Database / Artworks
Artworks
Scolopendrium Vulgare
Anna Atkins
cyanotype · 1852
Cleveland Museum of Art
The Memnonium or Rameseiom, Thebes
Robert Murray
Albumen silver print from waxed paper negative · 1852
The Metropolitan Museum of Art
Untitled (Daguerreotype Studio and Russel & Co Livery Stable, Mokelumne Hill, California),
William Zuber
Daguerreotype · 1852
Art Institute of Chicago
Great-Grand-Father's Tale of the Revolution—A Portrait of Reverend Zachariah Greene
William Sidney Mount
Oil on canvas · 1852
The Metropolitan Museum of Art
Design cover for West Point Song of the Graduates
James McNeill Whistler
Transfer lithograph in black on off-white wove paper · 1852
Art Institute of Chicago
Zenobia, Queen of Palmyra
Harriet Hosmer
Marble · 1852
Art Institute of Chicago
Brick Wall with Open Door and Shovel
Elizabeth Murray
Watercolor over traces of graphite on cream wove paper · 1852
Art Institute of Chicago
L'Estacade à Paris
Johan Jongkind
Graphite · 1852
The Metropolitan Museum of Art
The Horse Fair
Rosa Bonheur
Oil on canvas · 1852
The Metropolitan Museum of Art
Portrait of Eugène Lacheurié
Gustave Moreau
Graphite on ivory wove paper · 1852
Art Institute of Chicago
Madame Auguste Cuoq (Mathilde Desportes, 1827–1910)
Gustave Courbet
Oil on canvas · 1852
The Metropolitan Museum of Art
A Byzantine Well-head
Frederic Leighton
Graphite on ivory wove paper · 1852
Art Institute of Chicago
Brief aan de heer van der Kolk
Francis van Bossuit
writing (processes) on ink, paper · 1852
Rijksmuseum
Illustrated Poem “The Violet” (Das Veilchen – Goethe)
Johann Wolfgang von Goethe
Etching with drypoint · 1852
The Metropolitan Museum of Art
Soldiers under a Tree
Paul Gustave Doré
Pen and black ink, with brush and gray wash and touches of scraping, heightened with touches of white gouache, on lunette-shaped tan card, laid down on tan board · 1852
Art Institute of Chicago
Sir Lancelot Approaching the Castle of Astolat
Paul Gustave Doré
Gouache with pen and black ink, heightened with lead white (partially discolored), on cream wove paper prepared with a brown ink ground · 1852
Art Institute of Chicago
Notre-Dame, Paris
Édouard Baldus
salted paper · 1852
Cleveland Museum of Art
The Edge of the Woods at Monts-Girard, Fontainebleau Forest
Théodore Rousseau
Oil on wood · 1852
The Metropolitan Museum of Art
Deliverance of the Daughters of Daniel Boone and Callaway, plate two from Histoire des Premiere Colons d'Amerique
Karl Bodmer
Tint lithograph on ivory wove paper · 1852
Art Institute of Chicago