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Artworks

985 records
Rhyl, The Pavilion
Rhyl, The Pavilion
Francis Bedford
Albumen print · 1860
Art Institute of Chicago
Barmouth, the Quay and Ty Gwyn
Barmouth, the Quay and Ty Gwyn
Francis Bedford
Albumen print · 1860
Art Institute of Chicago
33 Exeter, Fore Street
33 Exeter, Fore Street
Francis Bedford
Albumen print · 1860
Art Institute of Chicago
Clovelly, Crazed Kate's Cottage and Beach
Clovelly, Crazed Kate's Cottage and Beach
Francis Bedford
Albumen print · 1860
Art Institute of Chicago
Rotherhithe
Rotherhithe
James McNeill Whistler
Etching and drypoint with foul biting in black ink on ivory laid paper · 1860
Art Institute of Chicago
Ross Winans
Ross Winans
James McNeill Whistler
Etching and drypoint with foul biting in black ink, with graphite additions along shoulder and sleeve at left, on off-white wove paper · 1860
Art Institute of Chicago
The Lake at Chuzenji in Shimotsuke Province (Shimotsuke Chuzenji kosui), from the series "One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)"
The Lake at Chuzenji in Shimotsuke Province (Shimotsuke Chuzenji kosui), from the series "One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)"
Utagawa Hiroshige II (Shigenobu)
Color woodblock print; oban · 1860
Art Institute of Chicago
Rue Pirouette aux Halles, Paris
Rue Pirouette aux Halles, Paris
Charles Méryon
Etching and drypoint on ivory laid paper · 1860
Art Institute of Chicago
The Printer Valère Maxime Presented to King Louis XI
The Printer Valère Maxime Presented to King Louis XI
Charles Méryon
Etching and drypoint with burnishing in warm black on grayish ivory chine, laid down on ivory laid paper · 1860
Art Institute of Chicago
An Old House at Bourges
An Old House at Bourges
Charles Méryon
Etching and drypoint on ivory laid paper · 1860
Art Institute of Chicago
The Footbridge Temporarily Replacing the Pont-au-Change, Paris, After the Fire of 1621
The Footbridge Temporarily Replacing the Pont-au-Change, Paris, After the Fire of 1621
Charles Méryon
Etching on ivory laid paper, laid down on ivory wove paper · 1860
Art Institute of Chicago
"Is It So Nominated in the Bond?"
"Is It So Nominated in the Bond?"
John Rogers
paint · 1860
Smithsonian American Art Museum
Meditation
Meditation
Odilon Redon
Etching on white wove paper · 1860
Art Institute of Chicago
Mountain Landscape
Mountain Landscape
William Louis Sonntag
oil paint · 1860
Smithsonian American Art Museum
Portrait of the Artist, Age 23
Portrait of the Artist, Age 23
William Edgar Marshall
oil on canvas · 1860
Smithsonian American Art Museum
(Moses Viewing the Promised Land)
(Moses Viewing the Promised Land)
Robert Walter Weir
oil on canvas · 1860
Smithsonian American Art Museum
The Salutation at the Masquerade
The Salutation at the Masquerade
Edouard de Beaumont, French
Pen and ink, brush and watercolor on bristol board · 1860
Cooper Hewitt, Smithsonian Design Museum
Box at the Theater
Box at the Theater
Odilon Redon
Oil paint on tan wove paper · 1860
Art Institute of Chicago
Portrait of a man
Portrait of a man
James McNeill Whistler
Drypoint in black ink on ivory Japanese paper · 1860
Art Institute of Chicago
Joseph Eggleston Johnston
Joseph Eggleston Johnston
Benjamin Franklin Reinhart
Oil on artist board · 1860
National Portrait Gallery
Leopold Kahn
Leopold Kahn
Bradley and Rulofson Studio
Glass plate collodion negative · 1860
National Portrait Gallery
Leopold Kahn
Leopold Kahn
Bradley and Rulofson Studio
Glass plate collodion negative · 1860
National Portrait Gallery
The Morning of Life
The Morning of Life
Samuel Palmer
Etching in black on paper · 1860
Art Institute of Chicago
Frejus and Pennard Castle, from Picturesque Selections
Frejus and Pennard Castle, from Picturesque Selections
James Duffield Harding
Lithograph on paper · 1860
Art Institute of Chicago
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