Database / Artworks
Artworks
Head of a Woman and Head of a Bearded Man
Édouard Manet
Watercolor with pen and brown ink and graphite on cream wove paper · 1880
Art Institute of Chicago
Factory at the shore.
Howard Russell Butler, American
Black crayon. White heightening. Light brown paper. · 1880
Cooper Hewitt, Smithsonian Design Museum
Wearing Blanket
Navajo (Diné)
Wool, wedge tapestry weave · 1880
Art Institute of Chicago
Sarape with Serrated Diamond Pattern
Navajo (Diné)
Wool, plain weave with "lazy lines" and dovetail tapestry weave; twined warp ends and selvages; looped and knotted corner tassels · 1880
Art Institute of Chicago
At the coast
Howard Russell Butler, American
Black crayon. Creamy paper · 1880
Cooper Hewitt, Smithsonian Design Museum
Title-page for an Album of Drawings, "Disegni originali di artisti moderni"
Giovanni Piancastelli, Italian
Pen and black ink, charcoal stumping Support: thick white wove paper · 1880
Cooper Hewitt, Smithsonian Design Museum
View of the Weissenstein Near Cassel
Franz Ludwig Catel
Etching on paper · 1880
Art Institute of Chicago
Clearing in the Forest
Rodolphe Bresdin
Etching on cream laid paper · 1880
Art Institute of Chicago
The Forest of Fontainebleau
Rodolphe Bresdin
Etching and drypoint in black ink on cream laid paper · 1880
Art Institute of Chicago
Christ
José Benito Ortega
Wood, fabric, gesso, and paint · 1880
Art Institute of Chicago
The Boathouse
Luigi Loir
Oil on canvas · 1880
Art Institute of Chicago
Het arme kind
Antonio Mancini
oil paint (paint), canvas · 1880
Rijksmuseum
Design for the rest of a chair or a cushion, to be executed in tapestry
Alphonse de Neuville, French
Pen, ink, watercolor, and gouache on paper · 1880
Cooper Hewitt, Smithsonian Design Museum
"Feather-Edged Star" Quilt
Nancy Margaret Crow Mooney
1880
Art Institute of Chicago
'Crazy Quilt'
Hallie Rogers Judd, (Halvania)
Sixteen joined squares, most of silk, plain, satin and twill weaves, some with supplementary pile warps (velvet) and supplementary patterning and brocading wefts; some squares of cotton, plain weave with supplementary weft pile (velveteen); embroidered in silk threads in buttonhole feather, running, stem, herringbone, satin and outline stitches and couching; appliquéd; additional design in paint and human hair; border: silk, plain weave with supplementary pile warps (velvet)
Back: silk, satin weave; four panels joined · 1880
Art Institute of Chicago
Flowerpot Fire Screen
William Morris
Wood, cotton or linen ground, silk floss · 1880
Art Institute of Chicago
Man's Rank Badge
Manchu
Silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, slit tapestry weave (kossu); painted; lined with silk, 3:1 twill weave self-patterned by areas of plain interlacing · 1880
Art Institute of Chicago
Sheet of Sketches: Head in Profile and Other Figures (recto); Sheet of Sketches: Figures and Horses (verso)
James Ensor
Black chalk with scraping and graphite (recto), and charcoal and graphite (verso), on cream wove paper · 1880
Art Institute of Chicago
Corner of a Table
James Ensor
Black chalks and charcoal, with pen and brown ink and touches of incising, on cream wove paper, pieced and laid down on white wove paper · 1880
Art Institute of Chicago
Death of Jezebel
James Ensor
Charcoal on tan wove paper · 1880
Art Institute of Chicago
Los Caprichos: Se Repulen
James Ensor
Black Conté crayon on ivory wove paper (discolored to cream) · 1880
Art Institute of Chicago
Drury Lane
James McNeill Whistler
Etching with foul biting in black on cream laid paper · 1880
Art Institute of Chicago
Drury Lane
James McNeill Whistler
Cancelled copper plate · 1880
Art Institute of Chicago
Corte del Paradiso
James McNeill Whistler
Pastel and black chalk on brown wove paper with fibrous inclusions · 1880
Art Institute of Chicago