Database / Artworks
Artworks
High Bridge Crossing the Appomattox, Near Farmville
Timothy O'Sullivan
Albumen print, pl. 98 from the album "Gardner's Photographic Sketch Book of the War, Volume II" (1866) · 1865
Art Institute of Chicago
Blandford Church, Petersburg, Virginia
Timothy O'Sullivan
Albumen print, pl. 85 from the album "Gardner's Photographic Sketch Book of the War, Volume II" (1866) · 1865
Art Institute of Chicago
View on the Appomattox River
Timothy O'Sullivan
Albumen print, pl. 82 from the album "Gardner's Photographic Sketch Book of the War, Volume II" (1866) · 1865
Art Institute of Chicago
Appomattox Station, Virginia
Timothy O'Sullivan
Albumen print, pl. 97 from the album "Gardner's Photographic Sketch Book of the War, Volume II" (1866) · 1865
Art Institute of Chicago
Interior View of the Confederate Line
Timothy O'Sullivan
Albumen print, pl. 86 from the album "Gardner's Photographic Sketch Book of the War, Volume II" (1866) · 1865
Art Institute of Chicago
Three First Traverses on Land End, Fort Fisher, North Carolina
Timothy O'Sullivan
Albumen print, pl. 78 from the album "Gardner's Photographic Sketch Book of the War, Volume II" (1866) · 1865
Art Institute of Chicago
View of the Petersburg Gas Works
Timothy O'Sullivan
Albumen print, pl. 81 from the album "Gardner's Photographic Sketch Book of the War, Volume II" (1866) · 1865
Art Institute of Chicago
Portrait of Franz Liszt
Paul Nadar
Albumen print, mounted on cabinet card stock · 1865
Art Institute of Chicago
Thiers
Nadar (Gaspard Félix Tournachon)
Woodburytype, from the periodical “Galerie Contemporaine Littéraire, Artistique” (1876), volume 1 · 1865
Art Institute of Chicago
Go Player dreaming of Chinese Sages playing Go
Dunken
Color woodblock print · 1865
Art Institute of Chicago
Longevity symbols
Tanaka Shutei
Color woodblock print; surimono · 1865
Art Institute of Chicago
Pendant Shaped as a Ship
Reinhold Vasters
Gold, enamel, and pearls · 1865
Art Institute of Chicago
Ruins in Charleston, S.C.
George N. Barnard
Albumen print, plate 60 from the album "Photographic Views of the Sherman Campaign" (1866) · 1865
Art Institute of Chicago
Ruins of the Pinckney Mansion, Charleston, S.C.
George N. Barnard
Albumen print, plate 59 from the album "Photographic Views of the Sherman Campaign" (1866) · 1865
Art Institute of Chicago
Ruins of the R.R. Depot Charleston, S.C.
George N. Barnard
Albumen print, plate 61 from the album "Photographic Views of the Sherman Campaign" (1866) · 1865
Art Institute of Chicago
Fort Sumpter
George N. Barnard
Albumen print, plate 56 from the album "Photographic Views of the Sherman Campaign" (1866) · 1865
Art Institute of Chicago
Ruins in Columbia, S.C.
George N. Barnard
Albumen print, plate 54 from the album "Photographic Views of the Sherman Campaign" (1866) · 1865
Art Institute of Chicago
The New Capitol, Columbia, SC
George N. Barnard
Albumen print, plate 52 from the album "Photographic Views of the Sherman Campaign" (1866) · 1865
Art Institute of Chicago
The Admiralty, Paris
Charles Méryon
Etching on ivory laid paper · 1865
Art Institute of Chicago
Clearing Off
John Frederick Kensett
oil on canvas · 1865
Smithsonian American Art Museum
Hilltop View of Yushima Tenjin Shrine (Yushima Tenji, Sakaue-chobo) No. 117 From the Series One Hundred Famous views of Edo
Hiroshi Awatsuji, Japanese
Woodblock print in colored ink on paper · 1865
Cooper Hewitt, Smithsonian Design Museum
Taking the Oath and Drawing Rations
John Rogers
plaster · 1865
Smithsonian American Art Museum
Wounded to the Rear/One More Shot
John Rogers
plaster · 1865
Smithsonian American Art Museum
Wounded to the Rear, One More Shot
John Rogers
paint · 1865
Smithsonian American Art Museum