Database / Artworks
Artworks
Racehorse: Coming Back to the Stands
Robert Riger
Chromogenic print · 1952
Art Institute of Chicago
Study for "Woman VI"
Willem de Kooning
Collage of charcoal and pastel on cut Italia Umbria paper with traces of oil on Italia Umbria paper · 1952
Art Institute of Chicago
Tableau Vert
Ellsworth Kelly
Oil on wood · 1952
Art Institute of Chicago
T Chair
Douglas Kelley
Steel and leather · 1952
Art Institute of Chicago
Side Chair
Harry Bertoia
Steel and naugahyde · 1952
Art Institute of Chicago
Ottoman
Harry Bertoia
Steel · 1952
Art Institute of Chicago
Untitled (recto); Sketch of a Figure (verso)
Theodore Roszak
Pen and black ink and brush and brown, black and gray wash (recto), and brush and black wash (verso), on grayish-cream wove card · 1952
Art Institute of Chicago
The Tall Building's Effect on Scale, Perspective
Myron Goldsmith
Ink on illustration board · 1952
Art Institute of Chicago
Thesis Project, Effects of Scale, End Elevation
Myron Goldsmith
Ink on illustration board · 1952
Art Institute of Chicago
Thesis Project, Effects of Scale, Plans
Myron Goldsmith
Ink on illustration board · 1952
Art Institute of Chicago
Thesis Project, Effects of Scale, Plans
Myron Goldsmith
Ink on illustration board · 1952
Art Institute of Chicago
Thesis Project, Effects of Scale, Bridge Span Diagrams
Myron Goldsmith
Ink on illustration board · 1952
Art Institute of Chicago
Thesis Project, Effects of Scale, Side Elevation
Myron Goldsmith
Ink on illustration board · 1952
Art Institute of Chicago
Thesis Project, Effects of Scale, Weight/Span Graphs
Myron Goldsmith
Ink on illustration board · 1952
Art Institute of Chicago
Thesis Project, Effects of Scale, Section
Myron Goldsmith
Ink on illustration board · 1952
Art Institute of Chicago
Thesis Project, Effects of Scale, Elevations
Myron Goldsmith
Ink on illustration board · 1952
Art Institute of Chicago
Thesis Project, Effects of Scale, Elevations
Myron Goldsmith
Ink on illustration board · 1952
Art Institute of Chicago
Thesis Project, Effects of Scale, Weight/Capacity Graphs
Myron Goldsmith
Ink on illustration board · 1952
Art Institute of Chicago
Basket Wall Clock (model no. 2215)
George Nelson
Wicker, wood, enameled metal, metal, and clock parts · 1952
Art Institute of Chicago
Cranberrying Plate, New England Industries Series
Clare Veronica Hope Leighton
Porcelain · 1952
Art Institute of Chicago
Marble Quarrying Plate, New England Industries Series
Clare Veronica Hope Leighton
Porcelain · 1952
Art Institute of Chicago
Farming Plate, New England Industries Series
Clare Veronica Hope Leighton
Porcelain · 1952
Art Institute of Chicago
Logging Plate, New England Industries Series
Clare Veronica Hope Leighton
Porcelain · 1952
Art Institute of Chicago
Shipbuilding Plate, New England Industries Series
Clare Veronica Hope Leighton
Porcelain · 1952
Art Institute of Chicago