Database / Artworks
Artworks
Design for a Fan: Capriccio with Roman Ruins and the Farnese Hercules
Giovanni Paolo Panini, Italian
Pen and brown ink, brush and gray wash, graphite on cream laid paper, lined · 1750
Cooper Hewitt, Smithsonian Design Museum
Architectural Studies
Filippo Marchionni, Italian
Charcoal, pen and ink, brush and gray watercolor on laid paper · 1750
Cooper Hewitt, Smithsonian Design Museum
Design for a Panel with Portrait of a Nobleman
Francesco de Mura, Italian
Brush and gray wash, pen and black ink, black chalk on paper · 1750
Cooper Hewitt, Smithsonian Design Museum
A Peasant’s Dwelling in Woody Country
Carlo Marchionni, Italian
Black chalk, pen and ink, brush and watercolor on paper · 1750
Cooper Hewitt, Smithsonian Design Museum
A Landscape with Town
Carlo Marchionni, Italian
Pen and ink, brush and wash on paper · 1750
Cooper Hewitt, Smithsonian Design Museum
Study for an Alter Painting with Christ Child
Filippo Marchionni, Italian
Chalk on paper · 1750
Cooper Hewitt, Smithsonian Design Museum
The Monumental Tablet
Giovanni Battista Piranesi
Etching on heavy ivory laid paper · 1750
Art Institute of Chicago
Opere Varie di Architetura; Raccolta di Alcuni Disegni del Barberi da Cento detto Il Guercino
Giovanni Battista Piranesi
Book of 122 etchings on paper · 1750
Art Institute of Chicago
Egyptian Obelisk. This was erected by Pope Sixtus V in the Piazza of St. John Lateran, from Views of Rome
Giovanni Battista Piranesi
Etching on heavy ivory laid paper · 1750
Art Institute of Chicago
The Gothic Arch, plate 14 from Imaginary Prisons
Giovanni Battista Piranesi
Etching and engraving on heavy ivory laid paper · 1750
Art Institute of Chicago
View of the exterior of St. Peter's Basilica in the Vatican, from Views of Rome
Giovanni Battista Piranesi
Etching on heavy ivory laid paper · 1750
Art Institute of Chicago
The Well, plate 13 from Imaginary Prisons
Giovanni Battista Piranesi
Etching and engraving on heavy ivory laid paper · 1750
Art Institute of Chicago
The Sawhorse, plate 12 from Imaginary Prisons
Giovanni Battista Piranesi
Etching and engraving on heavy ivory laid paper · 1750
Art Institute of Chicago
The Pier with Chains, plate 16 from Imaginary Prisons
Giovanni Battista Piranesi
Etching and engraving on heavy ivory laid paper · 1750
Art Institute of Chicago
The Round Tower, plate 3 from Imaginary Prisons
Giovanni Battista Piranesi
Etching and engraving on heavy ivory laid paper · 1750
Art Institute of Chicago
The Staircase with Trophies, plate 8 from Imaginary Prisons
Giovanni Battista Piranesi
Etching and engraving on heavy ivory laid paper · 1750
Art Institute of Chicago
The Grand Piazza, plate 4 from Imaginary Prisons
Giovanni Battista Piranesi
Etching and engraving on heavy ivory laid paper · 1750
Art Institute of Chicago
The Smoking Fire, plate 6 from Imaginary Prisons
Giovanni Battista Piranesi
Etching and engraving on heavy ivory laid paper · 1750
Art Institute of Chicago
The Pier with a Lamp, plate 15 from Imaginary Prisons
Giovanni Battista Piranesi
Etching and engraving on heavy ivory laid paper · 1750
Art Institute of Chicago
Title Page from Imaginary Prisons
Giovanni Battista Piranesi
Etching and engraving on heavy ivory laid paper · 1750
Art Institute of Chicago
The Drawbridge, plate 7 from Imaginary Prisons
Giovanni Battista Piranesi
Etching and engraving on heavy ivory laid paper · 1750
Art Institute of Chicago
Prisoners on a Projecting Platform, plate 10 from Imaginary Prisons
Giovanni Battista Piranesi
Etching and engraving on heavy ivory laid paper · 1750
Art Institute of Chicago
The Arch with a Shell Ornament, plate 11 from Imaginary Prisons
Giovanni Battista Piranesi
Etching and engraving on heavy ivory laid paper · 1750
Art Institute of Chicago
![View of the Temple of Jupiter Tonans [Jupiter the Thunderer], from Views of Rome](/api/images/artworks/aic/48067.jpg)
View of the Temple of Jupiter Tonans [Jupiter the Thunderer], from Views of Rome
Giovanni Battista Piranesi
Etching on heavy ivory laid paper · 1750
Art Institute of Chicago