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Artworks

Armida Encounters the Sleeping Rinaldo
Giovanni Domenico Tiepolo
Etching in black on ivory laid paper · 1770
Art Institute of Chicago

St. Sylvester, after Giovanni Battista Tiepolo, from the Raccolta di Teste
Giovanni Domenico Tiepolo
Etching on off-white laid paper · 1770
Art Institute of Chicago

Landscape with Temple Ruins
Carlo Marchionni, Italian
Pen and ink, brush and bistre on paper · 1770
Cooper Hewitt, Smithsonian Design Museum

Design for a Window Case
Filippo Marchionni, Italian
Pen and ink on laid paper · 1770
Cooper Hewitt, Smithsonian Design Museum

A Sailing Vessel
Filippo Marchionni, Italian
Pen and ink on laid paper · 1770
Cooper Hewitt, Smithsonian Design Museum

Decoration of a Frieze
Filippo Marchionni, Italian
Black crayon, pen and sepia ink, brush and gray watercolor on laid paper · 1770
Cooper Hewitt, Smithsonian Design Museum

Church Interior
Victor Louis, French
Pen and ink, brush and watercolor, graphite on laid paper · 1770
Cooper Hewitt, Smithsonian Design Museum

A landscape
Carlo Marchionni, Italian
Black chalk, pen and brown ink on paper · 1770
Cooper Hewitt, Smithsonian Design Museum

Oriental Scene
Jean Honoré Fragonard, French
Black crayon on paper · 1770
Cooper Hewitt, Smithsonian Design Museum

Design for a Painted Panel
Etienne de Lavallée-Poussin, French
A cloacked figure is seen seated in meditation near a herm. Above, the flying nude figure of Diana, who pours water from two pitchers.She appears against clouds and an arc, on which rest two urns, one superimposed on the other, and from which two swags issue. · 1770
Cooper Hewitt, Smithsonian Design Museum

Two Ornamental Arabesque Motifs
Etienne de Lavallée-Poussin, French
Pen and brown ink with ink wash, graphite on pieces of paper · 1770
Cooper Hewitt, Smithsonian Design Museum

Design for an Arabesque Motif
Etienne de Lavallée-Poussin, French
Pen and brown ink with ink wash, graphite on paper · 1770
Cooper Hewitt, Smithsonian Design Museum

Design for a Frieze
Carlo Marchionni, Italian
Black crayon, pen and sepia ink, brush and gray watercolor on laid paper · 1770
Cooper Hewitt, Smithsonian Design Museum

Design for a wall of a ballroom
Louis René Boquet, French
Pen and ink, brush and watercolor, graphite on laid paper · 1770
Cooper Hewitt, Smithsonian Design Museum

A Reliquary for Three Skulls
Carlo Marchionni, Italian
Black crayon, brush, sepia, and gray water color. · 1770
Cooper Hewitt, Smithsonian Design Museum

A Sailing Vessel
Filippo Marchionni, Italian
Pen and ink on laid paper · 1770
Cooper Hewitt, Smithsonian Design Museum

View of the Remains of the Forum of Nerva, from Views of Rome
Giovanni Battista Piranesi
Etching on heavy ivory laid paper · 1770
Art Institute of Chicago

Five Motifs for Ornamental Arabesques
Etienne de Lavallée-Poussin, French
Pen and brown ink with ink wash, graphite on three pieces of paper · 1770
Cooper Hewitt, Smithsonian Design Museum

The mask of a warrior
Filippo Marchionni, Italian
Graphite, pen and ink, brush and gray watercolor on laid paper · 1770
Cooper Hewitt, Smithsonian Design Museum

Studies for Entablatures and Pediment
Filippo Marchionni, Italian
Pen and ink, brush and gray watercolor on laid paper · 1770
Cooper Hewitt, Smithsonian Design Museum

Bust of a Satyr
Clodion, (Claude Michel)
Terracotta · 1770
Art Institute of Chicago

Mrs. Thomas Scott Jackson
George Romney
oil paint · 1770
National Gallery of Art

Liqueur Bottle Cooler (Seau Oval à Liqueur)
Claude Couturier, French, active 1762 – 1775
soft paste porcelain, vitreous enamel, gold · 1770
Cooper Hewitt, Smithsonian Design Museum

A Village at a Brook in Mountainous Country
Carlo Marchionni, Italian
Pen and brown ink on paper · 1770
Cooper Hewitt, Smithsonian Design Museum