Database / Artworks
Artworks
No. 119: Et puis, quelqu'un parait... Le 5 avril 1917
Jean-Louis Forain
Line block taken from a drawing on ivory wove paper · 1917
Art Institute of Chicago
No. 114: L'Ecole des Neutres. - C'est un Scandinave. - Ah!...je respire
Jean-Louis Forain
Line block taken from a drawing on ivory wove paper · 1917
Art Institute of Chicago
No. 116: Vous allez nous faire des allemands...
Jean-Louis Forain
Line block taken from a drawing on ivory wove paper · 1917
Art Institute of Chicago
No. 115: Le repli allemand (mars 1917)
Jean-Louis Forain
Line block taken from a drawing on ivory wove paper · 1917
Art Institute of Chicago
No. 113: Le départ de l'ambassadeur. - Vous voulez donc me faire assassiner!
Jean-Louis Forain
Line block taken from a drawing on ivory wove paper · 1917
Art Institute of Chicago
No. 110: L'Ecole d'Athènes
Jean-Louis Forain
Line block taken from a drawing on ivory wove paper · 1917
Art Institute of Chicago
No. 112: Après le message Wilson. - Tout ça, c'est des mots. J'ai faim! - Et le monde le sait.
Jean-Louis Forain
Line block taken from a drawing on ivory wove paper · 1917
Art Institute of Chicago
No. 111: Le Basileus accepte l'ultimatum. (A. Guillaume) - Je ne vois pas ce qui t'inquiète...Ils n'ont que ma parole.
Jean-Louis Forain
Line block taken from a drawing on ivory wove paper · 1917
Art Institute of Chicago
No. 109: Devant le Pirée (1er janvier). - Il y a déjà un mois qu'elles attendent
Jean-Louis Forain
Line block taken from a drawing on ivory wove paper · 1917
Art Institute of Chicago
Couch Chair, Newman College, University of Melbourne, Australia, Multiple Views
Walter Burley Griffin
Ink on linen · 1917
Art Institute of Chicago
Mine Crater, Hill 60, Ypres Salient
Paul Nash
Lithograph on cream laid paper · 1917
Art Institute of Chicago
The Resurrection, from The Game
Eric Gill
Wood engraving on cream wove paper tipped at upper edge to white card · 1917
Art Institute of Chicago
The Last Judgment, from Woes
Eric Gill
Wood engraving on Japanese paper tipped at upper edge to white card · 1917
Art Institute of Chicago
The Holy Face, from Ritus Servandus in Benedictione
Eric Gill
Wood engraving on Japanese paper tipped at upper edge to cream laid paper · 1917
Art Institute of Chicago
Spirit and Flesh, from Spirit and Flesh
Eric Gill
Wood engraving on Japanese paper tipped at upper edge to white card · 1917
Art Institute of Chicago
Seamstress
William Gropper
Lithograph on paper · 1917
Art Institute of Chicago
Necklace
Augustus F. Rose
sterling silver with blue enamel and opal · 1917
Smithsonian American Art Museum
That Liberty Shall Not Perish from the Earth, Buy Liberty Bonds
Joseph Pennell
lithograph on paper · 1917
Smithsonian American Art Museum
Menu
Jules Pascin
etching on paper · 1917
Smithsonian American Art Museum
Arts Ball
Walt Kuhn
woodcut on paper · 1917
Smithsonian American Art Museum
Flood Time, Pearl Street, Cincinnati
Edward Timothy Hurley
Aquatint with etching in black on cream laid paper · 1917
Art Institute of Chicago
Estes Park
George Elbert Burr
pencil and colored pencil on paper · 1917
Smithsonian American Art Museum
The Harlot
Ben-Zion
Brush and black ink, with black ink spatter, on ivory wove paper · 1917
Art Institute of Chicago
Evening
George Elbert Burr
drypoint on paper · 1917
Smithsonian American Art Museum