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Artworks

98,393 records · Art Institute Chicago matching “Tate
The Gentlewoman, Issue 15, Spring and Summer
The Gentlewoman, Issue 15, Spring and Summer
Gert Jonkers and Jop Van Bennekom
Paper · 2017
Art Institute of Chicago
Crows Going Back to Their Nest - Satire on the King of Wu
Crows Going Back to Their Nest - Satire on the King of Wu
Wang Dongling
Acrylic on plexi glass board, framed · 2017
Art Institute of Chicago
Green Hills of Earth (1)
Green Hills of Earth (1)
Carroll Dunham
Urethane, acrylic and pencil on linen · 2017
Art Institute of Chicago
The Gentlewoman, Issue 16, Autumn and Winter
The Gentlewoman, Issue 16, Autumn and Winter
Gert Jonkers and Jop Van Bennekom
Paper · 2017
Art Institute of Chicago
Black Spot
Black Spot
Norm Sartorius
Black and white ebony · 2017
Art Institute of Chicago
Drinking Wine
Drinking Wine
Wang Dongling
Acrylic on plexi glass board, framed · 2017
Art Institute of Chicago
Neo-Huaco #2 from the series ¿Y qué hacemos con nuestra historia? (So What Do We Do with Our History?)
Neo-Huaco #2 from the series ¿Y qué hacemos con nuestra historia? (So What Do We Do with Our History?)
Ana De Orbegoso
Resin and copper plate · 2017
Art Institute of Chicago
Bao Shi Shan Luo Ying 宝石山 落英 2 Plate
Bao Shi Shan Luo Ying 宝石山 落英 2 Plate
Shanchun Yan
Copper plate · 2017
Art Institute of Chicago
Open Shore, Competition Entry, Banyan Hub Triptych
Open Shore, Competition Entry, Banyan Hub Triptych
Ecosistema Urbano
Exterior: white lacquered MDF boxes with steel plain hinge and transparent Perspex; Interior: multi-layered digital print drawing and 2 digital frames · 2017
Art Institute of Chicago
Psych Twombly (Kelvin)
Psych Twombly (Kelvin)
Shahryar Nashat
HD video on monitor with retrofitted cover, silent loop, unique from a series of 5; 4 min. 44 sec. · 2017
Art Institute of Chicago
Neo-Huaco #1 from the series ¿Y qué hacemos con nuestra historia? (So What Do We Do with Our History?)
Neo-Huaco #1 from the series ¿Y qué hacemos con nuestra historia? (So What Do We Do with Our History?)
Ana De Orbegoso
Resin and silver plate · 2017
Art Institute of Chicago
Before long travel, August 23, 1972
Before long travel, August 23, 1972
Rachel Monosov
Inkjet print · 2017
Art Institute of Chicago
Daily #32
Daily #32
Thomas Demand
Dye imbibition print · 2017
Art Institute of Chicago
Manifold Defter [memo book]
Manifold Defter [memo book]
Esen Karol
Memo book · 2017
Art Institute of Chicago
Green Hills of Earth (3)
Green Hills of Earth (3)
Carroll Dunham
Urethane, acrylic and pencil on linen · 2017
Art Institute of Chicago
Manifold
Manifold
Esen Karol
folded flyer · 2017
Art Institute of Chicago
Open Shore, Competition Entry, Climatic Plazas Triptych
Open Shore, Competition Entry, Climatic Plazas Triptych
Ecosistema Urbano
Exterior: white lacquered MDF boxes with steel plain hinge and transparent Perspex; Interior: multi-layered digital print drawing and 2 digital frames · 2017
Art Institute of Chicago
The Birmingham News, 1963
The Birmingham News, 1963
Bethany Collins
Twice-embossed archival newsprint · 2017
Art Institute of Chicago
Study (Uhuru Park III)
Study (Uhuru Park III)
Michael Armitage
Ink on paper · 2017
Art Institute of Chicago
Glasur Stykke #29
Glasur Stykke #29
Anders Ruhwald
Glazed earthenware · 2017
Art Institute of Chicago
Open Shore, Competition Entry, Alleyways Regeneration Triptych
Open Shore, Competition Entry, Alleyways Regeneration Triptych
Ecosistema Urbano
Exterior: white lacquered MDF boxes with steel plain hinge and transparent Perspex; Interior: multi-layered digital print drawing and 2 digital frames · 2017
Art Institute of Chicago
Virginia Woolf on Riverside
Virginia Woolf on Riverside
Evelyn Taocheng Wang
Ink on rice paper mounted on rice paper; Agnès B white and black pattern dress · 2017
Art Institute of Chicago
UNO – Metrò, La Uno Series, Lamp Stand
UNO – Metrò, La Uno Series, Lamp Stand
PIOVENEFABI
Metal · 2017
Art Institute of Chicago
Night Coming Tenderly, Black: Untitled #1 (Picket Fence and Farmhouse)
Night Coming Tenderly, Black: Untitled #1 (Picket Fence and Farmhouse)
Dawoud Bey
Gelatin silver print · 2017
Art Institute of Chicago
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