, Peasant House in Haute-Garonne
Rodolphe Bresdin
Etching on cream machine-made Japanese paper · 1858
Art Institute of Chicago
Mount Nachi in Kii Province, No. 1 on the Saikoku Pilgrimage Route (Saikoku junrei ichiban Kishu Nachisan), from the series "The Miracles of Kannon (Kannon reigenki)"
Utagawa Kunisada I (Toyokuni III)
Color woodblock print; oban · 1858
Art Institute of Chicago
Ishiyama Temple in Omi Province, No. 13 on the Saikoku Pilgrimage Route (Saikoku junrei jusanban Koshu Ishiyamadera), from the series "The Miracles of Kannon (Kannon reigenki)"
Utagawa Kunisada I (Toyokuni III)
Color woodblock print; oban · 1858
Art Institute of Chicago
Memorial portrait of Utagawa Hiroshige
Utagawa Kunisada I (Toyokuni III)
Color woodblock print; oban · 1858
Art Institute of Chicago
Chester Alan Arthur
Rufus P. Anson, 1821 - 21 Mar 1886
Sixth-plate daguerreotype with applied color · 1858
National Portrait Gallery
Monument to the Glorious Memory of Emperor Nicholas I
C. Schultz
Lithograph in black with fawn tint on ivory wove paper · 1858
Art Institute of Chicago
Abraham Lincoln
William Judkins Thomson, active 1858 - 1860
Half-plate ambrotype · 1858
National Portrait Gallery
John Pelham
Mathew B. Brady, 1823? - 15 Jan 1896
Half-plate ambrotype with applied color · 1858
National Portrait Gallery
Seated Nude
Édouard Manet
Red chalk on buff laid paper · 1858
Art Institute of Chicago
Arcade in Quadrangle
Linnaeus Tripe
Salted paper print or diluted albumen print from calotype negative, plate III from Photographic Views in Madura, part IV · 1858
Art Institute of Chicago
The Road to Market
Constant Troyon
Oil on canvas · 1858
Art Institute of Chicago
Joriken riding his sword across water, section of a sheet from an untitled harimaze series
Utagawa Kunisada I (Toyokuni III)
Color woodblock print; section of harimaze sheet · 1858
Art Institute of Chicago
Flourishing of Edo Pictures Depicting Dances (Odori keiyo Edo-e no sakae)
Utagawa Kunisada I (Toyokuni III)
Color woodblock print; part of triptych · 1858
Art Institute of Chicago
Flourishing of Edo Pictures Depicting Dances (Odori keiyo Edo-e no sakae)
Utagawa Kunisada I (Toyokuni III)
Color woodblock print; part of triptych · 1858
Art Institute of Chicago
Flourishing of Edo Pictures Depicting Dances (Odori keiyo Edo-e no sakae)
Utagawa Kunisada I (Toyokuni III)
Color woodblock print; part of triptych · 1858
Art Institute of Chicago
"Star Quilt"
Nancy Hendrick
Cotton, plain weave; quilted; pieced with cotton, plain weave, printed; backed with cotton, plain weave · 1858
Art Institute of Chicago
Caricature of Léon Manchon
Claude Monet
Black and white chalks on blue laid paper · 1858
Art Institute of Chicago
The Kitchen
James McNeill Whistler
Etching, printed in dark brown ink on buff chine on off-white wove paper (chine collé); second state of three (Glasgow) · 1858
The Metropolitan Museum of Art
Street at Saverne
James McNeill Whistler
Etching and open bite or sandpaper ground; fourth state of four (Glasgow); printed in black ink on buff colored Japan paper · 1858
The Metropolitan Museum of Art