Database / Artworks
Artworks

Te faruru (Here We Make Love), from the Noa Noa Suite
Paul Gauguin
Wood-block print, printed twice in brown and black inks, with selective wiping, and a transferred twill impression, on cream wove Japanese paper, laid down on cream laid Japanese paper (a laminate made by the artist) · 1893
Art Institute of Chicago

Te atua (The God), from the Noa Noa Suite
Paul Gauguin
Wood-block print in residual brown and black inks on ivory wove paper · 1893
Art Institute of Chicago

Manao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her), from the Noa Noa Suite
Paul Gauguin
Wood-block print in black ink on grayish-ivory China paper · 1893
Art Institute of Chicago

Auti te pape (Women at the River) from the Noa Noa Suite
Paul Gauguin
Wood-block print in black ink on grayish-ivory China paper · 1893
Art Institute of Chicago

Nave nave fenua (Delightful Land), from the Noa Noa Suite
Paul Gauguin
Wood-block print in black ink on grayish-ivory China paper · 1893
Art Institute of Chicago

Maruru (Offerings of Gratitude), from the Noa Noa Suite
Paul Gauguin
Wood-block print in black ink on grayish-ivory China paper · 1893
Art Institute of Chicago

L’univers est créé (The Universe Is Being Created), from the Noa Noa Suite
Paul Gauguin
Wood-block print in black ink on grayish-ivory China paper · 1893
Art Institute of Chicago

Te po (The Night), from the Noa Noa Suite
Paul Gauguin
Wood-block print in black ink on grayish-ivory China paper · 1893
Art Institute of Chicago

Noa Noa (Fragrant), from the Noa Noa Suite
Paul Gauguin
Wood-block print in black ink on grayish-ivory China paper · 1893
Art Institute of Chicago

Mahna no varua ino (The Devil Speaks), from the Noa Noa Suite
Paul Gauguin
Wood-block print in black ink on grayish-ivory China paper · 1893
Art Institute of Chicago

Pape moe
Paul Gauguin
Watercolor, with black fabricated chalk, pen and brown ink (originally purple) and touches of brush and black ink on heavily textured ivory wove paper · 1893
Art Institute of Chicago

Violet and Silver—The Deep Sea
James McNeill Whistler
Oil on canvas · 1893
Art Institute of Chicago

Reclining Draped Figure
James McNeill Whistler
Lithographic crayon, with traces of scraping and stumping, on fine-grained transfer paper laid down on cream wove paper · 1893
Art Institute of Chicago

The Little Blue Cap
James McNeill Whistler
Watercolor and opaque watercolor over charcoal on brown wove paper · 1893
Art Institute of Chicago

The Adams Vase
Paulding Farnham
Gold, amethysts, spessartites, tourmalines, fresh water pearls, quartzes, rock crystal, and enamel · 1893
The Metropolitan Museum of Art

Pueblo Vase
George Paulding Farnham
Sterling silver inlaid with yellow, green, and pink enamel, set with twelve faceted rubies · 1893
Art Institute of Chicago

The Place du Havre, Paris
Camille Pissarro
Oil on canvas · 1893
Art Institute of Chicago

Merahi metua no Tehamana (Tehamana Has Many Parents or The Ancestors of Tehamana)
Paul Gauguin
Oil on jute canvas · 1893
Art Institute of Chicago

The Child's Bath
Mary Cassatt
oil paint · 1893
Art Institute of Chicago

Transom panels (ramma) from the Phoenix Pavilion (Hōōden)
Takamura Kо̄un
Wood with polychromy · 1893
Art Institute of Chicago

Lion (One of a Pair, North Pedestal)
Edward Kemeys
Bronze with green patina · 1893
Art Institute of Chicago

Diana
Augustus Saint-Gaudens
Bronze · 1893
The Metropolitan Museum of Art

Saxoleine
Jules Chéret
Color lithograph on cream wove paper · 1893
Art Institute of Chicago

Manao tupapau (Watched by the Spirits of the Dead), state IV, from the suite Noa Noa (Fragrant Scent)
Paul Gauguin
Woodcut · 1893
Museum of Modern Art