Database / Artworks
Artworks
The Entry of Christ into Brussels
James Ensor
Etching with drypoint on copper in black with hand-coloring on cream wove paper · 1898
Art Institute of Chicago
Child with a Biscuit (Jean Renoir)
Pierre-Auguste Renoir
Lithograph in black on cream laid paper · 1898
Art Institute of Chicago
Pinning the Hat
Pierre-Auguste Renoir
Lithograph from five stones in black, orange, salmon, yellow and green on ivory laid paper · 1898
Art Institute of Chicago
Women, Animals, and Foliage, from the Suite of Late Wood-Block Prints
Paul Gauguin
Wood-block print in black ink on thin laid ivory Japanese paper, laid down on thin wove white Japanese paper · 1898
Art Institute of Chicago
Interior of a Tahitian Hut, from the Suite of Late Wood-Block Prints
Paul Gauguin
Wood-block print in black ink on thin ivory Japanese paper · 1898
Art Institute of Chicago
Te atua (The God), from the Suite of Late Wood-Block Prints
Paul Gauguin
Wood-block print in black ink on thin ivory laid Japanese paper · 1898
Art Institute of Chicago
Study of Tahitian Heads
Paul Gauguin
Watercolor and pastel monotype from a paper matrix, with pastel, on cream Japanese paper, laid down on cream 4-ply mat board · 1898
Art Institute of Chicago
Te arii vahine—opoi (Woman with Mangos—Tired), from the Suite of Late Wood-Block Prints
Paul Gauguin
Wood-block print in black ink on thin ivory Japanese paper, partially laid down on white Japanese paper · 1898
Art Institute of Chicago
Tahitian Carrying Bananas, from the Suite of Late Wood-Block Prints
Paul Gauguin
Wood-block print in black ink on thin ivory Japanese paper · 1898
Art Institute of Chicago
Eve, from the Suite of Late Wood-Block Prints
Paul Gauguin
Wood-block print in black ink on thin ivory Japanese paper, laid down on ivory wove paper (discolored to cream) · 1898
Art Institute of Chicago
Interior of a Tahitian Hut, from the Suite of Late Wood-Block Prints
Paul Gauguin
Wood-block print in black ink on thin ivory Japanese paper, laid down on cream wove paper · 1898
Art Institute of Chicago
At the Black Rocks, from the Suite of Late Wood-Block Prints
Paul Gauguin
Wood-block print in black ink on moderately thick cream wove paper · 1898
Art Institute of Chicago
At the Black Rocks, from the Suite of Late Wood-Block Prints
Paul Gauguin
Wood-block print in black ink on cream wove paper · 1898
Art Institute of Chicago
Women, Animals, and Foliage, from the Suite of Late Wood-Block Prints
Paul Gauguin
Wood-block print in black ink on thin ivory Japanese paper, partially laid down on thin white Japanese paper · 1898
Art Institute of Chicago
Wayside Shrine in Brittany, from the Suite of Late Wood-Block Prints
Paul Gauguin
Wood-block print in black ink on thin ivory Japanese paper, tipped on thin white Japanese paper · 1898
Art Institute of Chicago
Buddha, from the Suite of Late Wood-Block Prints
Paul Gauguin
Wood-block print in black ink on thin ivory Japanese paper perimeter mounted on white Japanese paper · 1898
Art Institute of Chicago
Human Miseries, from the Suite of Late Wood-Block Prints
Paul Gauguin
Wood-block print in black ink on thin ivory Japanese paper, laid down on white Japanese paper · 1898
Art Institute of Chicago
Te atua (The God), from the Suite of Late Wood-Block Prints
Paul Gauguin
Wood-block print in black ink, with yellow ocher ink offset, on thin ivory Japanese paper, laid face down on ivory wove paper (recto); wood-block print in brownish-black ink on ivory wove paper (verso) · 1898
Art Institute of Chicago
Plate with the Head of a Horned Devil, from the Suite of Late Wood-Block Prints
Paul Gauguin
Wood-block print, printed twice in black over pale yellow ocher ink, on thin ivory Japanese paper, partially laid down on white two-ply mat board · 1898
Art Institute of Chicago
Te atua (The God), from the Suite of Late Wood-Block Prints
Paul Gauguin
Second-state impression laid down on first-state impression
Wood-block print of second state in black ink on lunette-shaped, thin ivory Japanese paper, laid down on wood-block print of first state in brownish-black ink on lunette-shaped ivory wove paper · 1898
Art Institute of Chicago
Tahitian Carrying Bananas, from the Suite of Late Wood-Block Prints
Paul Gauguin
Wood-block print in black ink on thin ivory Japanese paper, tipped on thin white Japanese paper · 1898
Art Institute of Chicago
Butterfly (recto); Fragment of Butterfly (verso)
James McNeill Whistler
Pen and black ink over graphite (recto), and brush and black ink over graphite (verso), on cream wove card · 1898
Art Institute of Chicago
Butterfly with Checkered Wings
James McNeill Whistler
Pen and black ink on cream wove card · 1898
Art Institute of Chicago
Butterfly (recto); Fragment of Butterfly (verso)
James McNeill Whistler
Pen and black ink over graphite (recto), and pen and black ink over graphite, with corrections by the artist in white opaque paint (verso), on cream wove card · 1898
Art Institute of Chicago