Database / Artworks
Artworks
La Mare De Glace Chamounix. Savoie, No. 38 from the series "Views of Italy, Switzerland and Savoy"
William England
Albumen print, stereo · 1850
Art Institute of Chicago
Kehl
Adolphe Braun
Albumen print, stereo · 1850
Art Institute of Chicago
Chester - God's Providence House, 1652, No. 355 from the series "Chester Illustrated"
Francis Bedford
Albumen print, stereo · 1850
Art Institute of Chicago
Buzi (Court Rank Badge)
Manchu
Silk, warp-float faced 7:1 satin weave; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk in knot, split, and straight stitches; laid work and couching; lined with silk, plain weave · 1850
Art Institute of Chicago
Vestment (For a First-degree Taoist Priest)
Han-Chinese
Silk and cotton, plain weaves and silk, plain weave self-patterned by ground weft floats; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped cotton in chain, eyelet, and satin stitches; laid work and couching; collar and edge trim: silk, warp-float faced 4:1 and 6:1 satin weaves; lined with ramie, plain weave · 1850
Art Institute of Chicago
What It Must Come To, At Last, if the Ladies Go On Blowing Themselves Out as They Do! from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853 (top left)
George Cruikshank
Four steel etchings in black on cream India paper, laid down on off-white card (chine collé) · 1850
Art Institute of Chicago
The Lord Mayors Show and the Lord Mayors Feast in Ireland from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853 (left)
George Cruikshank
Two steel etchings in black on cream India paper, laid down on off-white card (chine collé) · 1850
Art Institute of Chicago
As It Ought to Be or The Ladies Trying a Contemptible Scoundrel for a "Breach of Promise" from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853
George Cruikshank
Steel etching in black on cream India paper, laid down on off-white card (chine collé) · 1850
Art Institute of Chicago
The Tugboat
Gustave Le Gray
Albumen print, from the album "Vistas del Mar" · 1850
Art Institute of Chicago
The Hanged Man
Charles Victor Hugo
Brush and ink wash on wove paper · 1850
The Metropolitan Museum of Art
Untitled (Man Standing, en Face)
Antoine Samuel Adam-Salomon
Salted paper print · 1850
Art Institute of Chicago
Untitled (Man in Chair, Profile)
Antoine Samuel Adam-Salomon
Albumen print · 1850
Art Institute of Chicago
Untitled (Boston Customs House)
Southworth & Hawes
Daguerreotype · 1850
Art Institute of Chicago
"Attus" Amip (Man's Coat)
Ainu
Elm tree bark fiber, plain weave; center back and outer edges appliquéd with cotton, plain weave; underlaid with cotton, plain weave; embroidered with cotton in laid work and couching · 1850
Art Institute of Chicago
Sad and Lamentable Cry of a Poor Little Orphan
Manuel Manilla
Relief engraving on typemetal on paper · 1850
Art Institute of Chicago
Overskirt (Urku)
Aymara
Wool, stripes of plain weave and three-color complementary warp weave; joined with darning stitches; edges overcast and interlaced in plain weave · 1850
Art Institute of Chicago
Cup
Königliche Porzellan-Manufaktur Berlin
Hard-paste porcelain, polychrome enamels, and gilding · 1850
Art Institute of Chicago
Vase
Wedgwood Manufactory
Stoneware (jasperware) · 1850
Art Institute of Chicago
Vase
Wedgwood Manufactory
Stoneware (basaltware) with encaustic decoration · 1850
Art Institute of Chicago
Borghese Vase
Wedgwood Manufactory
Stoneware (jasperware) · 1850
Art Institute of Chicago
Lined Curtain Panel
Bruce James Talbert
Woven wool; cotton lining · 1850
Art Institute of Chicago
Untitled (Mt. Auburn Cemetery, Cambridge, MA)
Southworth & Hawes
Daguerreotype · 1850
Art Institute of Chicago
Untitled (Stone Sisters, Lincoln, MA)
John Adams Whipple
Daguerreotype · 1850
Art Institute of Chicago
Untitled (Portrait of a Standing Woman)
Southworth & Hawes
Daguerreotype · 1850
Art Institute of Chicago