Database / Artworks

Artworks

120 records
Gian Federico Madruzzo
Gian Federico Madruzzo
Giovanni Battista Moroni
oil on canvas · 1560
National Gallery of Art
Caterina Riva
Caterina Riva
Antonio Abondio
pencil lead · 1560
National Gallery of Art
Michelangelo Buonarroti, 1475-1564, Florentine Artist [obverse]
Michelangelo Buonarroti, 1475-1564, Florentine Artist [obverse]
Leone Leoni
bronze//Later casting · 1560
National Gallery of Art
Ludovicus Septalius, Patricius Mediolanensis
Ludovicus Septalius, Patricius Mediolanensis
Raphael Sadeler, I
engraving · 1560
National Gallery of Art
The Enlightenment of Francis I
The Enlightenment of Francis I
Fiorentino Rosso
Engraving in black on ivory laid paper · 1560
Art Institute of Chicago
John the Evangelist on Patmos
John the Evangelist on Patmos
Lodewijk Toeput
brush on paper, ink · 1560
Rijksmuseum
Pair of Gauntlets for a Child
Pair of Gauntlets for a Child
Lucio Piccinino
Steel, gold, silver · 1560
The Metropolitan Museum of Art
Grotesque with a Leaping Centaur (verso)
Grotesque with a Leaping Centaur (verso)
Marco Marchetti
pen and brown ink and brush and brown wash, over traces of black chalk · 1560
Cleveland Museum of Art
Timiditas from Four Vices
Timiditas from Four Vices
Raphael Sadeler, I
Engraving · 1560
The Metropolitan Museum of Art
Dolor (Sorrow)
Dolor (Sorrow)
Raphael Sadeler, I
Engraving · 1560
The Metropolitan Museum of Art
Saint Luke Painting the Virgin
Saint Luke Painting the Virgin
Raphael Sadeler, I
Engraving · 1560
The Metropolitan Museum of Art
Portrait of Sir Thomas Gresham (1519 - 1579) Merchant and financial agent of the English crown in the Netherlands, founder of the Royal Exchange and of Gresham college, London
Portrait of Sir Thomas Gresham (1519 - 1579) Merchant and financial agent of the English crown in the Netherlands, founder of the Royal Exchange and of Gresham college, London
Anthonis Mor
panel, oil paint (paint) · 1560
Rijksmuseum
Portrait of Anne Fernely. Wife of Sir Thomas Gresham
Portrait of Anne Fernely. Wife of Sir Thomas Gresham
Anthonis Mor
canvas, oil paint (paint) · 1560
Rijksmuseum
Angel from the Annunciation to the Virgin
Angel from the Annunciation to the Virgin
Tintoretto
canvas, oil paint (paint) · 1560
Rijksmuseum
The Finding of Moses
The Finding of Moses
Tintoretto
Oil on canvas · 1560
The Metropolitan Museum of Art
The Archangel Gabriel Kneeling to the Right; Small Study of Head at Lower Left.
The Archangel Gabriel Kneeling to the Right; Small Study of Head at Lower Left.
Jacopo da Empoli
Black chalk, small traces of white chalk highlights, on ochre brown prepared paper; some unrelated scribbles and sketches in red chalk · 1560
The Metropolitan Museum of Art
Adoration of the Shepherds
Adoration of the Shepherds
Joachim Beuckelaer
pen and brown ink, gray wash on brown paper, squared in red chalk · 1560
The Metropolitan Museum of Art
The Rabbit Hunt
The Rabbit Hunt
Pieter Bruegel, the elder
Etching · 1560
The Metropolitan Museum of Art
Geseling van Christus
Geseling van Christus
Denys Calvaert
brush on chalk, ink, paper · 1560
Rijksmuseum
Cupid Drawing His Bow
Cupid Drawing His Bow
Federico Barocci
black chalk with pastel (stumped in places), heightened with white chalk, squared with black chalk; framing lines in graphite · 1560
Cleveland Museum of Art
Group of Figures (recto) Fragment of a Female Head (verso)
Group of Figures (recto) Fragment of a Female Head (verso)
Niccolò Martinelli, called il Trometta, Italian
Pen and brown ink and brush and brown wash, with black chalk and touches of graphite, heightened with lead white (partially oxidized) (verso), Red and brown and black and white chalk, with graphite (recto) on blue laid paper · 1560
Art Institute of Chicago
Portrait of a Lady
Portrait of a Lady
Giovanni Antonio Fasolo
Oil on canvas · 1560
Art Institute of Chicago
Portrait of a Man
Portrait of a Man
Anthonis Mor
Oil on panel · 1560
Art Institute of Chicago
Christ Child: Study for the Madonna di San Giovanni
Christ Child: Study for the Madonna di San Giovanni
Federico Barocci
Black and red chalk, with pastel and stumping, on greenish-blue laid paper · 1560
Art Institute of Chicago
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