Database / Artworks
Artworks
Chicago Stock Exchange Building: Elevator Enclosure Grille T-Plates
Adler & Sullivan, Architects
Copper-plated bronze · 1893
Art Institute of Chicago
Little Draped Figure, Leaning
James McNeill Whistler
Transfer lithograph in black on cream laid Japanese vellum · 1893
Art Institute of Chicago
The Draped Figure, Back View
James McNeill Whistler
Lithograph, in black ink, on ivory laid paper · 1893
Art Institute of Chicago
A Lady Seated
James McNeill Whistler
Lithograph, in black ink, with scraping and touches of brush and tusche, on grayish ivory China paper · 1893
Art Institute of Chicago
The Draped Figure, Seated
James McNeill Whistler
Transfer lithograph in black with stumping, on cream laid paper · 1893
Art Institute of Chicago
Conversation under the Statue, Luxembourg Gardens
James McNeill Whistler
Transfer lithograph in black with stumping, on ivory laid paper · 1893
Art Institute of Chicago
The Pantheon, from the Terrace of the Luxembourg Gardens
James McNeill Whistler
Transfer lithograph in black with stumping, on cream laid paper · 1893
Art Institute of Chicago
Nude Model, Reclining
James McNeill Whistler
Transfer lithograph in black ink with stumping, on ivory laid paper · 1893
Art Institute of Chicago
The Steps, Luxembourg
James McNeill Whistler
Transfer lithograph in black with stumping, on tan laid paper · 1893
Art Institute of Chicago
Yellow House, Lannion
James McNeill Whistler
Transfer lithograph, with scraping, from six stones in black (keystone), greenish gray, brown, green, yellow, and gray on ivory laid paper · 1893
Art Institute of Chicago
Red House, Paimpol
James McNeill Whistler
Transfer lithograph from three stones, in black (keystone), red, and gray inks, with scraping, on cream wove Japanese vellum · 1893
Art Institute of Chicago
Yellow House, Lannion
James McNeill Whistler
Transfer lithograph with scraping, from five stones, in black (keystone), green, yellow, gray, and medium gray, on cream Japanese paper · 1893
Art Institute of Chicago
Conversation under the Statue, Luxembourg Gardens
James McNeill Whistler
Transfer lithograph in black with stumping, on ivory laid paper · 1893
Art Institute of Chicago
The Marketplace, Vitré
James McNeill Whistler
Transfer lithograph in black on ivory laid paper · 1893
Art Institute of Chicago
Vitré: The Canal
James McNeill Whistler
Transfer lithograph in black with stumping, on cream laid paper · 1893
Art Institute of Chicago
The Clock-Makers, Paimpol
James McNeill Whistler
Transfer lithograph in black on cream laid paper · 1893
Art Institute of Chicago
Gabled Roofs
James McNeill Whistler
Transfer lithograph in black with stumping, on cream laid paper · 1893
Art Institute of Chicago
The Fireplace
James McNeill Whistler
Transfer lithograph in black on ivory wove proofing paper · 1893
Art Institute of Chicago
The Pinned Hat, second plate
Pierre-Auguste Renoir
Lithograph from one stone in blue-gray on gray chine tipped at corners and margins to mat · 1893
Art Institute of Chicago
Chez les Maories: Sauvageries (At Home with the Maori: Savage Things)
Paul Gauguin
Watercolor, with traces of black crayon and graphite, on tapa, partially laid down on cream wove paper · 1893
Art Institute of Chicago
Manao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her), from the Noa Noa Suite
Paul Gauguin
End-grain boxwood block, with a commercially prepared gray ground, sealed with an opaque pink oil medium, and inked in black ink · 1893
Art Institute of Chicago
Man with an Ax
Paul Gauguin
Pen and black ink, and brush and black wash, with pen and brown ink (originally purple) and touches of graphite, on heavily textured ivory wove paper · 1893
Art Institute of Chicago
L’univers est créé (The Universe Is Being Created), from the Noa Noa Suite
Paul Gauguin
Wood-block print in black ink, with selective wiping, on pink wove paper (faded to pinkish tan) · 1893
Art Institute of Chicago
Nave nave fenua (Delightful Land), from the Noa Noa Suite
Paul Gauguin
Wood-block print, printed twice in yellow ocher and black inks, over a yellow ink tone block, and stenciled red oil medium, on cream Japanese paper discolored to a grayish tone · 1893
Art Institute of Chicago