Database / Artworks
Artworks
Sherbrooke Forest No. 8, State IV/IV
Fred Williams
Aquatint, etching, drypoint and engraving · 1962
Museum of Modern Art
Landscape Diptych No. 2, State VIII/IX
Fred Williams
Aquatint, engraving and drypoint · 1962
Museum of Modern Art
Landscape Triptych No. 2, State II/IV
Fred Williams
Aquatint, engraving and drypoint · 1962
Museum of Modern Art
Landscape Triptych No. 1, State IV/IV
Fred Williams
Aquatint, engraving and drypoint · 1962
Museum of Modern Art
Jacqueline in Black Hat (Jacqueline au chapeau noir), state three
Pablo Picasso
Linoleum cut · 1962
Museum of Modern Art
Exercise Awareness-States: Earliest version
Henry Flynt
Pencil and colored pencil on notebook paper, two sheets (recto and verso) · 1961
Museum of Modern Art
Sherbrooke Forest No. 1, State XV/XXIII
Fred Williams
Engraving and aquatint · 1961
Museum of Modern Art
Sherbrooke Forest No. 1, State X/XXIII
Fred Williams
Engraving and aquatint · 1961
Museum of Modern Art
Sherbrooke Forest No. 1, State X/XXIII
Fred Williams
Engraving and aquatint · 1961
Museum of Modern Art
Study for Cupola (final state)
Franz Kline
Brush and black ink, with blue ballpoint pen and touches of white oil paint, on buff wove paper (pieced), laid down on cream wove paper · 1960
Art Institute of Chicago
Stony Brook State Park, New York
Minor White
Gelatin silver print · 1960
Museum of Modern Art
Bean Hollow State Park
Minor White
Gelatin silver print, from the portfolio "Sequence 15" (1959) · 1959
Art Institute of Chicago
Shore Acres State Park
Minor White
Gelatin silver print, from the portfolio "Sequence 15" (1959) · 1959
Art Institute of Chicago
Agitated Earth (Terre agitée) from the portfolio Clean Slates (Tables rases) from Phenomena (Les Phénomènes)
Jean Dubuffet
One from a portfolio of ten lithographs · 1959
Museum of Modern Art
Three Women Waking (Trois femmes au Réveil), state III
Pablo Picasso
Linoleum cut · 1959
Museum of Modern Art
Siena, second state
James McGarrell
Etching · 1959
Museum of Modern Art
Study for frontispiece to ‘A Press View at teh Tate Gallery’ by William Roberts
William Roberts
Ink and graphite on paper · 1956
Tate
Study for ‘The Broken Vortex’ for the back cover of ‘Cometism and Vorticism: A Tate Gallery Catalogue Revised’ by William Roberts
William Roberts
Ink and graphite on paper · 1956
Tate
Pine Trees in Nuremberg State Forest
Albert Renger-Patzsch
Gelatin silver print · 1955
Museum of Modern Art
Dining Hall, United States Air Force Academy, Colorado Springs, Colorado, Section
Skidmore Owings & Merrill
Ink on tracing paper · 1954
Art Institute of Chicago
Woman Machine-Gunner in a State of Grace (Mitrailleuse en état de grâce)
Hans Bellmer
Etching and aquatint · 1954
Museum of Modern Art
The Tillers (Les Défricheurs), state II
Jean Dubuffet
Lithograph · 1953
Museum of Modern Art
The Tillers (Les Défricheurs) state I
Jean Dubuffet
Lithograph · 1953
Museum of Modern Art
State Street, Rainy Day
Arthur Siegel
Dye imbibition print · 1952
Art Institute of Chicago