Database / Artworks
Artworks
Boulder on top of Cliff, at foot of the Doorway, No. 18 from the series "Devil's Lake and Vicinity"
Henry Hamilton Bennett
Albumen print, stereo · 1870
Art Institute of Chicago
Kirkland, through the Arbor, No. 138 from the series "Devil's Lake and Vicinity"
Henry Hamilton Bennett
Albumen print, stereo · 1870
Art Institute of Chicago
Cold Water Canon inside Jug, showing east entrance, No. 1037 from the series "In and About the Dells of the Wisconsin River"
Henry Hamilton Bennett
Albumen print, stereo · 1870
Art Institute of Chicago
Reflection in Blazier Creek, No. 9 from the series "In and About the Dells of the Wisconsin River"
Henry Hamilton Bennett
Albumen print, stereo · 1870
Art Institute of Chicago
Visor Ledge east of Stand Rock, No. 20 from the series "In and About the Dells of the Wisconsin River"
Henry Hamilton Bennett
Albumen print, stereo · 1870
Art Institute of Chicago
Down the River from the Elbow, No. 145 from the series "In and About the Dells of the Wisconsin River"
Henry Hamilton Bennett
Albumen print, stereo · 1870
Art Institute of Chicago
Diamond Grotto in Witches' Gulch, No. 246 from the series "In and About the Dells of the Wisconsin River"
Henry Hamilton Bennett
Albumen print, stereo · 1870
Art Institute of Chicago
Window on the north side of Target Bluff, No. 225 from the series "Curiosities of Adams and Juneau Counties"
Henry Hamilton Bennett
Albumen print, stereo · 1870
Art Institute of Chicago
Woman's Long Pao (Formal Domestic Robe)
Manchu
Silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, slit tapestry weave with interlaced outlining wefts; painted details; trimmed with braid of gilt-metal-strip-wrapped silk, 2:2 twill oblique interlacing; edging and closures: silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, warp-float faced 7:1 satin weave with plain interlacings of secondary binding warps and supplementary patterning wefts; body lined with silk, 4:1 satin damask weave; sleeves lined with silk, warp-float faced 7:1 satin weave · 1870
Art Institute of Chicago
Woman's Majia (Semiformal or Informal Domestic Vest)
Manchu
Silk, 7:1 satin damask weave; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk in satin, single satin, and stem stitches; laid work and couching; ribbon: silk and silver-leaf-over-lacquered-paper-strip-wrapped cotton, plain weave with supplementary patterning warps; facings: silk, warp-float faced 7:1 satin weave; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk in satin and single satin stitches; laid work and couching; corner cut outs edged with silk, warp-float faced 7:1 satin weave under laid with silk, warp-float faced 3:1 twill weave self-patterned by areas of plain weave; trim and closures: silk, warp-float faced 7:1 satin weave; lined with silk, 3:1, 1:1, 3:1, 1:1... twill weave; metal buttons · 1870
Art Institute of Chicago
Woman's Ao (Short Robe)
Han-Chinese
Silk, 7:1 satin damask weave; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk in knot, satin, and stem stitches; laid work and couching; sleeve bands: silk, warp-float faced 7:1 satin weave; embroidered with silk, gold-leaf-over-lacquered-paper-strip-wrapped wild silk, and gilt-metal-strip-wrapped silk in eyelet, feather, knot, satin, single satin, and stem stitches; laid work and couching; ribbons: silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, complementary warp 7:1 satin weave with plain interlacings of secondary binding warps and self-patterning ground wefts; trim and closures: silk, warp-float faced 7:1 and 4:1 satin weaves; lined with silk, plain weave · 1870
Art Institute of Chicago
Mystic Lake
William Henry Jackson
Albumen print · 1870
Art Institute of Chicago
View of the Takatsu Shrine
Gyodai
Color woodblock print; surimono · 1870
Art Institute of Chicago
Elderly Tea Master
Gyodai
Color woodblock print; surimono · 1870
Art Institute of Chicago
Centennial Print (Furnishing Fabric)
Cocheco Manufacturing Company
Cotton, plain weave; roller printed · 1870
Art Institute of Chicago
Speke Hall: The Avenue
James McNeill Whistler
Etching and drypoint with foul biting in black ink on off-white laid paper · 1870
Art Institute of Chicago
Street Life in London
John Thomson
Woodburytypes · 1870
Art Institute of Chicago
Study of "Altarpiece of Saint-Germer-de-fly," Paris, France
Francis Augustus Lathrop, American
Brush and watercolor, graphite on paper · 1870
Cooper Hewitt, Smithsonian Design Museum
Study of "Altarpiece of Saint-Germer-de-fly," Paris, France
Francis Augustus Lathrop, American
Brush and watercolor, graphite on paper · 1870
Cooper Hewitt, Smithsonian Design Museum
Adam and Eve, Design for Stained Glass Window, Frankby Church, Birkenhead (Cheshire), England
Sir Edward Burne-Jones, English
Pen and ink, brush and watercolor on paper · 1870
Cooper Hewitt, Smithsonian Design Museum
Study of "Altarpiece of Saint-Germer-de-fly," Paris, France
Francis Augustus Lathrop, American
Brush and watercolor, graphite on paper · 1870
Cooper Hewitt, Smithsonian Design Museum
Design for Stained Glass Window, Saint Peter's Episcopal Church, Albany, NY
Sir Edward Burne-Jones, English
Pen and black ink, brush and watercolor, over graphite on wove paper · 1870
Cooper Hewitt, Smithsonian Design Museum
Design for Stained Glass Window, St. Paul's Church, Boston, MA
Sir Edward Burne-Jones, English
Pen and ink, brush and watercolor on paper · 1870
Cooper Hewitt, Smithsonian Design Museum
Speke Hall: The Avenue
James McNeill Whistler
Etching and drypoint with foul biting in black ink on off-white laid paper · 1870
Art Institute of Chicago