Database / Artworks

Artworks

263 records
Dutch View
Dutch View
Maxime Lalanne
pen and black ink heightened with white · 1827
National Gallery of Art
Farmyard Fowls
Farmyard Fowls
John James Audubon
oil paint · 1827
National Gallery of Art
Dans un parc
Dans un parc
Maxime Lalanne
etching on laid paper · 1827
National Gallery of Art
The Battle of the Giaour and the Pasha (Combat du Giaour et du Pacha)
The Battle of the Giaour and the Pasha (Combat du Giaour et du Pacha)
Eugene Delacroix
lithograph · 1827
National Gallery of Art
George Cumberland's Card
George Cumberland's Card
William Blake
engraving in brown · 1827
National Gallery of Art
George Cumberland's Card
George Cumberland's Card
William Blake
engraving in black · 1827
National Gallery of Art
The Circle of the Traitors; Dante's Foot Striking Bocca degli Abbate
The Circle of the Traitors; Dante's Foot Striking Bocca degli Abbate
William Blake
engraving · 1827
National Gallery of Art
The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the st
The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the st
William Blake
engraving · 1827
National Gallery of Art
The Circle of the Thieves; Agnolo Brunelleschi Attacked by a Six-Footed Serpent
The Circle of the Thieves; Agnolo Brunelleschi Attacked by a Six-Footed Serpent
William Blake
engraving · 1827
National Gallery of Art
The Circle of the Thieves; Agnolo Brunelleschi Attacked by a Six-Footed Serpent
The Circle of the Thieves; Agnolo Brunelleschi Attacked by a Six-Footed Serpent
William Blake
engraving · 1827
National Gallery of Art
The Circle of the Traitors; Dante's Foot Striking Bocca degli Abbate
The Circle of the Traitors; Dante's Foot Striking Bocca degli Abbate
William Blake
engraving · 1827
National Gallery of Art
The Circle of the Corrupt Officials; the Devils Tormenting Ciampolo
The Circle of the Corrupt Officials; the Devils Tormenting Ciampolo
William Blake
engraving · 1827
National Gallery of Art
The Circle of the Corrupt Officials; the Devils Mauling Each Other
The Circle of the Corrupt Officials; the Devils Mauling Each Other
William Blake
engraving · 1827
National Gallery of Art
The Circle of the Corrupt Officials; the Devils Tormenting Ciampolo
The Circle of the Corrupt Officials; the Devils Tormenting Ciampolo
William Blake
engraving · 1827
National Gallery of Art
The Circle of the Lustful: Paolo and Francesca
The Circle of the Lustful: Paolo and Francesca
William Blake
engraving · 1827
National Gallery of Art
The Circle of the Lustful: Paolo and Francesca
The Circle of the Lustful: Paolo and Francesca
William Blake
engraved copper plate · 1827
National Gallery of Art
The Circle of the Thieves; Agnolo Brunelleschi Attacked by a Six-Footed Serpent
The Circle of the Thieves; Agnolo Brunelleschi Attacked by a Six-Footed Serpent
William Blake
engraved copper plate · 1827
National Gallery of Art
The Circle of the Corrupt Officials; the Devils Mauling Each Other
The Circle of the Corrupt Officials; the Devils Mauling Each Other
William Blake
engraved copper plate · 1827
National Gallery of Art
The Circle of the Thieves; Buoso Donati Attacked by the Serpent
The Circle of the Thieves; Buoso Donati Attacked by the Serpent
William Blake
engraved copper plate · 1827
National Gallery of Art
The Circle of the Corrupt Officials; the Devils Tormenting Ciampolo
The Circle of the Corrupt Officials; the Devils Tormenting Ciampolo
William Blake
engraved copper plate · 1827
National Gallery of Art
The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the st
The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the st
William Blake
engraved copper plate · 1827
National Gallery of Art
The Circle of the Traitors; Dante's Foot Striking Bocca degli Abbate
The Circle of the Traitors; Dante's Foot Striking Bocca degli Abbate
William Blake
engraved copper plate · 1827
National Gallery of Art
Bust of William Bewick
Bust of William Bewick
John Gibson
Marble · 1827
Tate
Study for ‘Christ and the Woman of Samaria’
Study for ‘Christ and the Woman of Samaria’
George Richmond
Ink on paper · 1827
Tate
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