Database / Artworks
Artworks
Portrait of Armand Guéraud of Nantes, Printer and Man of Letters
Charles Méryon
Etching, from tin plate, on grayish ivory laid chine, hinged to ivory laid paper · 1861
Art Institute of Chicago
Portrait of Th. Agrippa d'Aubigné
Charles Méryon
Etching in warm black from tin plate on grayish-ivory laid chine · 1861
Art Institute of Chicago
Portrait of François Viète
Charles Méryon
Etching on ivory laid paper · 1861
Art Institute of Chicago
Portrait of René de Laudonnière Sablais (de Burdigale)
Charles Méryon
Etching and drypoint with foul-biting on grayish-ivory laid chine · 1861
Art Institute of Chicago
The Good Samaritan
Rodolphe Bresdin
Lithograph on white China paper laid down on white wove paper · 1861
Art Institute of Chicago
"Alhambra" textile panel with double border
Mathevon et Bouvard
Silk and gilt-metal-strip wrapped silk; satin weave with secondary patterning wefts, and supplementary brocading wefts bound with twill interlacings · 1861
Art Institute of Chicago
Relay of Dogs in the Desert
Paul Adolphe Rajon
Etching on ivory laid paper · 1861
Art Institute of Chicago
Smaller entrance to Forest
Carel Nicholaas Storm van's Gravesunde
Etching and drypoint on paper · 1861
Art Institute of Chicago
The Scheldt: Flat Calm
Carel Nicholaas Storm van's Gravesunde
Etching on paper · 1861
Art Institute of Chicago
The Little Pool
James McNeill Whistler
Etching and drypoint with foul biting in black ink on ivory laid paper · 1861
Art Institute of Chicago
Sketching
James McNeill Whistler
Etching and drypoint with foul biting in black ink on ivory wove paper · 1861
Art Institute of Chicago
The Punt
James McNeill Whistler
Etching and drypoint with foul biting in black ink on ivory wove paper · 1861
Art Institute of Chicago
The Forge
James McNeill Whistler
Drypoint in black ink on ivory laid paper · 1861
Art Institute of Chicago
The Little Rotherhithe
James McNeill Whistler
Etching and drypoint with foul biting in dark brown ink on ivory laid paper · 1861
Art Institute of Chicago
The Open Book
James McNeill Whistler
Etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper · 1861
Art Institute of Chicago
Lady in an armchair
James McNeill Whistler
Drypoint, with drypoint and scraped cancellation, in black ink on ivory laid paper · 1861
Art Institute of Chicago
Landscape with Fisherman
James McNeill Whistler
Etching and drypoint with foul biting, scraping and burnishing, with drypoint cancellation, in black ink on ivory laid paper · 1861
Art Institute of Chicago
The Storm
James McNeill Whistler
Drypoint, with drypoint cancellation lines, in black ink on ivory laid paper · 1861
Art Institute of Chicago
Jo
James McNeill Whistler
Drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper · 1861
Art Institute of Chicago
The Camp
James McNeill Whistler
Drypoint, with drypoint cancellation lines, in black ink on ivory laid paper · 1861
Art Institute of Chicago
National Academy of Design Competition, New York, New York, South Elevation
Peter Bonnett Wight
Ink, watercolor, and gouache on paper · 1861
Art Institute of Chicago
National Academy of Design Competition, New York, New York, South Elevation
Peter Bonnett Wight
Ink, watercolor, and gouache on paper · 1861
Art Institute of Chicago
Alpine Landscape
Alexandre Calame
Etching on paper · 1861
Art Institute of Chicago
François Bonvin Etching
François Bonvin
Etching with drypoint on cream laid paper · 1861
Art Institute of Chicago