Database / Artworks
Artworks

Landing of Commodore Perry, Officers and Men of the Squadron, to Meet the Imperial Commissioners at Simoda, Japan, June 8, 1854
Eliphalet M. Brown, Jr.
Color lithograph with hand-coloring on paper · 1855
National Portrait Gallery
![[Nude Before a Mirror]](https://images.metmuseum.org/CRDImages/ph/original/DP343675.jpg)
[Nude Before a Mirror]
Bruno Braquehais
Albumen silver print from glass negative · 1855
The Metropolitan Museum of Art

The actors Nakamura Fukusuke I as Matsugae Matonosuke and Ichikawa Komazo VII as Nikki Danjo in the play "Konoshita Kage Masago no Datezome," performed at the Ichimura Theater in the ninth month, 1855
Utagawa Kunisada I (Toyokuni III)
Color woodblock print; oban · 1855
Art Institute of Chicago

Room in the Winter Palace of the August Deceased Emporer Nicholas I in which he Died February 18, 1855
Aleksandr Kol'b
Lithograph in black with fawn tint on ivory wove paper · 1855
Art Institute of Chicago

Edwin Forrest
Mathew B. Brady, 1823? - 15 Jan 1896
Half-plate daguerreotype · 1855
National Portrait Gallery

Landing of Commodore Perry, Officers and Men of the Squadron, to Meet the Imperial Commissioners at Yoku-hama, Japan, March 8th 1854
Eliphalet M. Brown, Jr.
Color lithograph with hand-coloring on paper · 1855
National Portrait Gallery

Laura Keene
Rufus P. Anson, 1821 - 21 Mar 1886
Sixteenth-plate daguerreotype · 1855
National Portrait Gallery

William Cullen Bryant
Stephen Alonso Schoff
Engraving on paper · 1855
National Portrait Gallery

Blanket
Navajo (Diné)
Wool, single interlocking tapestry weave; twined selvages, heading and finish terminating in tassels · 1855
Art Institute of Chicago
![No. 92. Amerapoora. Another part of the Balcony of Kyoung No. 86 [Maha-too-lo-Bounghian Kyoung].](/api/images/artworks/aic/216583.jpg)
No. 92. Amerapoora. Another part of the Balcony of Kyoung No. 86 [Maha-too-lo-Bounghian Kyoung].
Linnaeus Tripe
Salted paper print, from the album "Views of Burma" (1856) · 1855
Art Institute of Chicago
![No. 8. Ye-nan-gyoung [Yenangyaung]. Kyoung.](/api/images/artworks/aic/216581.jpg)
No. 8. Ye-nan-gyoung [Yenangyaung]. Kyoung.
Linnaeus Tripe
Salted paper print, from the album "Views of Burma" (1856) · 1855
Art Institute of Chicago
![No. 23. Pugahm Myo [Pagan]. Figures in Damayangyee Pagoda [Dhamma-yan-gyi].](/api/images/artworks/aic/216582.jpg)
No. 23. Pugahm Myo [Pagan]. Figures in Damayangyee Pagoda [Dhamma-yan-gyi].
Linnaeus Tripe
Salted paper print, from the album "Burma Views" (1857) · 1855
Art Institute of Chicago

The Arch of Titus, 1855
Robert Macpherson
Albumen silver print · 1855
Art Institute of Chicago

A Clump of Trees
Constant Troyon
Oil on canvas · 1855
Art Institute of Chicago

Champfleury (born Jules François Felix Fleury-Husson, French critic and novelist, 1821-1889)
Nadar (Gaspard Félix Tournachon)
Woodburytype, from the periodical “Galerie Contemporaine Littéraire, Artistique” (1878), volume 6 · 1855
Art Institute of Chicago

Lady in Brown
Frederick R. Spencer
Oil on canvas · 1855
Art Institute of Chicago

Design for a Lunette
Giacomo Casa, Italian
Pencil, pen and ink, brush and sepia, watercolor on paper · 1855
Cooper Hewitt, Smithsonian Design Museum

Coverlet
William Craig, Jr.
Cotton and wool, plain weave double cloth; woven on loom with Jacquard attachment; two loom widths joined; fringed · 1855
Art Institute of Chicago

Coverlet
John Craig
Cotton and wool, plain weave double cloth; woven on loom with Jacquard attachment; two loom widths joined; fringed · 1855
Art Institute of Chicago

Bedcover
Sarah J. Harden
Cotton, plain weave; appliquéd with cotton, plain weave and cotton, plain weave; roller printed; quilted; edged with cotton, plain weave · 1855
Art Institute of Chicago

Untitled (Portrait of Two Men)
Robert H. Vance
Daguerreotype · 1855
Art Institute of Chicago

Caricature of Auguste Vacquerie
Claude Monet
Graphite on tan wove paper · 1855
Art Institute of Chicago

Caricature of Eugène Marcel
Claude Monet
Graphite with white chalk on gray wove paper · 1855
Art Institute of Chicago

Caricature of a Man Standing by Desk (recto); Sketch of Male Head in Profile (verso)
Claude Monet
Graphite on cream wove paper · 1855
Art Institute of Chicago