Database / Artworks

Artworks

285 records
Phryne before Her Judges
Phryne before Her Judges
David French
black chalk on wove paper discolored to beige · 1816
Cleveland Museum of Art
The Prisoner
The Prisoner
David French
black chalk on cream laid paper · 1816
Cleveland Museum of Art
De geesten van Malvina en Oscar
De geesten van Malvina en Oscar
Anne-Louis Girodet-Trioson
chalk, paper · 1816
Rijksmuseum
Joel Barlow
Joel Barlow
Asher Brown Durand
Steel engraving on paper · 1816
Art Institute of Chicago
Catskill Mountains
Catskill Mountains
Asher Brown Durand
Engraving on paper · 1816
Art Institute of Chicago
Portrait of a Gentleman
Portrait of a Gentleman
George II
Graphite, with traces of red, on ivory wove paper · 1816
Art Institute of Chicago
Portret van Edouard De Vigne
Portret van Edouard De Vigne
Félix de Vigne
pencil, paper · 1816
Rijksmuseum
George IV (1762–1830) as Prince Regent, after Lawrence
George IV (1762–1830) as Prince Regent, after Lawrence
Henry Bone
Enamel · 1816
The Metropolitan Museum of Art
The interior of the Oplotheca in Brook St. Bond St. being the finest Collection of Antient Armour in Europe, now open for public inspection
The interior of the Oplotheca in Brook St. Bond St. being the finest Collection of Antient Armour in Europe, now open for public inspection
William Marshall
Etching and engraving · 1816
The Metropolitan Museum of Art
Hampstead Heath, Looking Toward Harrow
Hampstead Heath, Looking Toward Harrow
Constable
oil on paper, mounted on canvas · 1816
Cleveland Museum of Art
De tempel van Antoninus en Faustina te Rome
De tempel van Antoninus en Faustina te Rome
William Williams
brush on paper, pencil, watercolor (paint), ink · 1816
Rijksmuseum
Gezicht bij Vallombrosa, ten oosten van Florence
Gezicht bij Vallombrosa, ten oosten van Florence
William Williams
pen on ink, paper · 1816
Rijksmuseum
Leap Year
Leap Year
William Charles
Hand-colored etching on paper · 1816
Art Institute of Chicago
Ruïne van een huis
Ruïne van een huis
Jacob de Vos
brush on chalk, watercolor (paint), paper · 1816
Rijksmuseum
The interior of the Oplotheca in Brook St. Bond St. being the finest Collection of Antient Armour in Europe, now open for public inspection
The interior of the Oplotheca in Brook St. Bond St. being the finest Collection of Antient Armour in Europe, now open for public inspection
William Marshall
Etching and engraving · 1816
The Metropolitan Museum of Art
Familie in een paardenstal
Familie in een paardenstal
Thomas Rowlandson
etching on paper · 1816
Rijksmuseum
De tempel van Antoninus en Faustina te Rome
De tempel van Antoninus en Faustina te Rome
William Williams
brush on paper, pencil, watercolor (paint), ink · 1816
Rijksmuseum
Gezicht bij Vallombrosa, ten oosten van Florence
Gezicht bij Vallombrosa, ten oosten van Florence
William Williams
pen on ink, paper · 1816
Rijksmuseum
George William Fairfax
George William Fairfax
Joseph Wood
Watercolor on ivory · 1816
The Metropolitan Museum of Art
Denbigh Castle from Segroyt Dingle
Denbigh Castle from Segroyt Dingle
George Fennel Robson
Graphite on cream wove paper · 1816
Art Institute of Chicago
Portrait of Madame Perregaux
Portrait of Madame Perregaux
Horace Vernet, French
Lithograph in black on cream wove paper · 1816
Art Institute of Chicago
Octagonal Drawing, Fame with Two Putti, Palazzo Morri, Faenza
Octagonal Drawing, Fame with Two Putti, Palazzo Morri, Faenza
Felice Giani, Italian
figures, drawing — pen and brown ink, brush and wash over black chalk on laid paper · 1816
Cooper Hewitt, Smithsonian Design Museum
Ceiling Vault Decoration, Camera da Letto, Sala di Cornelia di Palazzo Cavina, Faenza
Ceiling Vault Decoration, Camera da Letto, Sala di Cornelia di Palazzo Cavina, Faenza
Felice Giani, Italian
architecture, interiors, drawing — pen and ink on laid paper · 1816
Cooper Hewitt, Smithsonian Design Museum
Virgil Reading the Eulogy of Marcellus to Lucretia and Augustus, Palazzo Cavina, Faenza
Virgil Reading the Eulogy of Marcellus to Lucretia and Augustus, Palazzo Cavina, Faenza
Felice Giani, Italian
figures, drawing — pen and brown ink, brush and light brown wash over black chalk on heavy rolled paper · 1816
Cooper Hewitt, Smithsonian Design Museum
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