Database / Artworks

Artworks

675 records
Potpourri Urn
Potpourri Urn
Meissen Porcelain Manufactory
Hard-paste porcelain, polychrome enamels, gilding, and bronze mount · 1750
Art Institute of Chicago
Vase
Vase
Bow Porcelain Factory
Soft-paste porcelain, polychrome enamels · 1750
Art Institute of Chicago
Teapot
Teapot
Staffordshire Potteries
Salt-glazed stoneware · 1750
Art Institute of Chicago
Sauceboat
Sauceboat
Worcester Porcelain Factory
Soft-paste porcelain with polychrome enamels · 1750
Art Institute of Chicago
Tea Bowl and Saucer
Tea Bowl and Saucer
Chelsea Porcelain Factory
Soft-paste porcelain, polychrome enamels and gilding · 1750
Art Institute of Chicago
Sauceboat
Sauceboat
Worcester Porcelain Factory
Soft-paste porcelain with polychrome enamels · 1750
Art Institute of Chicago
Panel
Panel
Philippe de La Salle
Silk, warp float-faced 7:1 satin weave with supplementary binding warps which tie supplementary brocading wefts and ground wefts in plain weave; with inset ovals of silk, warp-float faced 7:1 satin weave with supplementary brocading wefts tied in twill weave by ground warps; seam embroidered in satin stitch · 1750
Art Institute of Chicago
Panel
Panel
Philippe de La Salle
Silk, warp float-faced 7:1 satin weave with supplementary binding warps which tie supplementary brocading wefts and ground wefts in plain weave; with inset ovals of silk, warp-float faced 7:1 satin weave with supplementary brocading wefts tied in twill weave by ground warps; seam embroidered in satin stitch · 1750
Art Institute of Chicago
Glorification of the Widmann Family
Glorification of the Widmann Family
Gaspare Diziani
Pen and gray ink, gray wash, over black chalk · 1750
The Metropolitan Museum of Art
Head of Bearded Man Looking Upwards
Head of Bearded Man Looking Upwards
Jonathan Richardson, the elder
Graphite on parchment · 1750
Art Institute of Chicago
The Duke of Gloucester Lying in Wait for Lady Anne at the Funeral Procession of Her Father-in-law, King Henry VI (recto); Standing Male Nude, Leaning Forward (verso)
The Duke of Gloucester Lying in Wait for Lady Anne at the Funeral Procession of Her Father-in-law, King Henry VI (recto); Standing Male Nude, Leaning Forward (verso)
Henry Fuseli
Pen and brown ink, and brush and brown and gray wash, over graphite (recto), and graphite (verso), on tan laid paper · 1750
Art Institute of Chicago
Saint Joseph
Saint Joseph
Tommaso Conca
Red chalk with stumping on cream laid paper, laid down on blue covered paper, laid down on ivory board · 1750
Art Institute of Chicago
Rocks and Water
Rocks and Water
Jacob Philipp Hackert
Pen and black ink and brush and brown and gray wash on cream laid paper, laid down on board · 1750
Art Institute of Chicago
Holy Virgin
Holy Virgin
Giovanni da Udine
Pen and brown ink, with traces of graphite, on ivory laid paper · 1750
Art Institute of Chicago
Boy with Staff
Boy with Staff
Giovanni Battista Cipriani
Black chalk, heightened with white chalk, on tan laid paper, laid down on cream laid paper · 1750
Art Institute of Chicago
Decoration of an Arched Portal
Decoration of an Arched Portal
Carlo Marchionni, Italian
Graphite, black crayon, brush and gray watercolor on laid paper · 1750
Cooper Hewitt, Smithsonian Design Museum
Window case and half of a figure of a Turk
Window case and half of a figure of a Turk
Filippo Marchionni, Italian
Graphite, pen and sepia ink, brush and gray watercolor on paper · 1750
Cooper Hewitt, Smithsonian Design Museum
Project for a tabernacle
Project for a tabernacle
Filippo Marchionni, Italian
Black chalk, pen, brush, ink and gray watercolor on paper · 1750
Cooper Hewitt, Smithsonian Design Museum
Plate
Plate
Whieldon Pottery
Lead-glazed earthenware · 1750
Art Institute of Chicago
Botanical Plate
Botanical Plate
Chelsea Porcelain Factory
Enameled soft-paste porcelain · 1750
Art Institute of Chicago
Botanical Plate
Botanical Plate
Chelsea Porcelain Factory
Enameled soft-paste porcelain · 1750
Art Institute of Chicago
Tall Case Clock
Tall Case Clock
Thomas Hughes
Mahogany and New England white pine · 1750
Art Institute of Chicago
Rest on the Flight into Egypt
Rest on the Flight into Egypt
Giovanni Battista Tiepolo
Pen and brown ink and brush and gray wash, with black chalk, on ivory laid paper, tipped on ivory laid paper · 1750
Art Institute of Chicago
Study for Detail: The Goddess Diana
Study for Detail: The Goddess Diana
Giovanni Battista Tiepolo
Red chalk, heightened with touches of white chalk, on blue laid paper · 1750
Art Institute of Chicago
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