Database / Artworks
Artworks

The Muff
James McNeill Whistler
Drypoint in black on ivory laid paper · 1874
Art Institute of Chicago

Dead Child
Camille Pissarro
Lithograph in black on grayish-ivory wove China paper · 1874
Art Institute of Chicago

Zee, in een baai, met schepen voor de rotsige kust
Henri Rivière
brush on paper, deck paint, watercolor (paint) · 1874
Rijksmuseum

At Concarneau, Finistère
Maxime Lalanne
Etching on cream Japanese paper · 1874
Art Institute of Chicago

Still Life with Fruit and Wine Jug
Adolphe Joseph Thomas Monticelli
Oil on panel · 1874
Art Institute of Chicago

Shoshone Falls, Snake River, Idaho. Gorge and natural bridge, in the fore-ground, No. 50 from the series "Geographical Explorations and Surveys West of the 100th Meridian"
Timothy O'Sullivan
Albumen print, stereo · 1874
Art Institute of Chicago

Shoshone Falls, Snake River, Idaho, Main Fall, 210 feet from upper to lower level, width of fall, 800 feet from upper to lower level; Height of Cañon wall at the falls, 1.000 feet. A number of minor falls, Islands, and boulder rocks above the main fall add beauty to the lonely majesty of this scene, No. 48 from the series "Geographical Explorations and Surveys West of the 100th Meridian"
Timothy O'Sullivan
Albumen print, stereo · 1874
Art Institute of Chicago

Shoshone Falls, Snake River, Idaho, looking through the timber, and showing the main fall, and upper or "Lace Falls", No. 49 from the series "Geographical Explorations and Surveys West of the 100th Meridian"
Timothy O'Sullivan
Albumen print, stereo · 1874
Art Institute of Chicago

Le Pont de Bercy
Anthelme Trimolet
Etching and drypoint on laid paper · 1874
Art Institute of Chicago

Fragment (Furnishing Fabric)
Hablot Knight Browne
Cotton, plain weave; roller and engraved roller printed; glazed · 1874
Art Institute of Chicago

Imogen
Erastus Dow Palmer
Bronze · 1874
Art Institute of Chicago

Florence Leyland
James McNeill Whistler
Drypoint with foul biting in black ink on ivory laid paper · 1874
Art Institute of Chicago

Fanny Leyland
James McNeill Whistler
Drypoint in black ink on ivory laid paper · 1874
Art Institute of Chicago

Lost Lakes, head of Conejos Cañon, Colorado, in the Sierra San Juan range, near divide between Conejos and south fork of Alamosa Rivers, surrounded by forest of Douglass spruce, and approximately 11.000 feel above sea-level, No. 37 from the series "Geographical Explorations and Surveys West of the 100th Meridian"
Timothy O'Sullivan
Albumen print, stereo · 1874
Art Institute of Chicago

Roman Catholic Church, Plaza of Guadaloupe, Guadaloupe Co., Colorado. Built not many years since of adobes. Dimensions, length 120 feet; width 60 feet; height 25 feet. Grave yard in the foreground surrounded by an abode wall about 6 feet in height, No. 34 from the series "Geographical Explorations and Surveys West of the 100th Meridian"
Timothy O'Sullivan
Albumen print, stereo · 1874
Art Institute of Chicago

Beaver Lake, Conejos Cañon, Colorado, 9.000 feet above sea-level, and 30 miles from mouth of Cañon, No. 35 from the series "Geographical Explorations and Surveys West of the 100th Meridian"
Timothy O'Sullivan
Albumen print, stereo · 1874
Art Institute of Chicago

Cañon, Valley of the Conejos River, looking south from vicinity of "Lost Lakes", No. 36 from the series "Geographical Explorations and Surveys West of the 100th Meridian"
Timothy O'Sullivan
Albumen print, stereo · 1874
Art Institute of Chicago

Pah-ge, a Ute Squaw, of the Kah-poh-teh band, Northern New Mexico, No. 39 from the series "Geographical Explorations and Surveys West of the 100th Meridian"
Timothy O'Sullivan
Albumen print, stereo · 1874
Art Institute of Chicago

One of the group of Pagosa Hot Springs, showing incrustation on the surface. Much prized by the Indians and miners on account of supposed healing qualities. Principal mineral element, Sulphate of Soda, No. 38 from the series "Geographical Explorations and Surveys West of the 100th Meridian"
Timothy O'Sullivan
Albumen print, stereo · 1874
Art Institute of Chicago

Ute Braves, of the Kah-poh-teh band, Northern New Mexico, in "full dress", No. 40 from the series "Geographical Explorations and Surveys West of the 100th Meridian"
Timothy O'Sullivan
Albumen print, stereo · 1874
Art Institute of Chicago

Jicarilla Apache Brave and Squaw, lately wedded. Abiquiu Agency, New Mexico
Timothy O'Sullivan
Albumen print, stereo · 1874
Art Institute of Chicago

Alpine lakes, and mountain scenery, in the Cerro Blanco Mountains, Colorado, 13.000 feet above sea-level, No. 47 from the series "Geographical Explorations and Surveys West of the 100th Meridian"
Timothy O'Sullivan
Albumen print, stereo · 1874
Art Institute of Chicago

Shee-zah-nan-tan, Jicarilla Apache Brave in characteristic Costume, Northern New Mexico, No. 42 from the series "Geographical Explorations and Surveys West of the 100th Meridian"
Timothy O'Sullivan
Albumen print, stereo · 1874
Art Institute of Chicago

Baldy Peak, Cerro Blanco Mountains, Colorado, 14.234 feet above sea-level. Limit in altitude of vegetation about 11.000 feet, No. 46 from the series "Geographical Explorations and Surveys West of the 100th Meridian"
Timothy O'Sullivan
Albumen print, stereo · 1874
Art Institute of Chicago