Database / Artworks
Artworks
Turkeys
James McNeill Whistler
Etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper · 1880
Art Institute of Chicago
Bead Stringers
James McNeill Whistler
Etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper · 1880
Art Institute of Chicago
Wheelwright
James McNeill Whistler
Etching and drypoint with foul biting, with drypoint cancellation, in dark brown ink on ivory laid paper · 1880
Art Institute of Chicago
San Biagio
James McNeill Whistler
Etching and drypoint with foul biting, with drypoint cancellation, in brown ink on ivory laid paper · 1880
Art Institute of Chicago
Wheelwright
James McNeill Whistler
Cancelled copper plate · 1880
Art Institute of Chicago
The Temple
James McNeill Whistler
Cancelled copper plate · 1880
Art Institute of Chicago
Lobster Pots - Selsea Bill
James McNeill Whistler
Cancelled copper plate · 1880
Art Institute of Chicago
Little Court
James McNeill Whistler
Cancelled copper plate · 1880
Art Institute of Chicago
San Biagio
James McNeill Whistler
Cancelled copper plate · 1880
Art Institute of Chicago
Turkeys
James McNeill Whistler
Cancelled copper plate · 1880
Art Institute of Chicago
Woman's Qun (Skirt)
Han-Chinese
Silk, plain weave; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk in knot, satin and stem stitches; laid work and couching; edged with warp-float faced 4:1 and 7:1 satin weaves; waist band · 1880
Art Institute of Chicago
Third Future, plate six from Eve and the Future
Max Klinger
Etching on light gray wove paper, laid down on ivory wove card · 1880
Art Institute of Chicago
Landscape with Trees
Alfred Sisley
Pastel and colored pencils on tan laminated card · 1880
Art Institute of Chicago
Turkeys
James McNeill Whistler
Etching and drypoint with foul biting in black ink on ivory laid paper · 1880
Art Institute of Chicago
Portière
Anna G. Lyman
Silk, warp-float faced twill weave with supplementary pile warps forming cut solid velvet; embroidered with gilt paper and gold-leafed-paper-strip-wrapped cotton and silk in satin and stem stitches; laid work, couching and French knots; fringe of gilt-paper-strip-wrapped cotton and silk, wrapped and braided; lined with silk, weft-float faced satin weave self-patterned by areas of plain weave · 1880
Art Institute of Chicago
Study for an Angel
Francis Augustus Lathrop, American
Brush and brown watercolor, graphite on brown paper · 1880
Cooper Hewitt, Smithsonian Design Museum
A Right Foot
Francis Augustus Lathrop, American
Graphite on paper · 1880
Cooper Hewitt, Smithsonian Design Museum
Sketch for an Angel
Francis Augustus Lathrop, American
Graphite on paper · 1880
Cooper Hewitt, Smithsonian Design Museum
Sketch of Charity, Faith, and Hope
Francis Augustus Lathrop, American
Graphite on brown paper · 1880
Cooper Hewitt, Smithsonian Design Museum
Sketch for an Angel
Francis Augustus Lathrop, American
Graphite on tracing paper · 1880
Cooper Hewitt, Smithsonian Design Museum
Pleated fan and box
Frédéric Houbron, French
Silk leaf, painted with gouache and backed with silk satin, tortoise shell sticks, silk tassel · 1880
Cooper Hewitt, Smithsonian Design Museum
Sketch for an Angel
Francis Augustus Lathrop, American
Chracoal on tracing paper · 1880
Cooper Hewitt, Smithsonian Design Museum
Study for Cleopatra
Francis Augustus Lathrop, American
Brush and gouache on paper · 1880
Cooper Hewitt, Smithsonian Design Museum
Study of Nude Figure
Francis Augustus Lathrop, American
Graphite on cream wove paper · 1880
Cooper Hewitt, Smithsonian Design Museum