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Artworks

Caida de un picador de su caballo debajo del toro (A Picador is Unhorsed and Falls under the Bull)
Francisco Goya
etching, burnished aquatint and drypoint [first edition impression] · 1816
National Gallery of Art

El celebre Fernando del Toro, barilarguero, obligando a la fiera con su garrocha (The celebrated Picador, Fernando del Toro, Draws the Fierce Beast on with His Pique)
Francisco Goya
etching, burnished aquatint, drypoint and burin [first edition impression] · 1816
National Gallery of Art

El esforzado Rendon picando un toro, de cuya suerte murio en plaza de Madrid (The Forceful Rendon Stabs a Bull with the Pique, from Which Pass He Died in the Ring at Madrid)
Francisco Goya
etching, burnished aquatint, and burin [first edition impression] · 1816
National Gallery of Art

Mariano Ceballos, alias el Indio, mata el toro desde su caballo (Mariano Ceballos, Alias the Indian, Kills the Bull from His Horse)
Francisco Goya
etching and burnished aquatint [first edition impression] · 1816
National Gallery of Art

El mismo Ceballos montado sobre otro toro quiebra rejones en la plaza de Madrid (The Same Ceballos Mounted on Another Bull Breaks Short Spears in the Ring at Madrid)
Francisco Goya
etching, burnished aquatint, drypoint and burin [first edition impression] · 1816
National Gallery of Art

Echan perros al toro (They Loose Dogs on the Bull)
Francisco Goya
etching, burnished aquatint and drypoint [first edition impression] · 1816
National Gallery of Art

Ligereza y atrevimiento de Juanito Apinani en la de Madrid (The Agility and Audacityof Juanito Apinani in the Ring at Madrid)
Francisco Goya
etching and aquatint [first edition impression] · 1816
National Gallery of Art

Desgracias acaecidas en el tendido de la plaza de Madrid, y muerte del alcalde de Tor rejon (Dreadful events in the Front Rows of the Ring at Madrid and Death of the Mayor of Torrejon)
Francisco Goya
etching, burnished aquatint, lavis, drypoint and burin [first edition impression] · 1816
National Gallery of Art

Valor varonil de la celebre Pajuelera en la de Zaragoza (Manly Courage of the Celebrated Pajuelera in the Ring at Saragossa)
Francisco Goya
etching, burnished aquatint, drypoint and burin [first edition impression] · 1816
National Gallery of Art

Palenque de los moros hecho con burros para defenderse del toro embolado (The Moors Use Donkeys as a Barrier to Defend Themselves against the Bull Whose Horns have been Tipped with Balls)
Francisco Goya
etching, burnished aquatint, drypoint and burin [first edition impression] · 1816
National Gallery of Art

Temeridad de martincho en la plaza de Zaragoza (The Daring of Martincho in the Ring a t Saragossa)
Francisco Goya
etching, burnished aquatint and drypoint [first edition impression] · 1816
National Gallery of Art

Otra locura suya en la misma plaza (Another Madness of His in the Same Ring)
Francisco Goya
etching, burnished aquatint, drypoint and burin [first edition impression] · 1816
National Gallery of Art

El mismo vuelca un toro en la plaza de Madrid (The Same Man Throws a Bull in the Ring at Madrid)
Francisco Goya
etching, burnished aquatint, drypoint and burin [first edition impression] · 1816
National Gallery of Art

El diestrisimo estudiante de Falces, embozadoburla al toro con sus quiebros (The Very Skillful Student of Falces, Wrapped in His Cape, Tricks the Bull with the Play of His Body)
Francisco Goya
etching, aquatint, drypoint and burin [first edition impression] · 1816
National Gallery of Art

El famoso Martincho poniendo banderillas al quiebro (The Famous Martincho Places the Banderillas Playing the Bull with the Movement of His Body)
Francisco Goya
etching, burnished aquatint, drypoint and burin [first edition impression] · 1816
National Gallery of Art

El Cid Campeador lanceando otro toro (The Cid Campeador Spearing Another Bull)
Francisco Goya
etching, burnished aquatint and burin [first edition impression] · 1816
National Gallery of Art

Desjarrete de la canalla con lanzas, medias-lunas, banderillas y otras armas (The Rabble Hamstring the Bull with Lances, Sickles, Banderillas and Other Arms)
Francisco Goya
etching, burnished aquatint and drypoint [first edition impression] · 1816
National Gallery of Art

Un caballero espanol en plaza quebrando rejoncillos sin auxilio de los chulos (A Spanish Mounted Knight in the Ring Breaking Short Spears without the Help of Assistants)
Francisco Goya
etching, burnished aquatint, drypoint and burin [first edition impression] · 1816
National Gallery of Art

Carlos V. lanceando un toro en la plaza de Valladolid (Charles V Spearing a Bull in the Ring at Valladolid)
Francisco Goya
etching, burnished aquatint, drypoint and burin [first edition impression] · 1816
National Gallery of Art

Un caballero espanol mata un toro despues de haber perdido el caballo (A Spanish Knight Kills the Bull after Having Lost His Horse)
Francisco Goya
etching, burnished aquatint and burin [first edition impression] · 1816
National Gallery of Art

Cogida de un moro estando en la plaza (A Moor Caught by the Bull in the Ring)
Francisco Goya
etching, burnished aquatint and drypoint [first edition impression] · 1816
National Gallery of Art

Origen de los arpones o banderillas (Origin of the Harpoons or Banderillas)
Francisco Goya
etching, burnished aquatint and burin [first edition impression] · 1816
National Gallery of Art

El animoso moro Gazul es el primero que lanceo toros en regla (The Spirited Moor Gazul is the First to Spear Bulls According to Rules)
Francisco Goya
etching, burnished aquatint and drypoint [first edition impression] · 1816
National Gallery of Art

Los Moros hacen otro capeo en plaza con su albornoz (The Moors Make a Different Play in the Ring Calling the Bull with Their Burnous)
Francisco Goya
etching, burnished aquatint and drypoint [first edition impression] · 1816
National Gallery of Art