Database / Artworks
Artworks
Mouth of the Old River Stort
Peter Henry Emerson
Photogravure, plate XVIII from the album "The Compleat Angler or the Contemplative Man's Recreation, Volume I" (1888) · 1880
Art Institute of Chicago
Hoddesdon, Herts
Peter Henry Emerson
Photogravure, plate XI from the album "The Compleat Angler or the Contemplative Man's Recreation, Volume I" (1888) · 1880
Art Institute of Chicago
The Black Pool, Near Hoddesdon
Peter Henry Emerson
Photogravure, plate IX from the album "The Compleat Angler or the Contemplative Man's Recreation, Volume I" (1888) · 1880
Art Institute of Chicago
The Conspirator's Room, Old Rye House
Peter Henry Emerson
Photogravure, plate XIV from the album "The Compleat Angler or the Contemplative Man's Recreation, Volume I" (1888) · 1880
Art Institute of Chicago
The Old Rye House
Peter Henry Emerson
Photogravure, plate XIII from the album "The Compleat Angler or the Contemplative Man's Recreation, Volume I" (1888) · 1880
Art Institute of Chicago
The Compleat Angler
Peter Henry Emerson
Photogravure, plate XII from the album "The Compleat Angler or the Contemplative Man's Recreation, Volume I" (1888) · 1880
Art Institute of Chicago
The Shoot, Amwell Magna Fishery
Peter Henry Emerson
Photogravure, plate VI from the album "The Compleat Angler or the Contemplative Man's Recreation, Volume I" (1888) · 1880
Art Institute of Chicago
A Backwater on the Lea
Peter Henry Emerson
Photogravure, plate VII from the album "The Compleat Angler or the Contemplative Man's Recreation, Volume I" (1888) · 1880
Art Institute of Chicago
Stanstead from the Lea
Peter Henry Emerson
Photogravure, plate VIII from the album "The Compleat Angler or the Contemplative Man's Recreation, Volume I" (1888) · 1880
Art Institute of Chicago
The October Hole, Near Hoddesdon
Peter Henry Emerson
Photogravure, plate X from the album "The Compleat Angler or the Contemplative Man's Recreation, Volume I" (1888) · 1880
Art Institute of Chicago
Mouth of the River Ash
Peter Henry Emerson
Photogravure, plate IV from the album "The Compleat Angler or the Contemplative Man's Recreation, Volume I" (1888) · 1880
Art Institute of Chicago
Keeper's Cottage, Amwell Magna Fishery
Peter Henry Emerson
Photogravure, plate V from the album "The Compleat Angler or the Contemplative Man's Recreation, Volume I" (1888) · 1880
Art Institute of Chicago
Amwell Church
Peter Henry Emerson
Photogravure, plate I from the album "The Compleat Angler or the Contemplative Man's Recreation, Volume III" (1888) · 1880
Art Institute of Chicago
Ware, Herts
Peter Henry Emerson
Photogravure, plate II from the album "The Compleat Angler or the Contemplative Man's Recreation, Volume I" (1888) · 1880
Art Institute of Chicago
James Russell Lowell
Henry Herschel Hay Cameron
Photogravure, plate 23 from the album "Lord Tennyson and his Friends" (1893) · 1880
Art Institute of Chicago
The Little Venice
James McNeill Whistler
Etching in warm black, with selective wiping of plate tone, on ivory laid paper · 1880
Art Institute of Chicago
Elevation Study for a Building, Elevation and Sections
Peter Joseph Weber
Graphite and ink on drawing paper · 1880
Art Institute of Chicago
Elevation Study for a Building, Elevations and Sections
Peter Joseph Weber
Graphite, colored pencils, and watercolor wash on drawing paper · 1880
Art Institute of Chicago
Man's Court Badge
Manchu
1880
Art Institute of Chicago
The Little Venice
James McNeill Whistler
Etching, with drypoint cancellation, in dark brown ink on cream Japanese paper · 1880
Art Institute of Chicago
Drury Lane
James McNeill Whistler
Etching with foul biting, with drypoint cancellation, in dark brown ink on ivory wove paper · 1880
Art Institute of Chicago
Lobster Pots - Selsea Bill
James McNeill Whistler
Etching and drypoint with drypoint cancellation, in black ink on ivory laid paper · 1880
Art Institute of Chicago
Little Court
James McNeill Whistler
Etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper · 1880
Art Institute of Chicago
The Temple
James McNeill Whistler
Etching, with drypoint cancellation, in black ink on ivory laid paper · 1880
Art Institute of Chicago