Database / Artworks
Artworks

Potpourri Urn
Meissen Porcelain Manufactory
Hard-paste porcelain, polychrome enamels, gilding, and bronze mount · 1750
Art Institute of Chicago

Vase
Bow Porcelain Factory
Soft-paste porcelain, polychrome enamels · 1750
Art Institute of Chicago

Teapot
Staffordshire Potteries
Salt-glazed stoneware · 1750
Art Institute of Chicago

Sauceboat
Worcester Porcelain Factory
Soft-paste porcelain with polychrome enamels · 1750
Art Institute of Chicago

Tea Bowl and Saucer
Chelsea Porcelain Factory
Soft-paste porcelain, polychrome enamels and gilding · 1750
Art Institute of Chicago

Sauceboat
Worcester Porcelain Factory
Soft-paste porcelain with polychrome enamels · 1750
Art Institute of Chicago

Panel
Philippe de La Salle
Silk, warp float-faced 7:1 satin weave with supplementary binding warps which tie supplementary brocading wefts and ground wefts in plain weave; with inset ovals of silk, warp-float faced 7:1 satin weave with supplementary brocading wefts tied in twill weave by ground warps; seam embroidered in satin stitch · 1750
Art Institute of Chicago

Panel
Philippe de La Salle
Silk, warp float-faced 7:1 satin weave with supplementary binding warps which tie supplementary brocading wefts and ground wefts in plain weave; with inset ovals of silk, warp-float faced 7:1 satin weave with supplementary brocading wefts tied in twill weave by ground warps; seam embroidered in satin stitch · 1750
Art Institute of Chicago

Glorification of the Widmann Family
Gaspare Diziani
Pen and gray ink, gray wash, over black chalk · 1750
The Metropolitan Museum of Art

Head of Bearded Man Looking Upwards
Jonathan Richardson, the elder
Graphite on parchment · 1750
Art Institute of Chicago

The Duke of Gloucester Lying in Wait for Lady Anne at the Funeral Procession of Her Father-in-law, King Henry VI (recto); Standing Male Nude, Leaning Forward (verso)
Henry Fuseli
Pen and brown ink, and brush and brown and gray wash, over graphite (recto), and graphite (verso), on tan laid paper · 1750
Art Institute of Chicago

Saint Joseph
Tommaso Conca
Red chalk with stumping on cream laid paper, laid down on blue covered paper, laid down on ivory board · 1750
Art Institute of Chicago

Rocks and Water
Jacob Philipp Hackert
Pen and black ink and brush and brown and gray wash on cream laid paper, laid down on board · 1750
Art Institute of Chicago

Holy Virgin
Giovanni da Udine
Pen and brown ink, with traces of graphite, on ivory laid paper · 1750
Art Institute of Chicago

Boy with Staff
Giovanni Battista Cipriani
Black chalk, heightened with white chalk, on tan laid paper, laid down on cream laid paper · 1750
Art Institute of Chicago

Decoration of an Arched Portal
Carlo Marchionni, Italian
Graphite, black crayon, brush and gray watercolor on laid paper · 1750
Cooper Hewitt, Smithsonian Design Museum

Window case and half of a figure of a Turk
Filippo Marchionni, Italian
Graphite, pen and sepia ink, brush and gray watercolor on paper · 1750
Cooper Hewitt, Smithsonian Design Museum

Project for a tabernacle
Filippo Marchionni, Italian
Black chalk, pen, brush, ink and gray watercolor on paper · 1750
Cooper Hewitt, Smithsonian Design Museum

Plate
Whieldon Pottery
Lead-glazed earthenware · 1750
Art Institute of Chicago

Botanical Plate
Chelsea Porcelain Factory
Enameled soft-paste porcelain · 1750
Art Institute of Chicago

Botanical Plate
Chelsea Porcelain Factory
Enameled soft-paste porcelain · 1750
Art Institute of Chicago

Tall Case Clock
Thomas Hughes
Mahogany and New England white pine · 1750
Art Institute of Chicago

Rest on the Flight into Egypt
Giovanni Battista Tiepolo
Pen and brown ink and brush and gray wash, with black chalk, on ivory laid paper, tipped on ivory laid paper · 1750
Art Institute of Chicago

Study for Detail: The Goddess Diana
Giovanni Battista Tiepolo
Red chalk, heightened with touches of white chalk, on blue laid paper · 1750
Art Institute of Chicago