Database / Artworks
Artworks
Victoria Club
James McNeill Whistler
Transfer lithograph in black ink with scraping, on tan laid paper · 1879
Art Institute of Chicago
Study
James McNeill Whistler
Lithograph, in black ink, on a prepared half-tint ground, with scraping, on cream laid paper · 1879
Art Institute of Chicago
Reading
James McNeill Whistler
Lithograph, in black ink, with scraping, on cream laid paper · 1879
Art Institute of Chicago
The Fan
James McNeill Whistler
Transfer lithograph in black ink on grayish ivory wove paper · 1879
Art Institute of Chicago
Victoria Club
James McNeill Whistler
Transfer lithograph in black with scraping, on cream chine laid down on off-white plate paper · 1879
Art Institute of Chicago
Plate from l'Assommoir (women ironing, man seated before a woodstove)
Gaston La Touche
Drypoint and plate tone on ivory laid paper · 1879
Art Institute of Chicago
Old Battersea Bridge
James McNeill Whistler
Lithograph, in black ink, with scraping, on cream chine, laid down on off-white plate paper · 1879
Art Institute of Chicago
Nocturne: Palaces
James McNeill Whistler
Cancelled copper plate · 1879
Art Institute of Chicago
Woman in a Park
Imitator of Maurice Brazil Prendergast
Watercolor with colored chalks and black crayon on ivory watercolor paper · 1879
Art Institute of Chicago
Salute Dawn
James McNeill Whistler
Etching and drypoint with foul biting in black ink on ivory laid paper · 1879
Art Institute of Chicago
The Palaces
James McNeill Whistler
Etching and drypoint with foul biting in black ink on ivory laid paper · 1879
Art Institute of Chicago
Nocturne: Furnace
James McNeill Whistler
Etching and drypoint with foul biting in black ink on cream laid paper · 1879
Art Institute of Chicago
Old Battersea Bridge
James McNeill Whistler
Etching and drypoint, with foul biting, in brown on cream laid paper · 1879
Art Institute of Chicago
Doorway and Vine
James McNeill Whistler
Etching and drypoint with foul biting in black ink on ivory laid paper · 1879
Art Institute of Chicago
The Doorway
James McNeill Whistler
Etching, drypoint and roulette work with foul biting in black ink on ivory laid paper · 1879
Art Institute of Chicago
The Balcony
James McNeill Whistler
Etching and drypoint with foul biting in dark brown ink on ivory laid paper · 1879
Art Institute of Chicago
Fruit Stall
James McNeill Whistler
Etching and drypoint with foul biting in brown ink on ivory laid paper · 1879
Art Institute of Chicago
Old Putney Bridge
James McNeill Whistler
Etching and drypoint with foul biting in dark brown ink on cream laid paper · 1879
Art Institute of Chicago
The Riva
James McNeill Whistler
Etching and drypoint with foul biting in dark brown ink on ivory laid paper · 1879
Art Institute of Chicago
The Two Doorways
James McNeill Whistler
Etching and drypoint with foul biting in dark brown ink on off-white laid paper · 1879
Art Institute of Chicago
Nocturne, from Venice, a Series of Twelve Etchings (the "First Venice Set")
James McNeill Whistler
Etching and drypoint in brown on cream laid paper · 1879
Art Institute of Chicago
Quiet Canal
James McNeill Whistler
Etching and drypoint with foul biting in black ink on ivory laid paper · 1879
Art Institute of Chicago
The Little Lagoon
James McNeill Whistler
Etching, with drypoint cancellation, in dark brown ink on ivory laid paper · 1879
Art Institute of Chicago
The Piazzetta
James McNeill Whistler
Etching and drypoint with foul biting in brown ink on ivory laid paper · 1879
Art Institute of Chicago