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Artworks

A Magnificent Palatial Interior
Giovanni Battista Piranesi
pen and brown ink with brown wash with graphite over red chalk, touches of black chalk on laid paper, incised · 1748
National Gallery of Art

Gentleman with a Riding Crop
Pierre Alexandre Wille
red chalk on laid paper · 1748
National Gallery of Art

Roman Statue of a Standing Woman
Jacques-Louis David
laid paper · 1748
National Gallery of Art

Roman Statue of a Muse (Anchyrrhoe)
Jacques-Louis David
pen · 1748
National Gallery of Art

Tempio antico
Giovanni Battista Piranesi
etching, engraving, drypoint · 1748
National Gallery of Art

The Life of Ignatius Loyola
Egid Quirin Asam
paintbrush · 1748
National Gallery of Art

Lady Jane Grey
George Vertue
engraving · 1748
National Gallery of Art

Gulielmus Hogarth
William Hogarth
etching and engraving · 1748
National Gallery of Art

Spaccato interno della Basilica di S. Paolo fuori delle Mura
Giovanni Battista Piranesi
etching · 1748
National Gallery of Art

A View of the Wrekin Hill from Ercall, Shropshire
Jean Baptiste Claude Chatelain
Graphite, ink and watercolour on paper · 1748
Tate

O the Roast Beef of Old England (‘The Gate of Calais’)
William Hogarth
Oil paint on canvas · 1748
Tate
Charles Apthorp
Robert Feke
oil paint · 1748
Cleveland Museum of Art
Tempio di Diana
Giovanni Battista Piranesi, Italian
etching and engraving · 1748
Cleveland Museum of Art

Susano-o no Mikoto Killing the Eight-headed Dragon
Torii Kiyomasu II
Color woodblock print; hosoban · 1748
Art Institute of Chicago

The Smoking Peasant
Johann Gottlieb Glume, German
Etching · 1748
The Metropolitan Museum of Art

Carl Philipp Glume, the Artist's Brother
Johann Gottlieb Glume, German
Etching · 1748
The Metropolitan Museum of Art

Study of a Triton
Studio of François Boucher
Black chalk, with stumping with traces of red chalk, heightened with white chalk and traces of graphite, on tan laid paper · 1748
Art Institute of Chicago
Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma
Stefano Pozzi
etching and engraving · 1748
Cleveland Museum of Art

Chimneypiece, in Chippendale Drawings, Vol. I
Thomas Chippendale
Graphite · 1748
The Metropolitan Museum of Art

Pier Glass Frame, in Chippendale Drawings, Vol. I
Thomas Chippendale
Graphite · 1748
The Metropolitan Museum of Art

Study of a Triton
François Boucher, French
Black chalk, with stumping with traces of red chalk, heightened with white chalk and traces of graphite, on tan laid paper · 1748
Art Institute of Chicago
Wild Sow and Her Young Attacked by Dogs
Jean-Baptiste Oudry, French
Pen and brown and gray ink, brown and gray wash, heightened with white gouache on light brown laid paper · 1748
Cleveland Museum of Art

Sugar Bowl and Stand
Manufacture de porcelaine de Vincennes
Soft-paste porcelain, underglaze blue ground, and gilding · 1748
Art Institute of Chicago

Judgment of Paris
Simon Francis Ravenet
Enameled copper · 1748
The Metropolitan Museum of Art