Database / Artworks
Artworks
From Barnard's Book on Coloring
Elizabeth Murray
Watercolor on cream wove paper, tipped onto cream wove paper · 1855
Art Institute of Chicago
Figures by a Pond
Henri Joseph Constant Dutilleux
Charcoal, with stumping, scraping, and erasing, on buff wove paper, laid down on tan cardboard · 1855
Art Institute of Chicago
Sketches: Four Figures and Seated Mother and Child (recto); Seated Mother and Child (verso)
Jean-Baptiste Carpeaux
Black crayon (recto and verso) on brown wove paper · 1855
Art Institute of Chicago
In the Woods
Imitator of Narcisse Virgile Diaz de la Peña
Oil on canvas · 1855
Art Institute of Chicago
Beached Fishing Boats
Jules Achille Noël
Oil on canvas · 1855
Art Institute of Chicago
Peasant with a Wheelbarrow
Jean-François Millet
Etching and drypoint on ivory wove paper · 1855
Art Institute of Chicago
Peasants and Horses
Adolphe Schreyer
Oil on canvas · 1855
Art Institute of Chicago
Untitled Valentine (Bouquet)
George Kershaw
Collaged elements and watercolor on cut and embossed ivory wove paper (lace) · 1855
Art Institute of Chicago
![[Gardens of Saint-Cloud]](https://images.metmuseum.org/CRDImages/ph/original/DP281355.jpg)
[Gardens of Saint-Cloud]
Henri Regnault
Salted paper print from paper negative · 1855
The Metropolitan Museum of Art
Mrs. Sturgis and Children
Emily Mary Osborn
Oil on canvas · 1855
Art Institute of Chicago
Souvenir of Italy
Jean-Baptiste Camille Corot
Oil on canvas · 1855
Art Institute of Chicago
San Francisco
Charles Méryon
Etching and drypoint on ivory laid paper · 1855
Art Institute of Chicago
San Francisco
Charles Méryon
Etching and drypoint in warm black on ivory wove Japanese paper · 1855
Art Institute of Chicago
San Francisco
Charles Méryon
Etching and drypoint on grayish ivory paper · 1855
Art Institute of Chicago
The Antechamber of the Palais de Justice, Paris
Charles Méryon
Etching, from a pewter plate, with foul-biting, burnishing and scraping on cream wove paper · 1855
Art Institute of Chicago
San Francisco, Study
Charles Méryon
Graphite on ivory wove tissue, hinged to ivory laid paper · 1855
Art Institute of Chicago
Pont-au-Change, Paris, about 1784
Charles Méryon
Etching on ivory laid paper · 1855
Art Institute of Chicago
Pont-au-Change, Paris, about 1784
Charles Méryon
Etching in dark brown on cream wove paper · 1855
Art Institute of Chicago
Pont-Neuf and the Samaritaine Seen from Under the First Arch of the Pont-au-Change, Paris
Charles Méryon
Etching in dark brown on ivory laid paper · 1855
Art Institute of Chicago
Solar Law
Charles Méryon
Etching, from two plates, one printed in warm black and one in red ink, on ivory laid paper · 1855
Art Institute of Chicago
Horse with Rider Shying Away From Woman with Dog
Hablot Knight Browne
Watercolor, with pen and black ink, heightened with touches of white gouache, over graphite, selectively varnished, on ivory wove paper · 1855
Art Institute of Chicago
The Antechamber of the Palais de Justice, Paris
Charles Méryon
Etching, from a pewter plate, with burnishing, scraping and foul biting on ivory laid paper · 1855
Art Institute of Chicago
Cow Pitcher with Lid
Daniel Greatbatch
Earthenware with glaze · 1855
Art Institute of Chicago
Steamer in Lake Thun, Switzerland
Adolphe Braun
Albumen print · 1855
Art Institute of Chicago