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Artworks

954 records
Program for A Mother (Une Mère), Brocéliande, The Sniffers (Les Flaireurs) and Words! Words! (Des mots! des mots!) from The Beraldi Album of Theatre Programs
Program for A Mother (Une Mère), Brocéliande, The Sniffers (Les Flaireurs) and Words! Words! (Des mots! des mots!) from The Beraldi Album of Theatre Programs
Maxime Dethomas
One from an album of 50 lithographs · 1896
Museum of Modern Art
Advertisement for Revue encyclopédique Larousse from The Beraldi Album of Theatre Programs
Advertisement for Revue encyclopédique Larousse from The Beraldi Album of Theatre Programs
Pierre Bonnard
One from an album of 50 lithographs · 1896
Museum of Modern Art
Program for The Invisible Soul (L'Âme invisible) from The Beraldi Album of Theatre Programs
Program for The Invisible Soul (L'Âme invisible) from The Beraldi Album of Theatre Programs
Tancrède Synave
One from an album of 50 lithographs · 1896
Museum of Modern Art
Intelligence Was Mine! I Became the Buddha (L'Intelligence fût à moi! Je devins le Buddha) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Intelligence Was Mine! I Became the Buddha (L'Intelligence fût à moi! Je devins le Buddha) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
One from a portfolio of 23 lithographs on chine appliqué · 1896
Museum of Modern Art
In the Shadows Are People, Weeping and Praying, Surrounded by Others Who Are Exhorting Them . . . (Dans l'ombre des gens pleurent et prient entourés d'autres qui les exhortent . . .) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
In the Shadows Are People, Weeping and Praying, Surrounded by Others Who Are Exhorting Them . . . (Dans l'ombre des gens pleurent et prient entourés d'autres qui les exhortent . . .) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
One from a portfolio of 23 lithographs on chine appliqué · 1896
Museum of Modern Art
Flowers Fall, and the Head of a Python Appears (Des fleurs tombent, et la tête d'un python paraît) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Flowers Fall, and the Head of a Python Appears (Des fleurs tombent, et la tête d'un python paraît) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
One from a portfolio of 23 lithographs on chine appliqué · 1896
Museum of Modern Art
And on Every Side Are Columns of Basalt, . . . the Light Falls from the Vaulted Roof (Et partout ce sont des colonnes de basalte, . . . la lumière tombe des voûtes) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
And on Every Side Are Columns of Basalt, . . . the Light Falls from the Vaulted Roof (Et partout ce sont des colonnes de basalte, . . . la lumière tombe des voûtes) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
One from a portfolio of 23 lithographs on chine appliqué · 1896
Museum of Modern Art
The Old Woman: What Are You Afraid Of? A Wide Black Hole! It Is Empty, Perhaps? (La Vieille: Que crains-tu? Un large trou noir! Il est vide, peut-être?) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
The Old Woman: What Are You Afraid Of? A Wide Black Hole! It Is Empty, Perhaps? (La Vieille: Que crains-tu? Un large trou noir! Il est vide, peut-être?) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
One from a portfolio of 23 lithographs on chine appliqué · 1896
Museum of Modern Art
I Am Still the Great Isis! Nobody Has Ever Yet Lifted My Veil! My Fruit Is the Sun! (Je suis toujours la grande Isis! Nul n'a encore soulevé mon voile! Mon fruit est le soleil!) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
I Am Still the Great Isis! Nobody Has Ever Yet Lifted My Veil! My Fruit Is the Sun! (Je suis toujours la grande Isis! Nul n'a encore soulevé mon voile! Mon fruit est le soleil!) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
One from a portfolio of 23 lithographs on chine appliqué · 1896
Museum of Modern Art
He Falls Head Foremost into the Abyss (Il tombe dans l'abîme, la tête en bas) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
He Falls Head Foremost into the Abyss (Il tombe dans l'abîme, la tête en bas) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
One from a portfolio of 23 lithographs on chine appliqué · 1896
Museum of Modern Art
Death: It Is I Who Makes You Serious; Let Us Embrace (La Mort: C'est moi qui te rends serieuse; enlaçons-nous) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Death: It Is I Who Makes You Serious; Let Us Embrace (La Mort: C'est moi qui te rends serieuse; enlaçons-nous) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
One from a portfolio of 23 lithographs on chine appliqué · 1896
Museum of Modern Art
. . . I Have Sometimes Seen in the Sky What Seemed like Forms of Spirits (. . . J'ai quelquefois aperçu dans le ciel comme des formes d'esprits) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
. . . I Have Sometimes Seen in the Sky What Seemed like Forms of Spirits (. . . J'ai quelquefois aperçu dans le ciel comme des formes d'esprits) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
