Database / Artworks
Artworks

Portrait bust of Seneca
David Bailly
pen on ink, paper · 1624
Rijksmuseum

Herberg bij de grot van Egeria
Bartholomeus Breenbergh
brush on pencil, ink, paper · 1624
Rijksmuseum

Gezicht op een ruïne
Bartholomeus Breenbergh
brush on paper, graphite (mineral) · 1624
Rijksmuseum

Ruïnes van het aquaduct van Mezza Via bij Rome
Bartholomeus Breenbergh
brush on graphite (mineral), paper · 1624
Rijksmuseum

Gezicht op de ruïne van de basiliek van Constantijn
Bartholomeus Breenbergh
brush on chalk, paper · 1624
Rijksmuseum

Porta San Paolo te Rome
Bartholomeus Breenbergh
brush on paper, graphite (mineral) · 1624
Rijksmuseum

Saint Jerome Reading
Jusepe de Ribera
etching with some engraving and drypoint on laid paper · 1624
National Gallery of Art

The Martyrdom of Saint Bartholomew
Jusepe de Ribera
etching and engraving on laid paper · 1624
National Gallery of Art

Saint Jerome Reading
Jusepe de Ribera
laid paper · 1624
National Gallery of Art

Title Page, A Thankful Remembrance of God's Mercie, by George Carleton
Willem de Passe
engraving · 1624
National Gallery of Art

Jan Pieter Swelinck, Dutch Composer and Organist
Jan Müller
engraving · 1624
National Gallery of Art

Jan Pieter Swelinck, Dutch Composer and Organist
Jan Müller
engraving · 1624
National Gallery of Art

Philip IV, King of Spain
Lucas Kilian
engraving · 1624
National Gallery of Art

Philip III, King of Spain
Lucas Kilian
engraving · 1624
National Gallery of Art

Philip III, King of Spain
Lucas Kilian
engraving · 1624
National Gallery of Art

Galileo Galilei
Ottavio Leoni
engraving · 1624
National Gallery of Art

Ruïnes van het paleis van Septimus Severus op de Palatijn
Paul Bril
brush on ink, chalk, paper · 1624
Rijksmuseum

A View of a Village with Figures
Remigio Cantagallina
Pen and brown ink, over traces of black chalk or leadpoint; framing lines in pen and brown ink · 1624
The Metropolitan Museum of Art

Christ on the Cross: Study for the Crucifixion with Saints
Imitator of Guercino
Pen and iron gall ink on buff laid paper, laid down on ivory wove paper · 1624
Art Institute of Chicago

Horse
Francesco Allegrini
Pen and brown ink. Framing lines in pen and brown ink on mount · 1624
The Metropolitan Museum of Art

Christ Instructs Peter to Feed My Sheep
Claude Vignon
oil paint · 1624
Rijksmuseum

Path to Right of Water; Roman Ruins Beyond at Left, from Twelve landscapes with Figures
Gillis van Scheyndel
Etching on ivory laid paper · 1624
Art Institute of Chicago

Fields Before Ruins Transformed into Farms, from Twelve landscapes with Figures
Gillis van Scheyndel
Etching in black on blue laid paper · 1624
Art Institute of Chicago

Several Men on Path Before a Farm, from Twelve landscapes with Figures
Gillis van Scheyndel
Etching on ivory laid paper · 1624
Art Institute of Chicago