Database / Artworks
Artworks
Abraham Francen
Rembrandt van Rijn
etching, drypoint and burin on Japan paper · 1657
National Gallery of Art
Saint Francis beneath a Tree Praying
Rembrandt van Rijn
drypoint and etching · 1657
National Gallery of Art
Cardinal Antonio Barberini
Robert Nanteuil
engraving · 1657
National Gallery of Art
Godefroi-Maurice, Duc de Bouillon
Robert Nanteuil
engraving · 1657
National Gallery of Art
Nicholas Potier de Novion
Robert Nanteuil
engraving · 1657
National Gallery of Art
Francois Lotin
Robert Nanteuil
engraving · 1657
National Gallery of Art
Denis de La Barde
Robert Nanteuil
engraving · 1657
National Gallery of Art
Leonor Goyon de Matignon
Robert Nanteuil
engraving · 1657
National Gallery of Art
L'Abbe Michel de Marolles
Robert Nanteuil
engraving · 1657
National Gallery of Art
Claude Thevenin
Robert Nanteuil
engraving · 1657
National Gallery of Art
Cartouche met twee mannen die vis sorteren
Pieter Jansz.
pen on paper, ink · 1657
Rijksmuseum
Langwerpige cartouche met drie putti
Pieter Jansz.
brush on paper, ink, deck paint · 1657
Rijksmuseum
Landscape in the style of Huang Gongwang
Wang Jian
Hanging scroll; ink and color on paper · 1657
The Metropolitan Museum of Art
A Cottage in the Woods
Meindert Hobbema
oil on canvas · 1657
Cleveland Museum of Art
Soldiers on Horseback
Johann Heinrich Roos, German
Red chalk counterproof on ivory laid paper, laid down on ivory laid card · 1657
Art Institute of Chicago
Biblia Sacra
Christoffel van Sichem, II
1657
The Metropolitan Museum of Art
Herders bij een drinkbak
Hendrik Verschuring
brush on paper · 1657
Rijksmuseum
Cardinal Richelieu
Robert Nanteuil
engraving · 1657
Cleveland Museum of Art
Pompone II de Bellièvre
Robert Nanteuil
Engraving on paper · 1657
Art Institute of Chicago
Rush Gatherers
Nicolaes Berchem, Dutch
oil on canvas · 1657
Cleveland Museum of Art
Saint Paul the Hermit
Mattia Preti, Italian
oil on canvas · 1657
Cleveland Museum of Art
Soldiers on Horseback
Johann Heinrich Roos
Red chalk counterproof on ivory laid paper, laid down on ivory laid card · 1657
Art Institute of Chicago
Study for Polycrates’ Crucifixion
Salvator Rosa
Pen and brown iron gall ink on tan laid paper, laid down on cream laid paper · 1657
Art Institute of Chicago
Study for Polycrates’ Crucifixion
Salvator Rosa
Pen and brown iron gall ink, with brush and brown wash, over traces of graphite on buff laid paper, laid down on cream laid paper · 1657
Art Institute of Chicago