One from a portfolio of 23 lithographs on chine appliqué · 1896
Museum of Modern Art
She Draws from Her Bosom a Sponge, Perfectly Black, and Covers It with Kisses (Elle tire de sa poitrine une éponge toute noire, la couvre de baisers) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
She Draws from Her Bosom a Sponge, Perfectly Black, and Covers It with Kisses (Elle tire de sa poitrine une éponge toute noire, la couvre de baisers) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
One from a portfolio of 23 lithographs on chine appliqué · 1896
Museum of Modern Art
Here Is the Good Goddess, the Idaean Mother of the Mountains (Voici la bonne-déesse, l'idéenne des montagnes) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Here Is the Good Goddess, the Idaean Mother of the Mountains (Voici la bonne-déesse, l'idéenne des montagnes) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
One from a portfolio of 23 lithographs on chine appliqué · 1896
Museum of Modern Art
My Kisses Have the Taste of a Fruit That Would Melt in Your Heart! . . . You Disdain Me! Farewell! (Mes baisers ont le gout d'un fruit qui se fondrait dans ton coeur! . . . Tu me dédaignes! Adieu!) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
My Kisses Have the Taste of a Fruit That Would Melt in Your Heart! . . . You Disdain Me! Farewell! (Mes baisers ont le gout d'un fruit qui se fondrait dans ton coeur! . . . Tu me dédaignes! Adieu!) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
One from a portfolio of 23 lithographs on chine appliqué · 1896
Museum of Modern Art
Immediately Three Goddesses Arise (Immédiatement surgissent trois Déesses) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Immediately Three Goddesses Arise (Immédiatement surgissent trois Déesses) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
One from a portfolio of 23 lithographs on chine appliqué · 1896
Museum of Modern Art
Oannès: I, the First Consciousness of Chaos, Arose from the Abyss to Harden Matter, to Regulate Form (Oannès: Moi, la première conscience du chaos, j'ai surgi de l'abîme pour durcir la matière, pour régle) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Oannès: I, the First Consciousness of Chaos, Arose from the Abyss to Harden Matter, to Regulate Form (Oannès: Moi, la première conscience du chaos, j'ai surgi de l'abîme pour durcir la matière, pour régle) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
One from a portfolio of 23 lithographs on chine appliqué · 1896
Museum of Modern Art
Different Peoples Dwell in the Countries of the Ocean (Des peuples divers habitent les pays de l'océan) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Different Peoples Dwell in the Countries of the Ocean (Des peuples divers habitent les pays de l'océan) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
One from a portfolio of 23 lithographs on chine appliqué · 1896
Museum of Modern Art
. . . And He Discerns an Arid, Knoll-Covered Plain (. . . Et il distingue une plaine aride et mamelonneuse) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
. . . And He Discerns an Arid, Knoll-Covered Plain (. . . Et il distingue une plaine aride et mamelonneuse) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
One from a portfolio of 23 lithographs on chine appliqué · 1896
Museum of Modern Art
. . . The Beasts of the Sea, Round like Leather Bottles (. . . Les Bêtes de la mer rondes comme des outres) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
. . . The Beasts of the Sea, Round like Leather Bottles (. . . Les Bêtes de la mer rondes comme des outres) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
One from a portfolio of 23 lithographs on chine appliqué · 1896
Museum of Modern Art
Day Appears At Last, . . . and in the Very Disk of the Sun Shines the Face of Jesus Christ (Le Jour enfin paraît . . . et dans le disque même du soleil, rayonne la face du Jésus-Christ) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Day Appears At Last, . . . and in the Very Disk of the Sun Shines the Face of Jesus Christ (Le Jour enfin paraît . . . et dans le disque même du soleil, rayonne la face du Jésus-Christ) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
One from a portfolio of 23 lithographs on chine appliqué · 1896
Museum of Modern Art
Anthony: What Is the Point of All This? The Devil: There Is No Point! (Antoine: Quel est le but de tout cela? Le Diable: Il n'y a pas de but!) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Anthony: What Is the Point of All This? The Devil: There Is No Point! (Antoine: Quel est le but de tout cela? Le Diable: Il n'y a pas de but!) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
One from a portfolio of 23 lithographs on chine appliqué · 1896
Museum of Modern Art
The Sick Child I (Det syke barn I)
The Sick Child I (Det syke barn I)
Edvard Munch
Lithograph · 1896
Museum of Modern Art
The Sick Child (Det syke barn)
The Sick Child (Det syke barn)
Edvard Munch
Etching and drypoint · 1896
Museum of Modern Art
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