Database / Artworks
Artworks
Fountain and Pergola in Italy
Ernest Christian Frederik Petzholdt
Oil on paper, mounted on canvas · 1830
Art Institute of Chicago
Design for the letter B of a pictorial alphabet: Bienfaisance (Charity)
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper. · 1830
Cooper Hewitt, Smithsonian Design Museum
Design for the Letter D of a Pictorial Alphabet: Dieu (God)
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper · 1830
Cooper Hewitt, Smithsonian Design Museum
Nihonbashi Bridge, wrapper for the series "One Hundred Views of the Eastern Capital (Toto hyakkei)"
Katsushika Hokusai
Color woodblock print · 1830
Art Institute of Chicago
Cherry blossoms at Ueno, wrapper for the series "One Hundred Views of the Eastern Capital (Toto hyakkei)"
Katsushika Hokusai
Color woodblock print · 1830
Art Institute of Chicago
Design for the Letter E of a Pictoral Alphabet: Etude (Study)
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper · 1830
Cooper Hewitt, Smithsonian Design Museum
Design for the Letter T of a Pictoral Alphabet: Turk
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper · 1830
Cooper Hewitt, Smithsonian Design Museum
Design for the Letter O of a Pictoral Alphabet: Odalisque
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper · 1830
Cooper Hewitt, Smithsonian Design Museum
Design for the Letter N of a Pictoral Alphabet: Napoléon
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper · 1830
Cooper Hewitt, Smithsonian Design Museum
Design for the letters V and X of a Pictoral Alphabet: Victoire/Xystus (Victory in the Xystus)
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper · 1830
Cooper Hewitt, Smithsonian Design Museum
Design for the letter S of a primer: Satan
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper. · 1830
Cooper Hewitt, Smithsonian Design Museum
Design for the Letter J of a Pictoral Alphabet: Jupiter
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper · 1830
Cooper Hewitt, Smithsonian Design Museum
Mantel
Staffordshire Potteries
Ironstone (white earthenware), underglaze polychrome enamels, and gilding · 1830
Art Institute of Chicago
Distant View of Niagara Falls
Thomas Cole
Oil on wood panel · 1830
Art Institute of Chicago
Mussooree and the Dhoon from Landour
Joseph Mallord William Turner
Watercolor and gouache, over graphite, on off-white wove paper, edge mounted on cream wove card · 1830
Art Institute of Chicago
Mrs. Gideon Tucker
William Sidney Mount
oil paint · 1830
The Metropolitan Museum of Art
Gideon Tucker
William Sidney Mount
oil paint · 1830
The Metropolitan Museum of Art
Fame (one of a pair)
David d'Angers
Terracotta · 1830
The Metropolitan Museum of Art
Mrs. Gideon Tucker
William Sidney Mount
Oil on canvas · 1830
The Metropolitan Museum of Art
Martin Euclid Thompson
William Sidney Mount
oil paint · 1830
The Metropolitan Museum of Art
Serpent in C
Key
Wood, leather, fabric, brass · 1830
The Metropolitan Museum of Art
Portrait Bust of a Young Man
Sandro Botticelli
Brush and brown ink and brown and gray wash, over traces of graphite, on ivory wove paper, tipped on to tan laid paper with gray fibers · 1830
Art Institute of Chicago
Figure of a Retriever
Pierre-Jules Mêne
Bronze · 1830
Art Institute of Chicago
Pair of urns with covers with hunting scenes
Pierre-Jules Mêne
Bronze · 1830
The Metropolitan Museum of Art