Database / Artworks
Artworks
Sanan cuchilladas mas no malas palabras (Wounds Heal Quicker than Hasty Words)
Francisco Goya
etching and burnished aquatint [trial proof printed posthumously circa 1854-1863] · 1816
National Gallery of Art
Dios los cria y ellos se juntan (God Creates Them and They Join Up Together)
Francisco Goya
etching, burnished aquatint and burin [trial proof printed posthumously circa 1854-1863] · 1816
National Gallery of Art
Disparate de Carnabal (Carnival Folly)
Francisco Goya
etching and aquatint [trial proof printed posthumosuly circa 1854-1863] · 1816
National Gallery of Art
Modo de volar (A Way of Flying)
Francisco Goya
etching, aquatint and (drypoint?) [trial proof printed posthumously circa 1854-1863] · 1816
National Gallery of Art
Disparate claro (Clear Folly)
Francisco Goya
etching, burnished aquatint and lavis [trial proof printed posthumously circa 1854-1863] · 1816
National Gallery of Art
El caballo raptor (The Horse-Abductor)
Francisco Goya
etching, burnished aquatint and drypoint [trial proof printed posthumously circa 1854-1863] · 1816
National Gallery of Art
Disparate pobre (Poor Folly)
Francisco Goya
etching, burnished aquatint, drypoint and burin [trial proof printed posthumously circa 1854-1863] · 1816
National Gallery of Art
Disparate allegre (Merry Folly)
Francisco Goya
etching, burnished aquatint and drypoint [trial proof printed posthumously circa 1854-1863] · 1816
National Gallery of Art
Los ensacados (The Men in Sacks)
Francisco Goya
etching and burnished aquatint [trial proof printed posthumously circa 1854-1863] · 1816
National Gallery of Art
Disparate general (General Folly)
Francisco Goya
etching and burnished aquatint [trial proof printed posthumously circa 1854-1863] · 1816
National Gallery of Art
Disparate desordenado (Disorderly Folly)
Francisco Goya
etching, aquatint and drypoint [trial proof printed posthumously circa 1854-1863] · 1816
National Gallery of Art
Bobalicon (Simpleton)
Francisco Goya
etching, burnished aquatint, burin and (drypoint?) [trial proof printed posthumously circa 1854-1863] · 1816
National Gallery of Art
Disparate furioso (Furious Folly)
Francisco Goya
etching and burnished aquatint [trial proof printed posthumously circa 1854-1863] · 1816
National Gallery of Art
Disparate volante (Flying Folly)
Francisco Goya
etching and aquatint [trial proof printed posthumoously circa 1854-1863] · 1816
National Gallery of Art
Disparate ridiculo (Ridiculous Folly)
Francisco Goya
etching, aquatint and drypoint [trial proof printed posthumously circa 1854-1863] · 1816
National Gallery of Art
Disparate de miedo (Folly of Fear)
Francisco Goya
etching, aquatint and (drypoint?) [trial proof printed posthumously circa 1854-1863] · 1816
National Gallery of Art
Disparate femenino (Feminine Folly)
Francisco Goya
etching, aquatint and (drypoint?) (trial proof printed posthumously circa 1854-1863] · 1816
National Gallery of Art
Gabriel Cortois de Pressigny
Jean-Auguste-Dominique Ingres
etching on laid paper · 1816
National Gallery of Art
Gabriel Cortois de Pressigny
Jean-Auguste-Dominique Ingres
etching on wove paper · 1816
National Gallery of Art
Dos grupos de picadores arrollados de seguida por un solo toro (Two Teams of Picadors Thrown One after the Other by a Single Bull)
Francisco Goya
etching, burnished aquatint, drypoint and burin [first edition impression] · 1816
National Gallery of Art
La desgraciada muerte de Pepe Illo en la plaza de Madrid (The Unlucky Death of Pepe Illo in the Ring at Madrid)
Francisco Goya
etching, burnished aquatint, drypoint and burin [first edition impression] · 1816
National Gallery of Art
Banderillas de fuego (Banderillas with Firecrackers)
Francisco Goya
etching, burnished aquatint, lavis, drypoint and burin [first edition impression] · 1816
National Gallery of Art
Pedro Romero matando a toro parado (Pedro Romero Killing the Halted Bull)
Francisco Goya
etching, aquatint, drypoint and burin [first edition impression] · 1816
National Gallery of Art
Pepe Illo haciendo el recorte al toro (Pepe Illo Making the Pass of the "Recorte")
Francisco Goya
etching, burnished aquatint, drypoint and burin [first edition impression] · 1816
National Gallery of Art