Database / Artworks
Artworks
Untitled from Nunca más (Never Again)
León Ferrari
One from a series of forty-six photocopies · 1995
Museum of Modern Art
Untitled from Nunca más (Never Again)
León Ferrari
One from a series of forty-six photocopies · 1995
Museum of Modern Art
Untitled from Nunca más (Never Again)
León Ferrari
One from a series of forty-six photocopies · 1995
Museum of Modern Art
Untitled from Nunca más (Never Again)
León Ferrari
One from a series of forty-six photocopies · 1995
Museum of Modern Art
Untitled from Nunca más (Never Again)
León Ferrari
One from a series of forty-six photocopies · 1995
Museum of Modern Art
Untitled from Nunca más (Never Again)
León Ferrari
One from a series of forty-six photocopies · 1995
Museum of Modern Art
Untitled from Nunca más (Never Again)
León Ferrari
One from a series of forty-six photocopies · 1995
Museum of Modern Art
Untitled from Nunca más (Never Again)
León Ferrari
One from a series of forty-six photocopies · 1995
Museum of Modern Art
Untitled from Nunca más (Never Again)
León Ferrari
One from a series of forty-six photocopies · 1995
Museum of Modern Art
Untitled from Nunca más (Never Again)
León Ferrari
One from a series of forty-six photocopies · 1995
Museum of Modern Art
Untitled from Nunca más (Never Again)
León Ferrari
One from a series of forty-six photocopies · 1995
Museum of Modern Art
Untitled from Nunca más (Never Again)
León Ferrari
One from a series of forty-six photocopies · 1995
Museum of Modern Art
Untitled from Nunca más (Never Again)
León Ferrari
One from a series of forty-six photocopies · 1995
Museum of Modern Art
Untitled from Nunca más (Never Again)
León Ferrari
One from a series of forty-six photocopies · 1995
Museum of Modern Art
Untitled from Nunca más (Never Again)
León Ferrari
One from a series of forty-six photocopies · 1995
Museum of Modern Art
Highway
Barbara Ess
Chromogenic print · 1995
Museum of Modern Art
«Les États-Unis ne sauront jamais oublier leur liberté nationale» Date: 22-4-1995 from Connaissance du Monde
Frédéric Bruly Bouabré
Colored pencil and ballpoint pen on board · 1995
Museum of Modern Art
«Une "dent" de boeuf (os) qui "idéalisa" et "origina" l'invention des "haches" et des "houes"» Date: 21-4-1995 from Connaissance du Monde
Frédéric Bruly Bouabré
Colored pencil and ballpoint pen on board · 1995
Museum of Modern Art
«Calebasse en gourde et mise en "coupe de vin de palme" idéalise la fabrication d'une casquette ou d'un képi» from Connaissance du Monde
Frédéric Bruly Bouabré
Colored pencil and ballpoint pen on board · 1995
Museum of Modern Art
Russia (Doors)
Mauro Restiffe
Gelatin silver print · 1995
Museum of Modern Art
Russia (Stairs)
Mauro Restiffe
Gelatin silver print · 1995
Museum of Modern Art
Russia (Fruits and Vegetables)
Mauro Restiffe
Gelatin silver print · 1995
Museum of Modern Art
Russia (Couple)
Mauro Restiffe
Gelatin silver print · 1995
Museum of Modern Art
Russia (Horses)
Mauro Restiffe
Gelatin silver print · 1995
Museum of Modern Art