Database / Artworks
Artworks
La Tallera Siqueiros, Cuernavaca, Mexico
Rafael Gamo
Digital photograph · 2015
Art Institute of Chicago
MCA Chicago
Johnston Marklee
Photocollage · 2015
Art Institute of Chicago
anonymous histories
Iwan Baan
Hahnemühle Photo Rag Ultra Smooth 305 g/m2
Fine Art Giclée Print · 2015
Art Institute of Chicago
La Tallera Siqueiros, Cuernavaca, Mexico
Rafael Gamo
Digital photograph · 2015
Art Institute of Chicago
anonymous histories
Iwan Baan
Hahnemühle Photo Rag Ultra Smooth 305 g/m2
Fine Art Giclée Print · 2015
Art Institute of Chicago
Waraji Sandals
Reiko Sudo
Kibiso · 2015
Art Institute of Chicago
The Treatment 12
Toyin Ojih Odutola
Pen and black ink, graphite, and white pastel pencil on white wove paper · 2015
Art Institute of Chicago
The Intimacy of Four Continents, from Human_3.0 Reading List
Cauleen Smith
Graphite and brush and colored inks, with touches of opaque watercolor and acrylic paint, on wove graph paper · 2015
Art Institute of Chicago
Human_3.0 Reading List
Cauleen Smith
Graphite, blue colored pencil, and black watercolor on white wove paper · 2015
Art Institute of Chicago
White Moon Jar
Dae-sup Kwon
Glazed porcelain · 2015
Art Institute of Chicago
Study, Charité, Berlin
Thomas Struth
Inkjet print · 2015
Art Institute of Chicago
The Treatment 3
Toyin Ojih Odutola
Pen and black ink, graphite, and white pastel pencil on white wove paper · 2015
Art Institute of Chicago
Michele Abeles Reading 5.634: This Is Connected With the Fact That No Part of Our Experience Is at the Same Time A Priori. Whatever We See Could Be Other Than It Is. Whatever We Can Describe at All Could Be Other Than It Is. There Is No A Priori Order of Things
Arthur Ou
Gelatin silver print · 2015
Art Institute of Chicago
Adam Putnam Reading 2.014: Objects Contain the Possibility of All Situations
Arthur Ou
Gelatin silver print · 2015
Art Institute of Chicago
Black Women in White America, from Human_3.0 Reading List
Cauleen Smith
Graphite and brush and colored inks with touches of acrylic paint on wove graph paper · 2015
Art Institute of Chicago
Susanne Kriemann Reading 5.5423: To Perceive a Complex Means to Perceive That Its Constituents Are Related to One Another in Such and Such Way. This No Doubt Also Explains Why There Are Two Possible Ways of Seeing the Figure as a Cube; and All Similar Phenomena. For We Really See Two Different Facts. (If I Look in the First Place at the Corners Marked A and Only Glance at the B's, Then the A's Appear to be in Front, and Vice Versa)
Arthur Ou
Gelatin silver print · 2015
Art Institute of Chicago
Marker #1
Anders Ruhwald
Glazed ceramic and glass · 2015
Art Institute of Chicago
Spatial poem reply 2
Kemang Wa Lehulere
Internal dye diffusion transfer print · 2015
Art Institute of Chicago
Black Skin, White Masks, from Human_3.0 Reading List
Cauleen Smith
Graphite and watercolor on wove graph paper · 2015
Art Institute of Chicago
William O. Lockridge Library, Washington, D.C., Model
David Adjaye
Mixed media · 2015
Art Institute of Chicago
Sinmi Stool, Design Sketch
Norman Teague
Pen and black ink on paper · 2015
Art Institute of Chicago
Eileen Quinlan Reading 5.61: Logic Pervades the World: the Limits of the World Are Also Its Limits. So We Cannot Say in Logic, 'The World Has This in It, and This, but Not That.' For That Would Appear to Presuppose That We Were Excluding Certain Possibilities, and This Cannot Be the Case, Since It Would Require That Logic Should Go Beyond the Limits of the World; for Only in That Way Could It View Those Limits From the Other Side As Well. We Cannot Think What We Cannot Think; So What Cannot Think We Cannot Say Either
Arthur Ou
Gelatin silver print · 2015
Art Institute of Chicago
Moyra Davey Reading 4.114: It Must Set Limits to What Can Be Thought; And, in Doing So, to What Cannot Be Thought. It Must Set Limits to What Cannot Be Thought by Working Outwards Through What Can Be Thought
Arthur Ou
Gelatin silver print · 2015
Art Institute of Chicago
Phil Chang Reading 5.632: The Subject Does Not belong to the World: Rather, It Is a Limit of the World
Arthur Ou
Gelatin silver print · 2015
Art Institute of Chicago